In 2014, a resurgent and bellicose Russia took over Crimea and fueled a civil war in Eastern Ukraine; post-Saddam Iraq lost a third of its territory to an army of hyper-violent millennialists; and the peace process in Israel seemed to completely collapse. In short, the post-Cold War security order that the US had constructed after 1991 seemed to be coming apart at the seams. David Kilcullen was one of the architects of America's strategy in the late phases of the second Gulf War, and he has also spent time in Afghanistan and other hotspots. In Blood Year, he provides a wide-angle view of the current situation in the Middle East and analyzes how America and the West ended up in such dire circumstances. Kilcullen lays much of the blame on Bush's initial decision to invade Iraq (which had negative secondary effects in Afghanistan), but also takes Obama to task for simply withdrawing and adopting a "leading from behind" strategy. As events have proven, Kilcullen contends, withdrawal was a fundamentally misguided plan. The U.S. had uncorked the genie, and it had a responsibility to at least attempt to keep it under control. Instead, the U.S. is at a point where administration officials state that the losses of Ramadi and Palmyra are manageable setbacks. Kilcullen argues that the U.S. needs to re-engage in the region, whether it wants to or not, because it is largely responsible for the situation that is now unfolding. Blood Year is an essential read for anyone interested in understanding not only why the region that the U.S. invaded a dozen years ago has collapsed into utter chaos, but also what the U.S. can do to alleviate the grim situation.

A clear-eyed view of the conflict in Afghanistan and its century-deep roots. The war in Afghanistan has consumed vast amounts of blood and treasure, causing the Western powers to seek an exit without achieving victory. Seemingly never-ending, the conflict has become synonymous with a number of issues — global jihad, rampant tribalism, and the narcotics trade — but even though they are cited as the causes of the conflict, they are in fact symptoms. Rather than beginning after 9/11 or with the Soviet “invasion” in 1979, the current conflict in Afghanistan began with the social reforms imposed by Amanullah Amir in 1919. Western powers have failed to recognize that legitimate grievances are driving the local population to turn to insurgency in Afghanistan. The issues they are willing to fight for have deep roots, forming a hundred-year-long social conflict over questions of secularism, modernity, and centralized power. The first step toward achieving a “solution” to the Afghanistan “problem” is to have a clear-eyed view of what is really driving it.

In Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf gathers thirty tales in which vampires of all varieties make their ghastly presence felt.

"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review

Last year was a 'blood year' in the Middle East - massacres and beheadings, fallen cities, collapsed and collapsing states, the unravelling of a decade of Western strategy. We saw the rise of ISIS, the splintering of government in Iraq, and foreign fighters - many from Europe, Australia and Africa - flowing into Syria at a rate ten times that during the height of the Iraq War. What went wrong? In Blood Year, David Kilcullen calls on twenty - five years' experience to answer that question. This is a vivid, urgent account of the War on Terror by someone who helped shape its strategy, as well as witnessing its evolution on the ground. Kilcullen looks to strategy and history to make sense of the crisis. What are the roots and causes of the global jihad movement? What is ISIS? What threats does it pose to Australia? What does its rise say about the effectiveness of the War on Terror since 9/11, and what does a coherent strategy look like after a disastrous year? 'As things stand in mid - 2015, Western countries ... face a larger, more unified, capable, experienced and savage enemy, in a less stable, more fragmented region. It isn't just ISIS - al - Qaeda has emerged from its eclipse and is back in the game in Afghanistan, Pakistan, India, Syria and Yemen. We're dealing with not one, but two global terrorist organisations, each with its own regional branches, plus a vastly larger radicalised population at home and a massive flow of foreign fighters.' - David Kilcullen, Blood Year.

Last year was a “blood year” in the Middle East – massacres and beheadings, fallen cities, collapsed and collapsing states, the unravelling of a decade of Western strategy. We saw the rise of ISIS, the splintering of government in Iraq, and foreign fighters – many from Europe, Australia and Africa – flowing into Syria at a rate ten times that during the height of the Iraq War. What went wrong? In Blood Year, David Kilcullen calls on twenty-five years’ experience to answer that question. This is a vivid, urgent account of the War on Terror by someone who helped shape its strategy, as well as witnessing its evolution on the ground. Kilcullen looks to strategy and history to make sense of the crisis. What are the roots and causes of the global jihad movement? What is ISIS? What threats does it pose to Australia? What does its rise say about the effectiveness of the War on Terror since 9/11, and what does a coherent strategy look like after a disastrous year? “As things stand in mid-2015, Western countries . . . face a larger, more unified, capable, experienced and savage enemy, in a less stable, more fragmented region. It isn’t just ISIS – al-Qaeda has emerged from its eclipse and is back in the game in Afghanistan, Pakistan, India, Syria and Yemen. We’re dealing with not one, but two global terrorist organisations, each with its own regional branches, plus a vastly larger radicalised population at home and a massive flow of foreign fighters.” —David Kilcullen, Blood Year Winner of the 2015 Walkley Award for best long feature writing.

NATIONAL BESTSELLER • The gripping story of Elizabeth Holmes and Theranos—one of the biggest corporate frauds in history—a tale of ambition and hubris set amid the bold promises of Silicon Valley, rigorously reported by the prize-winning journalist. With a new Afterword covering her trial and sentencing, bringing the story to a close. “Chilling ... Reads like a thriller ... Carreyrou tells [the Theranos story] virtually to perfection.” —The New York Times Book Review In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the next Steve Jobs: a brilliant Stanford dropout whose startup “unicorn” promised to revolutionize the medical industry with its breakthrough device, which performed the whole range of laboratory tests from a single drop of blood. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at more than $9 billion, putting Holmes’s worth at an estimated $4.5 billion. There was just one problem: The technology didn’t work. Erroneous results put patients in danger, leading to misdiagnoses and unnecessary treatments. All the while, Holmes and her partner, Sunny Balwani, worked to silence anyone who voiced misgivings—from journalists to their own employees.