During their childhood years in the Kenya Highlands of the 1950s, three girls from vastly different backgrounds become blood sisters, promising that nothing will ever destroy the bond between them. But as they grow up love rivalries, broken promises and the tensions and violence of a newly independent Kenya threaten to tear their childhood dreams apart.

Three little girls. One accident. A lifetime of lies. From the bestselling author of The Dead Ex. Three little girls set off to school one sunny morning. Within an hour, one of them is dead. Fifteen years later, Kitty can't speak and has no memory of the accident that's to blame. She lives in an institution, unlikely ever to leave. But that doesn't keep her from being frightened when she encounters an eerily familiar face. Art teacher Alison looks fine on the surface. But the surface is a lie. She's struggling to make ends meet and to forget the past. When a teaching job at a prison opens up, she takes it, despite her fears. Maybe this is her chance to set things right. Then she starts to receive alarming notes; next, her classroom erupts in violence. Meanwhile, someone is watching both Kitty and Alison. Someone who never forgot what happened that day. Someone who wants revenge. And only another life will do. . .

The voices of the women who witnessed the French Revolution are finally restored to history. Yalom focuses on the most unforgettable chronicles: the governess of the royal children; the servant attending Marie-Antoinette in her last days; Robespierre's sister, Charlotte; and others bound together by a common nightmare.

A visceral and compelling mystery about a Cherokee archeologist for the Bureau of Indian Affairs who is summoned to rural Oklahoma to investigate the disappearance of two women…one of them her sister. There are secrets in the land. As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land's indigenous past, even as she’s escaping her own. While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown fifteen years ago. Though she swore she’d never go back, the past comes calling. When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home. She refuses to let her sister's disappearance, or the remains, go ignored—as so often happens in cases of missing Native women. But not everyone is glad to have Syd home, and she can feel the crosshairs on her. Still, the deeper Syd digs, the more she uncovers about a string of missing indigenous women cases going back decades. To save her sister, she must expose a darkness in the town that no one wants to face—not even Syd. The truth will be unearthed.

The Wars of the Roses, which tore apart the ruling Plantagenet family in fifteenth-century England, was truly a domestic drama, as fraught and intimate as any family feud before or since. But as acclaimed historian Sarah Gristwood reveals, while the events of this turbulent time are usually described in terms of the men who fought and died seeking the throne, a handful of powerful women would prove just as decisive as their kinfolks’ clashing armies. A richly drawn, absorbing epic, Blood Sisters reveals how women helped to end the Wars of the Roses, paving the way for the Tudor age—and the creation of modern England.

Sisters and the English Household revalues unmarried adult sisters in nineteenthcentury English literature as positive figures of legal and economic autonomy representing productive labor in the domestic space. As a crucial site of contested values, the adult unmarried sister carries the discursive weight of sustained public debates about ideals of domesticity in nineteenth-century England. Engaging scholarly histories of the family, and providing a detailed account of the 70-year Marriage with a Deceased Wife’s Sister controversy, Anne Wallace traces an alternative domesticity anchored by adult sibling relations through Dorothy Wordsworth’s journals; William Wordsworth’s poetry; Mary Lamb’s essay “On Needle-Work”; and novels by Jane Austen, Elizabeth Gaskell, Charles Dickens, Dinah Mulock Craik and George Eliot. Recognizing adult sibling relationships, and the figure of the adult unmarried sibling in the household, as primary and generative rather than contingent and dependent, and recognizing material economy and law as fundamental sources of sibling identity, Sisters and the English Household resets the conditions for literary critical discussions of sibling relations in nineteenth-century England.

The agency of this erasure is a heroic rescue of one sister by the other. In both arts the subject of female rescue is resisted and contested.