This is the story of the Irish resistance, from its beginnings through Robert Emmet's abortive rising. The book describes, in unique format, the path the resitance took to reach its modern republican character, including songs to establish the intricacies of Irish National Tradition.

A story of two sisters and their cousin.

Early August, 1799. A wilderness clearing along the Mud River...a few miles northeast of Russellville, a small town in the vast, nearly unbroken frontier of western Kentucky. A pioneer family has stopped to rest. Two men. Three women. Three babies. A string of pack horses. It has been an exhausting journey, a dangerous one at times. The men are about thirty, the women some five to ten years younger. Each woman has a baby, her own child. The children, two girls and a boy, range from four to six months in age. The day is hot. The shallow river is cool. Shade trees provide a measure of relief from the sticky humidity, the baking heat. The men stretch out along the banks of the river. The women tend to their children's needs, then place them down and stretch out themselves. Everyone drinks from the stream. They have been traveling forever. Or, at least, it seems that way. They're tired. They just want to rest before they must move out again, always pushing on, always in search of their destination in an unforgivingly harsh wilderness, battling tremendous odds against their very survival. They carry all their worldly possessions with them. True pioneers, they live off the land, taking from it what they need to eke out another day of life in the new American world of democracy and free enterprise. Suddenly, one of the babies cries. It is one of the girls, this one only four months old. One of the men rouses himself from his rest. He makes his way to the crying infant. The man is both a husband and a father, and he is with his family. A touching scene seems about to ensue. A father lovingly tending his irritable child all alone in the wilderness. A loving man doting on his daughter's needs. He picks the child up. But this is no ordinary family. And this is no ordinary man. The man is Micajah Harp, and he is wanted by the law. Even at this moment, there is a price on his head, and posses are after him. They might hear the wail of the infant and swoop down on the family and arrest them. Micajah must do something. He must silence the baby. He picks the child up by her feet and swings her against the side of the tree. Her head smashes against the unrelenting wood. The breath of life leaves her instantly. He then tosses the lifeless body into the woods. He signals the rest of the family to rise to their feet. They do so, and the family moves deeper into the wilderness. They are the Harps. America's first and most brutal serial killers. God help anyone who gets in their way. *********************************************************** They were "the most brutal monsters of the human race" to those who knew them...ruthless and indiscriminate barbarians terrorizing an innocent America...unconscionable brutes inflicting savagery upon anyone they encountered. They sought little in life save the very survival necessary to maintain their bloodlust. It mattered little where or with whom they lived. They cheated and tormented at will and killed for the sake of killing. Their adult lives became a continual exercise in abject, unrepentant evil. During a reign of horror engulfing Kentucky, Tennessee, and Illinois, they became the scourge of the late 18th-century American frontier. They killed anywhere from two dozen to four dozen men, women, and children before justice caught up with them. They were the historical prototypes of later killers - Billy the Kid, Bonnie and Clyde, and Jeffrey Dahmer - but they far exceeded them in brutality and criminal enormity. They were the Harps...Micajah, the older and bigger; Wiley, the younger and smaller...Big Harp and Little Harp, as they were commonly called. And they were America's first serial killers. This is their story. "Blood in the Wilderness: The Story of the Harps, America's First Serial Killers" includes a bibliography of seventy-five sources. It results from years of research and visits to all the sites associated with t

Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family’s yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan’s long-standing debt. Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon’s growing doubts about her husband’s quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck’s Joads left behind. In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan’s search for home—all set to the sounds of Harlan’s harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.

Lilith returns to reclaim her fresh throne, discovering that the god Bogovi has rebuilt a modern throne for them to rule their Empire, as they are still fighting Evil. Lilith promotes her sisters to goddesses and builds a special sanctuary for their transcendent relationships. As she settles in with her master, the dimensional throne recalls Bogovi for his spiritual testing. Lilith now concentrates on discovering the mysterious history of one of her goddesses, searching the hidden sea of Wisdom where she discovers an Empire changing truth. She must currently go back and free her last remaining daughter from the clutches of evil, starts the long hard War to liberate, and relocate Atlantis. Being charged with breaking inter-dimensional laws, her allies join the court hoping to free her from an eternity of damnation. She now faces portal warfare, which allows evil to enter anywhere at will. Using her new goddess of war, Iris, who commands the great armies' victory soon, is reunited with Lilith's Empire. As her previous dimension decays, Eve and Lablonta join Lilith's Empire rebuilding hope and faith for all. Bogovi completes his penance as the Empire now concentrates on providing 1,000's of more galaxies freedom and love.

From their beginnings in the dawn of time to their hour of greatest need, this is the saga of Faerun's elves. When Evermeet, the elven homeland, comes under devastating attack, Queen Amlaruil's sacrifice holds the last hope of safety. Reprint.

A “brilliant” novel of Elizabeth Bathory, the notorious sixteenth-century Hungarian aristocrat who bathed in the blood of virgins (St. Petersburg Times). Turmoil reigns in post-Soviet Hungary when journalist Drake Bathory-Kereshtur returns from America to grapple with his family history. He’s haunted by the legacy of his ancestor, the notorious sixteenth-century Countess Elizabeth Bathory, who is said to have murdered more than 650 young virgins and bathed in their blood to preserve her youth. Interweaving past and present, The Blood Countess tells the stories of Elizabeth’s debauched and murderous reign and Drake’s fascination with the eternal clashes of faith and power, violence and beauty. Codrescu traces the captivating origins of the countess’s obsessions in tandem with the emerging political fervor of the reporter, building the narratives into an unforgettable, bloody crescendo. Taut and intense, The Blood Countess is a riveting novel that deftly straddles the genres of historical fiction, thriller, horror, and family drama.