In this lush and terrifying debut—perfect for readers of The Hunger Games and Children of Blood and Bone—Camila Victoire creates a future where cruelty and spectacle hold the keys to subjugating humans on a ravaged earth. At the end of the twenty-first century, climate change and famine almost ended humanity—until the discovery of the Klujns, a barbaric, humanoid species with strangely colored eyes and even stranger abilities. Their crystal claws and bones fertilize barren soil, and their tender meat is a super-protein. Klujns are both humans’ saviors and natural-born enemies, meant to be hunted and used. When sixteen-year-old Ava finds herself on the wrong side of a military fence erected to protect the North American Territory, she’s captured by Klujns and made to participate in the Blood Race, a macabre tradition where young human hostages compete to the death for Klujn amusement. At first, she is terrified, but as Ava observes Klujn behavior that contradicts what she’s learned, she begins to wonder: Are Klujns as different as she was led to believe? And, as she fights for her life, does it matter? Inspired by four years on the road with a traveling circus, where the word itself embodies an entire culture built on dark spectacle, Camila Victoire delivers a twisted coming-of-age tale that combines elements of fantasy, magical realism, and suspense. Blood Circus will capture fans of Suzanne Collins’s The Hunger Games and Tomi Adeyemi’s Children of Blood and Bone. Its masterful worldbuilding, plot twists, and boundary-pushing Blood Race are wholly immersive—and compel readers to call their own long-held assumptions, values, and belief systems into question.

When a powerful centuries-old vampire hits Anita Blake's town, a battle of the undead ensues.

This text investigates why the Left has failed to develop a lasting popular journalism in Britain, when at one point, The Daily Herald - jointly owned by the Labour party and the TUC - was outselling any other newspaper in the world with the exception of Pravda. The Herald is viewed as the leading example of the Left's attempts to redress the imbalance of rightwing political bias in the press in the UK. From its role in 1912 as an independently owned radical paper aimed at political activists, to its transition into commercial publishing and its subsequent demise in 1964, the author examines the paper's content and background using source material in the Labour Party and TUC archives. The story of the paper's rise and fall sheds light on the wider history of the popular press and its often problematic relationship with British society and politics.

The first in an exciting series featuring the unforgettable antiquities thief Owl—a modern-day “Indiana Jane” who reluctantly navigates the hidden supernatural world—from the pen of rising urban fantasy star Kristi Charish. For fans of Kim Harrison, Jim Butcher, Jennifer Estep, Jenn Bennett, and the like. The series also includes Owl and the City of Angels and Owl and the Electric Samurai. Ex-archaeology grad student turned international antiquities thief, Alix—better known now as Owl—has one rule. No supernatural jobs. Ever. Until she crosses paths with Mr. Kurosawa, a red dragon who owns and runs the Japanese Circus Casino in Las Vegas. He insists Owl retrieve an artifact stolen three thousand years ago, and makes her an offer she can’t refuse: he’ll get rid of a pack of vampires that want her dead. A dragon is about the only entity on the planet that can deliver on Owl’s vampire problem—and let’s face it, dragons are known to eat the odd thief. Owl retraces the steps of Mr. Kurosawa’s ancient thief from Japan to Bali with the help of her best friend, Nadya, and an attractive mercenary. As it turns out though, finding the scroll is the least of her worries. When she figures out one of Mr. Kurosawa’s trusted advisors is orchestrating a plan to use a weapon powerful enough to wipe out a city, things go to hell in a hand basket fast…and Owl has to pick sides.

Join Lillaine on her journey to escape her lonely existence and join the Circus Sanguis. But be warned, the truth behind this magical circus will leave you horrified. Written by Beanie Aurora White and brought to life by Paula Andrade’s haunting artwork.

The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field. It brings together the work of over 30 scholars in this discipline, including Janet Davis, Helen Stoddart and Peta Tait, to highlight and address the field’s key historical, critical and theoretical issues. It is organised into three accessible sections, Perspectives, Precedents and Presents, which approach historical aspects, current issues, and the future of circus performance. The chapters, grouped together into 13 theme-based sub-sections, provide a clear entry point into the field and emphasise the diversity of approaches available to students and scholars of circus studies. Classic accounts of performance, including pieces by Philippe Petit and Friedrich Nietzsche, are included alongside more recent scholarship in the field. Edited by two scholars whose work is strongly connected to the dynamic world of performance, The Routledge Circus Studies Reader is an essential teaching and study resource for the emerging discipline of circus studies. It also provides a stimulating introduction to the field for lovers of circus.