A celebration of the most obscure, bizarre, and brain-busting movies ever made, this film guide features 250 in-depth reviews that have escaped the radar of people with taste and the tolerance of critics ― Goregasm! I Was a Teenage Serial Killer! Satan Claus!Die Hard Dracula! Curated by the enthusiastic minds behind BleedingSkull.com, this book gets deep into gutter-level, no-budget horror, from shot-on-VHS revelations (Eyes of the Werewolf) to forgotten outsider art hallucinations (Alien Beasts). Jam-packed with rare photographs, advertisements, and VHS sleeves (most of which have never been seen before), Bleeding Skull is an edifying, laugh-out-loud guide to the dusty inventory of the greatest video store that never existed.

BLEEDING SKULL! A 1980s Trash-Horror Odyssey is the definitive resource on 1980s trash-horror cinema. BLEEDING SKULL! features 300 in-depth reviews of movies that have escaped the radar of people with taste and the tolerance of critics. Black Devil Doll From Hell, A Night To Dismember, Heavy Metal Massacre, The Last Slumber Party — this book gets deep into gutter-level, no-budget horror, from shot-on-video (SOV) revelations (Doctor Bloodbath) to forgotten theatrical casualties (Frozen Scream). Clown midget slashers! The Indonesian Jason! A pregnant woman in a bikini who eats fried chicken before getting her fetus ripped out by a psychopath! It’s all here. And it’s all curated by the enthusiastic minds behind Bleedingskull.com, the world’s foremost authority on trash-horror obscurities. Jam-packed with rare photographs, advertisements, and VHS sleeves (most of which have never been seen), BLEEDING SKULL! is an edifying, laugh-out-loud guide through the dusty inventory of the greatest video store that never existed.

Hanna is what you'd call mentally ill. She'd call it being totally crazy. After running away to Portero, Texas to find her estranged mother, Hanna thinks this new town can't be any crazier than she is. She's wrong. Portero is haunted with doors to dimensions of the dead, and protected by demon hunters called Mortmaine. Hanna soon falls for a young Mortmaine named Wyatt, but when her mother is possessed by a murdering ghost, Hanna decides to do whatever it takes to save her, even if it means betraying the boy she loves. In the end no one will be left unscarred.

A heavily expanded edition of Joe Mellen's legendary, long out-of-print auto-trepanation memoir. A heavily expanded edition of Joe Mellen's legendary, long out-of-print auto-trepanation memoir, Bore Hole takes us deep into the dawning of the UK's psychedelic counter culture, and into a mind breaking free from the confines of a traditional English upbringing. Travelling to Morocco and Ibiza, then back to the first spring of swinging London, Joe Mellen discovers the pleasures of hashish, is captivated by the visionary intensity of LSD and, after meeting the Dutch psychedelic guru Bart Huges, attempts the ultimate head trip, the bore hole. As well as a selection of unseen archive photographs, this edition includes a new postscript, essays, appendices and a 1967 interview with Bart Huges.

"If a picture is worth a thousand words, this text speaks volumes." - Review of the First Edition, Academic Emergency Medicine *The primary visual sourcebook for diagnosis of emergency conditions *Features 700 high quality full-color photos *Covers diagnosis and clinical features for a broad spectrum of typical and atypical conditions *New to this edition: chapters on HIV, wounds and forensic evaluation, coverage of pneumonia, additional toxins, and treatment techniques

The most comprehensive, all-inclusive look at the history and evolution of shot on video horror films. In 1982, "Boardinghouse" became the first shot on video feature-length horror film ever made. Totally lensed on videotape, the film was later transferred to 16mm and blown-up to 35mm for theatrical exhibition. In 1983, David A. Prior shot "Sledgehammer" on video and eventually released the film on videotape. For the first time, analog video became the format used in motion picture productions. It was smeary, messy and it wasn't film... but it was cheap. In 1985, United Home Video boldly released "Blood Cult" with the claim it was "the first movie made for the home video market." The booming popularity of video stores coupled with a never-satisfied demand for content ensured these films longevity. Soon hundreds of titles followed, all video-created features by independent unknowns. They weren't from Hollywood. They weren't trained. But they had a lot of heart and a love for horror. And they made their own movies against the odds. For the first time EVER - "ANALOG NIGHTMARES" has brought these films together. Everything from "Boardinghouse" to "Zombie Holocaust" individually reviewed, categorized and presented chronologically by production year. Over 260 films! Featuring in-depth interviews with the filmmakers themselves - some speaking for the very first time! TIM BOGGS! MARK POLONIA! DONALD FARMER! TIM RITTER! JOEL D. WYNKOOP! DOUG STONE! ANDREA ADAMS! GARY WHITSON! DAVE CASTIGLIONE! PHIL HERMAN! ERIC STANZE! JAMES L. EDWARDS! WALTER RUETHER! TODD JASON COOK! NICK MILLARD! DAVID "THE ROCK" NELSON! RON BONK!

Essays on great figures and important issues, advances and blind alleys—from trepanation to the discovery of grandmother cells—in the history of brain sciences. Neuroscientist Charles Gross has been interested in the history of his field since his days as an undergraduate. A Hole in the Head is the second collection of essays in which he illuminates the study of the brain with fascinating episodes from the past. This volume's tales range from the history of trepanation (drilling a hole in the skull) to neurosurgery as painted by Hieronymus Bosch to the discovery that bats navigate using echolocation. The emphasis is on blind alleys and errors as well as triumphs and discoveries, with ancient practices connected to recent developments and controversies. Gross first reaches back into the beginnings of neuroscience, then takes up the interaction of art and neuroscience, exploring, among other things, Rembrandt's “Anatomy Lesson” paintings, and finally, examines discoveries by scientists whose work was scorned in their own time but proven correct in later eras.