The author seeks to clarify early Quaker views and explain how Friends came to differ so significantly in their beliefs from other English Protestants. By examining the Baptist-Quaker relationship in particular, he is able both to identify a primary link between the two and, and the same time, discover explanations for some of their dramatic differences. He draws on scores of previously unused tracts and manuscripts produced by the Baptist-Quaker disputes - materials which, in setting forth accusations, clarifications, and rebuttals, shed new light on the beliefs of the antagonists.

Bearded bomb-throwers, self-indulgent nihilists, dangerous subversives.these characteristic clichés of anarchists in the popular imagination are often reproduced in the cinema. In Film and the Anarchist Imagination, the first comprehensive survey of anarchism in film, Richard Porton deconstructs such stereotypes while offering an authoritative account of films featuring anarchist characters and motifs. From the early cinema of Griffith and René Clair, to the work of Godard, Lina Wertmüller, Lizzie Borden and Ken Loach, Porton analyzes portrayals of anarchism in film, presenting commentaries and critiques of such classics as Zéro de Conduite, Tout Va Bien, and Love and Anarchy. In addition, he provides an excellent guide to the complex traditions of anarchist thought, from Bakunin and Kropotkin to Emma Goldman and Murray Bookchin, disclosing a rich historical legacy that encompasses the Paris Commune, the Haymarket martyrs, the anarcho-syndicalists of the Spanish Civil War, as well as more familiar contemporary avatars like the Situationists and the enragés of May 1968.

Discussions of any religion can easily raise passions. But arguments tend to become even more heated when the religion under discussion is characterized as new. Divisions around the study of new religious movements (NRMs), or cults, or nontraditional or alternative or emergent religions are so acute that there is even controversy over what to call them. John Saliba strives to bring balance to these discussions by offering perspectives on new religions from different academic perspectives: history, psychology, sociology, law, theology, and counseling. This approach provides rich descriptions of a broad range of movements while demonstrating how the differing aims of the disciplines can create much of the controversy around NRMs. The new second edition has been updated and revised throughout and includes a new foreword by noted historian of religion, J. Gordon Melton. For classes in religion or the social sciences, or for interested individuals, Understanding New Religious Movements offers the most objective introduction possible.

'The present state of the old world is running up like parchment in the fire.' So declaimed Gerrard Winstanley, charismatic leader of radical religious group the Diggers, in mid-seventeenth century England: one of the most turbulent periods in that country's history. As three civil wars divided and slaughtered families and communities, as failing harvests and land reforms forced many to the edge of starvation, and as longstanding institutions like the House of Lords, the Established Church and even the monarchy were unceremoniously dismantled, so a feverish sense of living on the cusp of a new age gripped the nation."Radical Religion in Cromwell's England" is the first genuinely concise and accessible history of the fascinating ideas and popular movements which emerged during this volatile period. Names like the 'Ranters', 'Seekers', 'Diggers', 'Muggletonians' and 'Levellers' convey something of the exoticism of these associations, which although loose-knit, and in some cases short-lived, impacted on every stratum of society. Andrew Bradstock critically appraises each group and its ideas, taking into account the context in which they emerged, the factors which influenced them, and their significance at the time and subsequently. The role of political, religious, economic and military factors in shaping radical opinion is explored in full, as is the neglected contribution of women to these movements. Drawing on the author's long study of the topic, "Radical Religion in Cromwell's England" brings a remarkable era to vivid and colourful life.

Until recent facsimile printings without notes, "New English Canaan" (originally published in 1637) has been reprinted only twice, one in Peter Force's "Tracts" (1836) and in 1883 by the Massachusetts Historical Society. This book represents the first edition created from and textually-collated with all known original copies in the world; it also constitutes the first full-length biography of Thomas Morton of "Merrymount" (1576-1647?).