About Book: - Here by this Book we would like to show you the Amazing Rare & Real Heritage Photographs of India to put an Idea about Indian people thoughts regarding Indian Culture, Day to Day activities and most important aspect related to Indian Culture before & after Indian Independence from British rule. Aim behind this book is to show all that how was India before & after 100 years back? For general awareness to protect our valuable & priceless Photographic Heritage of India, worth to preserve National Importance Photographs & related documents. By not destroying and not writing anything on old rare Photographs, wherever they are kept and preserve, However Photographic Heritage Conservation is conducted by National Archives, many Libraries, Museums and ASI (Archaeological Survey of India - A Central Government Body - founded in 1861 & effectively starts working from 1870) who is responsible for Conservation, Restoration, Preservation & Reconstruction, but this is our Prime duty & help to protect our priceless Photographic Heritage for our New coming Generations for several years.In this modern era we are now able to see real World by the invention of World first Camera. Before invention of Camera the medium to see the real World, there was handmade Paintings & Painting Portrait, Scenery. Before invention of Camera we were able to see somehow similar real person face, Natural scene by handmade Paintings & Painting Portrait, Scenery etc.We are also now able to show new generation through this book more than 100 years old well preserved Black & White photographs taken from Box type Camera of black cloth & other updated Cameras. System of taking snap was lengthy & time taking process with the help of other persons. Photographer covers himself by black cloth of Box Camera when he starts taking snap shot standing in front of the object. Clear night photograph taking process was much difficult due to night darkness in comparison to day. To eliminate darkness there was perfect timing of snap shot by using fireworks, oil lanterns and wooden fire etc. before invention of electric bulb & electricity for Camera flash.

About Book: - Best Book for Indian Culture, Heritage, History, Arts, Architecture & Tourism Degree - Courses in various Universities & Management Institutes and for Tourists also. About Author: - Anurag Mathur (B.Sc., M.A. - History, PhD Level Research, Post Graduate Diploma in Hotel & Tourism Management Advance Course in Tourism from IITTM - Indian Institute of Tourism & Travel Management- Ministry of Tourism Govt. of India, New Delhi & WTO (World Tourism Organization). PGDBIM (MBA-Delhi). Ex. Lecturer of History, Hotel & Tourism Management Department at Agra University. Agra & also Numismatist (Coins Collector), Philatelist, Antiques, Rare Photographs & Paintings Collector etc, Lucknow. U.P. India. (Father of Author Anurag Mathur, Late. Shri. O.N. Mathur, Archaeological Survey of India (ASI), Govt. of India -Posted at Taj Mahal & other Historical Monuments at Agra-1975 - 89. Author Anurag Mathur's forefather was posted at Royal Imperial Court of Emperor Shaha Jahan as Finance Minister (Treasury Incharge -Shahi Khazana) as per Author's Family Tree Records & generations Chronology & rest all ancestors were educated from Kayastha family and served in Royal Mughal Court after one by one. - - Indian Culture & Heritage Information, Lucknow.

“I wrote what I wanted to read” is what I would like to say. But no. That’s not entirely true. I wrote what came to me. Every drop of ink makes a unique design on paper. Here, every poem is a linear yet random expression of myself. Some are vents, some are thoughts and some are what left dents in my mind. Black day White is a collection of my words, my ink blots. Here’s hoping that you are able to resonate with some of my thoughts and they voice your words too… one blot at a time.

A moving memoir exploring one family’s legacy of African Americans with American Indian roots. Finalist, 2024 American Legacy Book Awards, Autobiography/Memoir Black Indian, searing and raw, is Amy Tan's The Joy Luck Club and Alice Walker's The Color Purple meets Leslie Marmon Silko's Ceremony—only, this isn't fiction. Beautifully rendered and rippling with family dysfunction, secrets, deaths, alcoholism, and old resentments, Shonda Buchanan's memoir is an inspiring story that explores her family's legacy of being African Americans with American Indian roots and how they dealt with not just society's ostracization but the consequences of this dual inheritance. Buchanan was raised as a Black woman, who grew up hearing cherished stories of her multi-racial heritage, while simultaneously suffering from everything she (and the rest of her family) didn't know. Tracing the arduous migration of Mixed Bloods, or Free People of Color, from the Southeast to the Midwest, Buchanan tells the story of her Michigan tribe—a comedic yet manically depressed family of fierce women, who were everything from caretakers and cornbread makers to poets and witches, and men who were either ignored, protected, imprisoned, or maimed—and how their lives collided over love, failure, fights, and prayer despite a stacked deck of challenges, including addiction and abuse. Ultimately, Buchanan's nomadic people endured a collective identity crisis after years of constantly straddling two, then three, races. The physical, spiritual, and emotional displacement of American Indians who met and married Mixed or Black slaves and indentured servants at America's early crossroads is where this powerful journey begins. Black Indiandoesn't have answers, nor does it aim to represent every American's multi-ethnic experience. Instead, it digs as far down into this one family's history as it can go—sometimes, with a bit of discomfort. But every family has its own truth, and Buchanan's search for hers will resonate with anyone who has wondered "maybe there's more than what I'm being told."

A biography detailing Gandhi’s twenty-year stay in South Africa and his attitudes and behavior in the nation’s political context. In the pantheon of freedom fighters, Mohandas Karamchand Gandhi has pride of place. His fame and influence extend far beyond India and are nowhere more significant than in South Africa. “India gave us a Mohandas, we gave them a Mahatma,” goes a popular South African refrain. Contemporary South African leaders, including Mandela, have consistently lauded him as being part of the epic battle to defeat the racist white regime. The South African Gandhi focuses on Gandhi’s first leadership experiences and the complicated man they reveal—a man who actually supported the British Empire. Ashwin Desai and Goolam Vahed unveil a man who, throughout his stay on African soil, stayed true to Empire while showing a disdain for Africans. For Gandhi, whites and Indians were bonded by an Aryan bloodline that had no place for the African. Gandhi’s racism was matched by his class prejudice towards the Indian indentured. He persistently claimed that they were ignorant and needed his leadership, and he wrote their resistances and compromises in surviving a brutal labor regime out of history. The South African Gandhi writes the indentured and working class back into history. The authors show that Gandhi never missed an opportunity to show his loyalty to Empire, with a particular penchant for war as a means to do so. He served as an Empire stretcher-bearer in the Boer War while the British occupied South Africa, he demanded guns in the aftermath of the Bhambatha Rebellion, and he toured the villages of India during the First World War as recruiter for the Imperial army. This meticulously researched book punctures the dominant narrative of Gandhi and uncovers an ambiguous figure whose time on African soil was marked by a desire to seek the integration of Indians, minus many basic rights, into the white body politic while simultaneously excluding Africans from his moral compass and political ideals. Praise for The South African Gandhi “In this impressively researched study, two South African scholars of Indian background bravely challenge political myth-making on both sides of the Indian Ocean that has sought to canonize Gandhi as a founding father of the struggle for equality there. They show that the Mahatma-to-be carefully refrained from calling on his followers to throw in their lot with the black majority. The mass struggle he finally led remained an Indian struggle.” —Joseph Lelyveld, author of Great Soul: Mahatma Gandhi and His Struggle with India “This is a wonderful demonstration of meticulously researched, evocative, clear-eyed and fearless history writing. It uncovers a story, some might even call it a scandal, that has remained hidden in plain sight for far too long. The South African Gandhi is a big book. It is a serious challenge to the way we have been taught to think about Gandhi.” —Arundhati Roy, author of The God of Small Things