By 1939, Josef Goebbels had won the struggle for control of the propaganda process in Nazi Germany. In contrast, it took the arrival of Sefton Delmer in 1941 for anyone in Britain to understand how to use propaganda to subvert the German war effort. Through the shadowy Political Warfare Executive, the ‘black’ radio stations Delmer created lured German listeners with jazz and pornography (both banned), mixed with subversive rumours. Millions of ‘black’ leaflets – perfect forgeries of German documents, with subtly altered texts – were produced, their aim to encourage malingering, desertion and sabotage.Black Propaganda looks at the variety of propaganda used in the Second World War and explains how British and Polish intelligence worked together on a number of key security issues, including the ‘Enigma’ machine and the German V-weapons programme.

The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.

This book analyzes the factors that determined the organization, conduct and output of Nazi propaganda during World War II, in an attempt to re-assess previously inflated perceptions about the influence of Nazi propaganda and the role of the regime's propagandists in the outcome of the 1939-45 military conflict.

Here's World War II as it has never been seen before. The propaganda of the war years reflects the mood of the nations involved. The stories behind propaganda postcards are fascinating bits of history often overlooked in textbooks. These are the real thing -- showing how the Axis and Allies demonized their enemies and glorified their heroes. More than 300 postcards from over 20 nations and Menchine's incisive commentary provide a provocative glimpse into the emotional climate of the peoples affected by the war, whether they were on the battlefield or on the production line.

A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.

In this fascinating new book, bestselling author and historian Nathaniel Lande explores the Great War at the heart of the twentieth century through the prism of theater. He presents the war as a drama that evolved and developed as it progressed, a production staged and overseen by four contrasting masters: Roosevelt, Churchill, Hitler, and Stalin. Each leader used all the tools at his disposal to present his own distinctive vision of the global drama that was the Second World War. Each area of the media was fully exploited. Brilliantly conceived oratory was applied to underscore each vision. Impression management, the art of political spin, was employed to drive the message home with the careful use of black and white propaganda. Each side employed uniforms, meticulously staged events, and broadcast their messages via all media available—motion pictures, radio broadcasts, posters, leaflets, and beyond. Their ambitions were similar, but each leader had his own distinct methods, his own carefully created script for elaborately produced and often wildly successful acts and campaigns of deception to win hearts and minds on the frontlines and the home front. The result of this investigation is a wholly distinctive and often surprising work of history, a book that manages to cast a fresh light on the most obsessively studied conflict in human history.

Black propaganda appears over a fake signature, for example of a fictitious resistance organisation. In this book, the author examines the 'black arts' of Britain, Poland and the Nazis during the Second World War. By 1939, Josef Goebbels had won the struggle for control of the propaganda process in Nazi Germany. In contrast, it took the arrival of Sefton Delmer in 1941 for anyone in Britain to understand how to use propaganda to subvert the German war effort. Through the shadowy Political Warfare Executive, the 'black' radio stations Delmer created lured German listeners with jazz and pornography (both banned), mixed with subversive rumours. Millions of 'black' leaflets - perfect forgeries of German documents, with subtly altered texts - were produced, their aim to encourage malingering, desertion and sabotage. Black Propaganda explains how even before the outbreak of the Second World War, British and Polish intelligence had worked closely together on a number of key security issues that included the 'Enigma' machine and the German V-weapons programme. Following the occupation of their country, the Poles also became actively involved in the dissemination of black propaganda against Germany.