Such writers as Crowley, Lovecraft, Le Guin, Graves, and Borges offer twenty-nine stories grounded in fact and exploring historical and contemporary dimensions and practices of the black arts

When High Paladin Sorin discovers the brutally dismembered body of his cousin Alfrey, a much loved priest in the royal palace, he is left baffled as to who would do so terrible a thing to so good a man. But to find the answer to that question, he must cooperate with one of the highly despised necromancers, men who practice black magic, sleep in graveyards and feed upon souls... The necromancer Koray, however, is far from what he expected. He is beautiful, stubborn, and possessed of a tongue sharp enough to cut down even the High Paladin himself. Koray is also possessed of a strength like nothing Sorin has ever encountered, and the power of the Goddess herself. It does not take them long to realize that solving a murder is the easiest challenge they must face, and in order to save a kingdom they must first unravel centuries of lies and misunderstandings.

Twenty-three spellbinding tales of sorcery, wizardry and witchcraft, of the ceaseless battle between good and evil. From dark lords and epic clashes between the forces of good and evil to a child's struggle to control magical powers for the first time this wonderfully varied collection comprises stories by the most outstanding writers of fantasy: A. C. Benson, James Bibby, Marion Zimmer Bradley, Louise Cooper, Ralph Adams Cram, Peter Crowther, Esther M. Friesner, Tom Holt, Doug Hornig, Diana Wynne Jones, Michael Kurland, Tim Lebbon, Ursula K. Le Guin, Richard A. Lupoff, Michael Moorcock, John Morressy, Tim Pratt, David Sandner, Lawrence Schimel and Mike Resnick, Darrell Schweitzer, Clark Ashton Smith, Steve Rasnic Tem and Robert Weinberg.

A “daring, urgent, and transformative” (Brené Brown, New York Times bestselling author of Dare to Lead) exploration of Black achievement in a white world based on honest, provocative, and moving interviews with Black leaders, scientists, artists, activists, and champions. “I remember the day I realized I couldn’t play a white guy as well as a white guy. It felt like a death sentence for my career.” When Chad Sanders landed his first job in lily-white Silicon Valley, he quickly concluded that to be successful at work meant playing a certain social game. Each meeting was drenched in white slang and the privileged talk of international travel or folk concerts in San Francisco, which led Chad to believe he needed to emulate whiteness to be successful. So Chad changed. He changed his wardrobe, his behavior, his speech—everything that connected him with his Black identity. And while he finally felt included, he felt awful. So he decided to give up the charade. He reverted to the methods he learned at the dinner table, or at the Black Baptist church where he’d been raised, or at the concrete basketball courts, barbershops, and summertime cookouts. And it paid off. Chad began to land more exciting projects. He earned the respect of his colleagues. Accounting for this turnaround, Chad believes, was something he calls Black Magic, namely resilience, creativity, and confidence forged in his experience navigating America as a Black man. Black Magic has emboldened his every step since, leading him to wonder: Was he alone in this discovery? Were there others who felt the same? In “pulverizing, educational, and inspirational” (Shea Serrano, #1 New York Times bestselling author of Basketball (And Other Things)) essays, Chad dives into his formative experiences to see if they might offer the possibility of discovering or honing this skill. He tests his theory by interviewing Black leaders across industries to get their take on Black Magic. The result is a revelatory and essential book. Black Magic explores Black experiences in predominantly white environments and demonstrates the risks of self-betrayal and the value of being yourself.

The Book of Ceremonial Magic - Arthur Edward Waite - The Book of Ceremonial Magic by Arthur Edward Waite was originally called The Book of Black Magic and of Pacts. It was first published in a limited run in 1898, and distributed more widely under the title The Book of Ceremonial Magic in 1910Writing in the late 19th century, Waite had studiously researched many obscure tenets of magic. Much of this book concerns the obscure occult tomes, which the author condenses and presents to readers in this single volume. Waite's studies uncover a variety of knowledge; there are thousands of spells and rituals that date back to Medieval times and have a theological basis. Many exist to ward off devils, witches or other evil phenomena, while others seek to conjure beneficent spirits. Another intriguing aspect of ceremonial magic is the ability to form pacts with supernatural beings. These rituals in themselves act to compel supernatural entities to assist a human being; none of them involve offering one's soul. However, many require one or more materials and ingredients to begin - grave dust or a certain plant for instance. Waite disapproves of those who reprint and sell the older magical grimoires for two principle reasons. Firstly the quality of the English translations is low, often proscribing completely different instructions and requisites for a given ritual than was given in the original source text. Secondly these books make no distinction between 'white' or 'black' magic; such lack of organization makes it difficult for the modern reader to distinguish the practices. Over 150 symbols, seals, insignia, charts and other illustrations populate this text, each offering insight into how the magician correctly undertakes his tasks. Waite includes many scripts that the performer of magic must read out loud as he attempts to conjure, summon or communicate with forces from other planes of existence.