Good Black men who are hard-working, College or University educated and law-abiding step out of the shadows and tell it like it is. What's it like to be a Black male professional or a Black College/University student who loves Black women exclusively and ceaselessly in today's world. A tale about Black men who only love Black women.

Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.

“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.

Poetry. DREAM MACHINE, Sade Murphy's debut collection of prose poems, is a catalog of violence and somnambulant obsessions. This numerological tour de force creates a dreamscape that reflects various violence-saturated landscapes, including physical, sexual, psychological, racial, and gendered. Among these, the speaker of the poems both enacts violence and receives it, and violence becomes a neutral tool, taking on the qualities of the body that wields it. Both excessive and inclusive, the collection probes the speaker's desire to hold order and chaos, good and evil--any false dichotomy--simultaneously in tension and in harmony. To disturb these oppositions, Murphy invents Him, an uncanny, destructive, confining--yet somehow alluring--presence to interrogate the male gaze and normative masculinity. In conjunction with the nightmare man and mother, Him completes a trifecta of forces, both real and symbolic, that the dreamer must navigate and extricate herself from to attain the freedom she seeks.

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

Welcome to Nightshade, California—a small town full of secrets. It’s home to the pyschic Giordano sisters, who have a way of getting mixed up in mysteries. During their investigations, they run across everything from pom-pom-shaking vampires to shape-shifting boyfriends to a clue-spewing jukebox. With their psychic powers and some sisterly support, they can crack any case! Teenage girls are being mysteriously attacked all over town, including at Nightshade High School, where Daisy Giordano is a junior. When Daisy discovers that a vampire may be the culprit, she can’t help but suspect head cheerleader Samantha Devereaux, who returned from summer break with a new “look.” Samantha appears a little . . . well, dead, and all the most popular kids at school are copying her style. Is looking dead just another fashion trend for Samantha, or is there something more sinister going on? To find out, Daisy joins the cheerleading squad. This ebook includes a sample chapter of DEAD IS A BATTLEFIELD.

A powerful new anthology depicting how love over the past two-and-a-half millennia has found its expression in the words of the world's greatest poets. No, Love Is Not Dead is a timely affirmation of the great linguistic diversity of poetry and its ability to express passionate love,this most extreme of human emotions. With influential,award-winning poets including Kim Hyesoon and Warsan Shire,and languages ranging from Amharic,Akkadian and Ancient Greek to Yankunytjatjara,Yiddish and Yoruba,this unique anthology engages the reader in reflective tales of 'Unlikely Love Stories' and 'Impossible Love', 'Love in a Time of Politics',surrealist love,visual love and free love, offering an intuitive insight into both historical and present-day perceptions of love across cultures. Including over 50 poets,writing on each of the world's continents,this new anthology of poems about love features a diverse range of original poems written in a variety of languages - modern,ancient, endangered and constructed, accompanied by English translations and commentaries. Poets included in the book: Apollinaire; Nicole Brossard; Augusto de Campos; Catullus; Chaucer; Dante; Robert Desnos; Ali Cobby Eckermann; Goethe; Kim Hyesoon; Louise Labé; Federico Garcia Lorca; Vladimir Mayakovsky; Miklós Radnóti; Kutti Ravathi; Sappho; Warsan Shire; Laura Tohe; Marina Tsvetaeva. Languages included in the book: Akkadian; Amharic; Ancient Greek; Faroese; French; German; Hungarian; Italian; Japanese; Latvian; Maori; Persian; Polari; Portuguese; Russian; Sanskrit; Scots; Scottish Gaelic; Serbian; Somali; Spanish; Urdu; Welsh; Yoruba.