Set in a world of perilous magic and moonlit forests, this seductive romantic fantasy tells the story of a defiant changeling, her cursed sister, and the dangerous fae lord she must defeat to save her family. In a kingdom where magic has been lost, Fia is a rare changeling, left behind by the wicked Fair Folk when they stole the High Queen's daughter and retreated behind the locked gates of Tír na nÓg. Most despise Fia's fae blood. But the queen raises her as a daughter and trains her to be a spy. Meanwhile, the real princess Eala is bound to Tír na nÓg, cursed to become a swan by day and only returning to her true form at night. When a hidden gate to the realm is discovered, Fia is tasked by the queen to retrieve the princess and break her curse. But she doesn’t go alone: with her is prince Rogan, Fia's dearest childhood friend—and Eala’s betrothed. As they journey through the forests of the Folk, where magic winds through the roots of the trees and beauty can be a deadly illusion, Fia’s mission is complicated by her feelings for the prince…and her unexpected attraction to the dark-hearted fae lord holding Eala captive. Irian might be more monster than man, but he seems to understand Fia in a way no one ever has. Soon, Fia begins to question the truth of her mission. But time is running out to break her sister's curse. And unraveling the secrets of the past might destroy everything she has come to love.

How can cowboys and Indians be involved in the Cretaceous Period one hundred million years ago? Dinosaurs were king of that time and place. Humans didn't even exist then! There's a whole lot of changes going on. Planet Earth is a portal, and it's 1880!

In 1798, the federal government levied its first direct tax on American citizens, one that seemed to favor land speculators over farmers. In eastern Pennsylvania, the tax assessors were largely Quakers and Moravians who had abstained from Revolutionary participation and were recruited by the administration of John Adams to levy taxes against their patriot German Reformed and Lutheran neighbors. Led by local Revolutionary hero John Fries, the farmers drew on the rituals of crowd action and stopped the assessment. Following the Shays and Whiskey rebellions, Fries's Rebellion was the last in a trilogy of popular uprisings against federal authority in the early republic. But in contrast to the previous armed insurrections, the Fries rebels used nonviolent methods while simultaneously exercising their rights to petition Congress for the repeal of the tax law as well as the Alien and Sedition Acts. In doing so, they sought to manifest the principle of popular sovereignty and to expand the role of local people within the emerging national political system rather than attacking it from without. After some resisters were liberated from the custody of a federal marshal, the Adams administration used military force to suppress the insurrection. The resisters were charged with sedition and treason. Fries himself was sentenced to death but was pardoned at the eleventh hour by President Adams. The pardon fractured the presidential cabinet and splintered the party, just before Thomas Jefferson's and the Republican Party's "Revolution of 1800." The first book-length treatment of this significant eighteenth-century uprising, Fries's Rebellion shows us that the participants of the rebellion reengaged Revolutionary ideals in an enduring struggle to further democratize their country.

A small band of renegade Apache led by Broken Hand have captured the daughters of a preacher and are headed for Mexico. After them are Anson Hawkstone and Black Feather, scouting for the army, plus the preacher with four gunmen, and a cavalry patrol that cannot cross the Mexican border. Added to that, Apache Joe and his Choctaw squaw are trading smallpox and typhoid blankets to Apache villages throughout the territories, and are headed for the village where Hawkstone's woman, Rachel, lives and works as the nurse-doctor. Closing in on the renegade band, Hawkstone is torn between rescuing the preacher's daughters, and deserting them in a ride to save his woman from disease. Can he do both?

Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.

"Boots and Saddles"; Or, Life in Dakota with General Custer by Elizabeth Bacon Custer glimpses at garrison and camp life while describing domestic life as the wife of a legendary General.

A finely drawn portrayal of the disintegration of Austrian liberal society under the impact of nationalism and anti-semitism, The Road into the Open (Der Weg ins Freie, 1908) is a remarkable novel by a major Austrian writer of the early twentieth century. Set in fin-de-siècle Austria—the cafés, salons, and musical concerts frequented by the Viennese elite—Schnitzler's perceptive exploration of the creative process and the private lives and public aspirations of urban Jewish intellectuals ranks with the highest achievements of Karl Kraus and Robert Musil. The novel's central character, Baron Georg von Wergenthin, is a handsome young composer whose troubled relations with women, musical collaborators, and representatives of the old social order make Schnitzler's book a revealing investigation of individual psychology and social allegory. In his comprehensive introduction, Russell Berman situates the book within the literary and political history of Central Europe and analyzes its relation to psychoanalysis, Marxism, musical aesthetics, and the legacy of European modernism.