Now well and truly embroiled in the black market trade in alcohol and working for the notorious gangster Al Capone, aka "Scarface," Bessie reminisces about her childhood in Texas, where she was hunted by the KKK and saved only by the quick thinking of her friends. Now she's the target of a rival gang and once again her life is threatened. As Bessie loses control of her life, her dream of achieving fame like her idol Eugène Bullard seems to be evaporating like morning mist over the runway. Can she fulfill his prediction to become the "Black Angel"?

It is the early 1920s. The Volstead Act has recently prohibited the sale and consumption of alcohol, which means that an active black market has sprung up—a market controlled by legendary gangsters such as Al Capone. Supplies must be secretly shipped from France to its outpost in Saint-Pierre, Newfoundland. This dangerous and illegal trade involves aviators flying primitive sea planes—aviators such as Bessie the "Black Angel," whose mixed heritage also makes her the target of the flourishing Ku Klux Klan. Based on the historical figure of Bessie Coleman, she flies in the face of injustice, prejudice, and discrimination.

This 2005 edition of the annual critical guide that focuses on independent and international films as well as the best in the mainstream contains reviews for more than 10,000 films, more than 300 photos, a comprehensive selection of cinema from more than 50 countries, and much more.

*Detailed indexes by star, director, genre, country of origin, and theme *Lavishly illustrated with over 450 photos *Comprehensive selection of international cinema from over 50 countries *Over 9,000 films reviewed *Up-to-date information on video availability and pricing *Appendices with award listings, TLA Bests, and recommended films

Master of suspense Steve Alten always takes readers to the edge with his non-stop, adrenaline-charged novels. Just in time for the movie, this new edition of his New York Times and USA Today bestselling sequel to MEG shows just how deep fear can run when you don’t know what lurks beneath the surface… Its appetite is ravenous. Its teeth, scalpel-sharp. For the first time, the captive 20-ton Megalodon shark has tasted human blood, and it wants more… On the other side of the world, in the silent depths of the ocean, lies the Marianas Trench, where the Megalodon has spawned since the dawn of time. Paleobiologist Jonas Taylor once dared to enter this perilous cavern. He alone faced a Megalodon shark and cut its heart out. Now, as the body count rises and the horror of a monster’s attack grips the California coast, Jonas must begin the hunt again, and return to the waking nightmare of…

Read the book that inspired the BLOCKBUSTER MOVIE starring Jason Statham, Li Bingbing, Rainn Wilson, Ruby Rose, Winston Chao, and Cliff Curtis! Seven years ago, and seven miles below the surface of the Pacific Ocean, Dr. Jonas Taylor encountered something that changed the course of his life. Once a Navy deep-sea submersible pilot, now a marine paleontologist, Taylor is convinced that a remnant population of Carcharodon megalodon -- prehistoric sharks growing up to 70 feet long, that subsisted on whales -- lurks at the bottom of the Mariana Trench. When offered the opportunity to return to those crushing depths in search of the Megs, Taylor leaps at the chance... but the quest for scientific knowledge (and personal vindication) becomes a desperate fight for survival, when the most vicious predator that the earth has ever known is freed to once-again hunt the surface.

How portrayals of anti-Blackness in literature and film challenge myths about South Florida history and culture In this book, Tatiana McInnis examines literary and cultural representations of Miami alongside the city’s material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable “melting pot” narrative depends on the obfuscation of racialized violence against people of African descent.  Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami’s diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness.  To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami’s Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami’s political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions.  Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.