A collection of energetic and inquisitive poetry invites the reader to explore beauty, heartbreak, loss, and outrage

A third collection from a poet whose "beautiful sentences weave the miraculous and mundane into a single, luminous tapestry" (The Atlanta Journal-Constitution) Barbara has won acclaim for fluid and graceful poems that touch on the small occurrences and mysteries of daily life in the hopes of finding the secret meaning beneath them. Both intimate and wide ranging, her work is unafraid of big subjects and big feelings, and sometimes comedic. Her third collection, The Last Skin, extends and develops these qualities, offering landscapes and characters both domestic and exotic, in poignant personal lyrics of precise description that investigate beauty, grief, death, fragility, time, and loss. Here is a poet engaged with the spirit as well as the political, blending the give and take of the world into her own ecstatic rhythms.

In The Blues of Heaven, Barbara Ras delivers her characteristic subjects with new daring that both rattles and beguiles. Here are poems of grief over her brother’s death; doors to an idiosyncratic working-class childhood among Polish immigrants; laments for nature and politics out of kilter. Ras portrays the climate crisis, guns out of control, the reckless injustice and ignorance of the United States government. At the same time, her poems nimbly focus on particulars—these facts, these consequences—bringing the wreckage of unfathomable harm home with immediacy and integrity. Though her subjects may be dire, Ras also weaves her wise humor throughout, moving deftly from sardonic to whimsical to create an expansive, ardent, and memorable book. Survival Strategies To dig for quahogs, to feel their edges like smiles and pull against their suck to toss them in a bucket. To feel the wind as a friend, to feel its current as luck. To ignore Capricorn and Cancer presuming to slice the globe. To know the lie in “names can never hurt you.” To be a gull breezing the blue, eating nothing but clouds. To measure your ties to the past by the strength of cobwebs. To haunt the widow’s walk, its twelve narrow windows each the size of a child’s coffin. To watch the harbor where the Acushnet runs into Buzzards Bay before it was named a Superfund site full of PCBs. To wonder if that water you swam summer after aimless summer could get you the way something got your brother, too fast, too soon. To bury or burn the whole family you were born to and talk to them only through the smoke of letters you torch at their graves. To see a snake with a ladybug on its back and still refuse to pray.

"A pinch of Potter blended with a drop of [Cassandra Clare's] Infernal Devices." --JUSTINE MAGAZINE "Plot twists so good they will leave you reeling." --TRACI CHEE, New York Times bestselling author of The Reader IT'S TIME FOR HER POWER TO RULE. As Henrietta nervously awaits her marriage to Lord Blackwood, she discovers that Sorrow-Fell is not a safe haven from the bloodthirsty Ancients. It's a trap. So with her friend Maria and Magnus, the young man who once stole her heart, at her side, Henrietta plots a dangerous journey straight into the enemy's lair. Some will live. Some will die. All will be tested. In this stunning conclusion to the Kingdom on Fire series, Henrietta must choose between the love from her past, the love from her present, and a love that could define her future. The fate of the kingdom rests on her decision: Will she fall or rise up to become the woman who saves the realm? Praise for Jessica Cluess's A Shadow Bright and Burning, Kingdom on Fire, Book 1: "This is a novel that gives off light and heat." --The New York Times "Vivid characters, terrifying monsters, and world building as deep and dark as the ocean." --VICTORIA AVEYARD, #1 New York Times bestselling author of Red Queen "Devastatingly magical and monstrously romantic." --STEPHANIE GARBER, New York Times bestselling author of Caraval "Unputdownable. I loved the monsters, the magic, and the teen warriors who are their world's best hope! Jessica Cluess is an awesome storyteller!" --TAMORA PIERCE, #1 New York Times bestselling author

THE END OF HER JOURNEY IS ONLY THE BEGINNING… The Barrani would be happy to see her die. So Kaylin Neya is a bit surprised by her safe arrival in the West March. Especially when enemies new and old surround her and those she would call friends are equally dangerous… And then the real trouble starts. Kaylin's assignment is to be a "harmoniste"—one who helps tell the truth behind a Barrani Recitation. But in a land where words are more effective than weapons, Kaylin's duties are deadly. With the wrong phrase she could tear a people further asunder. And with the right ones…well, then she might be able to heal a blight on a race. If only she understood the story….

Once, Hannah Manning was an internationally-renowned journalist and war correspondent. Today, she’s a woman suffering from a traumatic brain injury. Unable to read, unable to concentrate, full of pain, lost and confused, haunted by her memories, Hannah goes to her sister’s small-scale vegetable farm in Prince Edward County, Ontario to recover. As summer settles on the farm, she finds comfort in the soft rolling hills and neat fields as well as friendship in the company of Hila Popalzai, an Afghan woman also traumatized by war. Unable to read the printed word, Hannah retreats into the attic and boxes of moldy letters that have accumulated for more than two centuries. As she learns about the original settlers of this land, Loyalist refugees fleeing the United States in 1784, she is increasingly drawn to the space beneath the old house. More than carrots and potatoes, soups and jams, are down in the dark damp root cellar. Hannah experiences visions of a woman, emerging from the icy cold mist. Is the woman real? Or the product of a severely damaged brain? Which would be worse? Then Hila disappears. When Hannah cannot account for her time, not even to herself, old enemies begin to circle. In this modern Gothic novel of heart-wrenching suspense, past and present merge into a terrifying threat to the only thing Hannah still holds dear – her ten-year-old niece, Lily.

The architects of the sexual revolution won over the popular imagination because they knew the power of story. They drew together radical new ideologies, often complex and hard to grasp, and melded them into the simpler structure of narrative. Crucially, they cast narratives that appealed to the moral instincts of ordinary, decent people. This moral vision overwhelmed the church and silenced its faltering apologists. The author argues that if Christians still believe they have have good news in the sphere of sexual ethics, then two big tasks lie ahead. Our first priority is to work out what has gone so badly wrong, both in our understanding and application of what the Bible teaches and the way we have presented our case to the non-churched. And then we must offer a better story, one that fires the imagination with such force that people will say, 'I want that to be true.' This book offers a confident, biblically rooted moral vision which needs to be shared with prayer and courage.