She chose the wrong night to go graverobbing. Rafael Villar, interim Lord Vampire of London, has an avalanche of problems. First, the vampire hunter he’d caught in the cemetery was no vampire hunter. It was Lady Cassandra Burton, the vexing countess who’d pestered him social events. She’d only meant to steal a cadaver for her relentless quest to become a doctor. In a stroke of bad luck, Rafe is unable to erase Cassandra’s memory of their encounter. He has no choice but to take her prisoner, under vampire law. The Elders give him thirty nights to decide whether to kill her or Change her. For reasons he can’t reveal, Rafe can’t do either. Despite being imprisoned by a monstrously scarred vampire, Cassandra isn’t afraid of Rafe. In fact, she insists on experimental operations on his bad arm, rendered useless from being burned by the sun. Undone by her passion and beauty, Rafe agrees to a trade. For each experiment, she must give him something he’s never dared ask for since before he was burned: A kiss. As time trickles down to the hour Rafe must solve his impossible dilemma to spare the life of the woman he’s falling for, another vampire is using his distraction to foment an insurrection. Subgenres: regency romance, paranormal romance, regency vampire romance, gothic paranormal romance, historical paranormal romance, victorian vampire romance Tropes: forbidden romance, angsty, alpha hero, vampire hero, nerd girl romance, scarred hero, beauty and the beast romance, grumpy romance, grumpy hero, kidnapped romance

Shows a large menacing woman towering over a very small man at a party, asking "Do you believe in love, at first sight?"

He was everything she was told to stay away from. SHE’S OFF-LIMITS Christine Mayne is determined to get out from under her controlling brother’s thumb. To do so, she plans to earn her PhD from studying group dynamics in heavy metal bands, and then become a band therapist. The problem is that Quinn Mayne, has barred her from the metal world because of a traumatic event in her past. The opportunity to study a band comes when Cliff Tracey, lead singer of Bleeding Vengeance doesn’t recognize her. Christine tricks him into smuggling her onto the bus to accompany the band on their tour. When he discovers her deception, he’s furious. Christine tells herself that her efforts to talk to him are for her research and not because she’s drawn to his sensual presence. HE’S FORBIDDEN Cliff Tracey is going through an existential crisis. Suddenly having a different one-night-stand after every gig has lost its appeal. He’s ready to get rid of his man-whore label and try getting to know a woman. When black-haired, green-eyed bombshell Christine asks him if she can accompany his band on tour for her research, he thinks the perfect opportunity has fallen into his lap—until he finds out that she’s Quinn Mayne’s off-limits little sister. Despite his efforts to keep her at arm’s length, Cliff finds himself unable to stay away from Christine. But he has to, because if he gives in to temptation, he’ll cause the biggest rift in metal history.

LOUISIANA PLAYS by Hiram Ed Taylor is a collection of 4 plays developed in workshops or staged readings at the New Orleans Theatre Experiments Lab, a group dedicated to creating new works about Louisiana. The first play, PROPHECY a comedy about the future of mankind was given two staged readings before an audience at the Contemporary Arts Center. The second play SAVAGE PRIDE, a ghost play about survival, was also given a reading at the CAC. The third a musical about sex, BOURBON STREET had 5 songs performed at the DramaRama Festival at the CAC and then a staged presentation at LePetit Theatre du Vieux Carre. The last musical about life after death, HEAVENS BAR was presented at the Firehouse Theatre in Mobile, Alabama. Taken as a group they represent a body of work by Mr. Taylor over the past 8 years. All four scripts are comedy, although they border on serious themes and are dramatic and tragic in places. Louisiana serves as a place where life and human folly are examined in comic detail. There is an abundance of terrific roles for women in each play; especially for older actresses over 40. They seem to represent the MotherGoddess who controls the flow of the script through the mess the men characters make of their lives. Wife, mother, fortune teller, heavenly bartender (god) or whore, they are the power in each script. The scripts may not seen commercial because of their content and language. Musicals about sex with S&M numbers and Homosexuality presented as normal every day events are hard to get produced in current regional theaters concerned with their grants being cut because of the current government standards. Although Southern Baptist audiences in Mobile, Alabama loved HEAVENS BAR, script readers in other parts of the country have decided it is too much about religion for their theaters to take a chance on possibly offending someones beliefs. So, we have chosen to publish the plays as written without care who they may outrage. They are bold and they are daring and isnt that what good theater is suppose to be about? They are also highly theatrical and deserve to be on a stage performed live for an audience. But, until that time, here they are in print.

There’s more than a prophecy holding them together … Famous rock star, Xochitl Leonine, has dreamt of a world with two moons where a black-cloaked man beckons her. One Halloween night, she meets the mysterious stranger of her dreams… literally... and their shared dance becomes a rendezvous in a place of endless night. Zareth Amotken has no idea how important Xochitl’s heavy metal band is to her. As an immortal sorcerer, he doesn’t care. He has one goal: to find the prophesied savior of his world. Her voice holds the power to bring back his world’s vanished sun. Xochitl’s compassion urges her to help in any way she can. Yet learning the mysteries of her past causes conflict with her future in music. Her destiny in his world and her obligations to her band pull her in opposite directions. How can she long for one while the other is so dire? As Zareth introduces her to his people and teaches her to control her powers, she aches for his enchanting kiss. Zareth tries to resist, for their passion will unleash serious consequences, both political and magical. As the time to fulfill her destiny draws closer, she must choose between her heart, her duty, and her friends. The wrong choice could ruin everything. But if Zareth’s evil half-brother succeeds in taking control of her for his own ends, he will take away her choices… and destroy the world. "This is a great book with strong character interactions. Xochitl's destiny unfolds further and more of the prophecy comes into play. An exciting and at times mysterious tale that will keep you hooked." - All Things Book Reviews "More fantasy romance than paranormal romance. The magic and the world was amazing and the hero dark and dangerous (just the way I like them)." -Shona Husk, author of the Court of Anwyn Series. "Conjuring Destiny is a paranormal urban fantasy romance novel, that once you start reading you won't want to put down. It has all the markings of high fantasy while giving a fresh take on traditional fantasy and paranormal canon." - KitKat reviews

"This lively collection of essays explores the narrative riches of the Twilight stories themselves even as it looks seriously at the ways they have been marketed and taken up both by their passionate fans and by critics who see them as evidence of a range of cultural and political problems."---Janice Radway, Author of Reading the Romance: Women, Patriarchy, and Popular Literature; Professor of Communication Studies/Rhetoric and Gender Studies and American Studies, Northwestern University. --

Bassist Brand and filmmaker Lexi have both suffered traumatic pasts, but together, they can heal and have a happy future. THE GRUMPY BASSIST Brand Kife, bassist for heavy metal band, Viciöus, is known in the metal world as “the man who never smiles.” He has even less reason to smile when he learns that his band’s tour is going to be disrupted by beautiful filmmaker, Lexi Adams, who’s making a documentary about Viciöus. Brand has secrets that Lexi can’t learn. AND THE BEAUTY QUEEN Former child beauty pageant winner, Lexi Adams resists her mother’s pressuring her to become a model and is instead determined to be a successful filmmaker. She’s thrilled to film a documentary on one of her favorite metal bands, but Brand Kife is making her work difficult. First by being uncooperative in interviews, then by distracting her with his sinful good looks and aura of mystery. When they give into temptation, Lexi wants to learn about Brand’s traumatic past, but first, she will have to trust him with her own.