From the New York Times bestselling author of The Birth of Venus comes the first novel in the gripping Hannah Wolfe mystery series. Hannah Wolfe, a London based private eye, has worked jobs ranging from department store surveillance to babysitting billionaires. But every once in a while she gets a case that's worthy of the great detective novels she ruefully admires—and at first glance, the latest case doesn't fit that bill. She's asked to find a missing ballet dancer, Carolyn Hamilton. Simple enough—Hannah figures the young dancer just doesn't want to be found. But she is found, and not by Hannah. Her body is fished out of the Thames by the police, stones in her pockets and an eight-month old fetus in her belly. To the police it's a no-brainer case—single pregnant woman can't face her impending responsibilities, writes a suicide note, and takes a leap off a bridge. But Hannah can't shake the suspicion that there's much more to this case than meets the eye. In fact, she's fairly certain that the suicide note the police found in Carolyn's apartment wasn't there when she herself had gone snooping around just hours before the officially established time of death. Hannah's determination to put together the pieces in the puzzle of Carolyn's short life takes her from the dance world of London to the upper echelons of Parisian society in search of the father of Carolyn's unborn child. When his explanation only raises more questions, Hannah finds the young dancer's pregnancy becoming the focus of her suspicions and her own ambivalent feelings about relationships and motherhood.

A young booby bird, born with an unusual birthmark, teaches the Galapagos Islands animals that it's not important what you look like but what comes from the heart.

A stunning adventure brought to life by a memorable heroine, this dystopian debut will have readers racing all the way to the dramatic finish. In the future, in a world baked dry by the harsh sun, there are those who live inside the walled Enclave and those, like sixteen-year-old Gaia Stone, who live outside. Following in her mother's footsteps Gaia has become a midwife, delivering babies in the world outside the wall and handing a quota over to be 'advanced' into the privileged society of the Enclave. Gaia has always believed this is her duty, until the night her mother and father are arrested by the very people they so loyally serve. Now Gaia is forced to question everything she has been taught, but her choice is simple: enter the world of the Enclave to rescue her parents, or die trying. Praise for Birthmarked: 'Readers who enjoy adventures with a strong heroine standing up to authority against the odds will enjoy this compelling tale.' School Library Journal 'Reminiscent of both 1984 and a Brave New World, this gripping page-turner is a perfect intro to futuristic, dystopian fiction . . . Readers accompany the novel's inspiring heroine on an undertaking brimming with danger, intrigue, and romance.' Education.com Also by Caragh M. O'Brien: Prized Promised

"[An] empathetic study of the meanings of cross-racial adoption to adoptees."—Law and Politics Book Review Can White parents teach their Black children African American culture and history? Can they impart to them the survival skills necessary to survive in the racially stratified United States? Concerns over racial identity have been at the center of controversies over transracial adoption since the 1970s, as questions continually arise about whether White parents are capable of instilling a positive sense of African American identity in their Black children. Through in-depth interviews with adult transracial adoptees, as well as with social workers in adoption agencies, Sandra Patton, herself an adoptee, explores the social construction of race, identity, gender, and family and the ways in which these interact with public policy about adoption. Patton offers a compelling overview of the issues at stake in transracial adoption. She discusses recent changes in adoption and social welfare policy which prohibit consideration of race in the placement of children, as well as public policy definitions of "bad mothers" which can foster coerced aspects of adoption, to show how the lives of transracial adoptees have been shaped by the policies of the U.S. child welfare system. Neither an argument for nor against the practice of transracial adoption, BirthMarks seeks to counter the dominant public view of this practice as a panacea to the so-called "epidemic" of illegitimacy and the misfortune of infertility among the middle class with a more nuanced view that gives voice to those directly involved, shedding light on the ways in which Black and multiracial adoptees articulate their own identity experiences.

"Richard Beere, 1493-1524. Began Edgar Chapel; built crypt under Lady Chapel and dedicated it to St Joseph; built a chapel of the Holy Sepulchre at south end of nave; built the Loretto chapel; added vaulting under central tower and flying buttresses at east end of choir; built St Benignus' Church and rebuilt Tribunal. Richard Whiting, 1525-1539. Completed Edgar Chapel."--Wikipedia.

The Birthmark deals with the husband's deeply negative obsession of his wife's outer appearances and what does that entail for these two young couples. The birthmark represents various things throughout the story. Two of the main representations are imperfection and mortality. American novelist and short story writer Nathaniel Hawthorne's (1804–1864) writing centers on New England, many works featuring moral allegories with a Puritan inspiration. Hawthorne has also written a few poems which many people are not aware of. His works are considered to be part of the Romantic movement and, more specifically, Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity.

The narratives in this collection vary as much as the women who wrote them, and they demonstrate the weight and responsibility of motherhood. These are stories of conception, pregnancy, birth, postpartum, and parenting as a means of sharing honestly in a time when such honesty is fleeting. The expressions from these women demonstrate the bodily and emotional aspects associated with motherhood, but more importantly, they prove that we are all a little scarred. These scars are inevitable, but heal tougher than flesh, and these stories aim to demonstrate such strength.