One of NPR’s 50 Best Science Fiction and Fantasy Books of the Decade: A fifteenth-century palace mapmaker must hide his powers in the time of the Inquisition . . . Award-winning author G. Willow Wilson’s debut novel Alif the Unseen was an NPR and Washington Post Best Book of the Year and established her as a vital American Muslim literary voice. Now she delivers The Bird King, an epic journey set during the reign of the last sultan in the Iberian peninsula at the height of the Spanish Inquisition. Fatima is a concubine in the royal court of Granada, the last emirate of Muslim Spain. Her dearest friend, Hassan, the palace mapmaker and the one man who doesn’t leer at her with desire, has a secret—he can draw maps of places he’s never seen and bend the shape of reality. When representatives of the newly formed Spanish monarchy arrive to negotiate the sultan’s surrender, Fatima befriends one of the women, not realizing that she will see Hassan’s gift as sorcery and a threat to Christian Spanish rule. With their freedoms at stake, what will Fatima risk to save Hassan and escape the palace walls? As the two traverse Spain with the help of a clever jinn to find safety, The Bird King asks us to consider what love is and the price of freedom at a time when the West and the Muslim world were not yet separate. “Wilson has a deft hand with myth and with magic, and the kind of smart, honest writing mind that knits together and bridges cultures and people.” —Neil Gaiman, author of Norse Mythology “A triumph . . . one of the best fantasy writers working today.” —BookPage “A treasure-house of a novel, thrilling, tender, funny, and achingly gorgeous. I loved it.” —Lev Grossman, author of the Magicians trilogy

As a transnational history of science, Japan's Empire of Birds: Aristocrats, Anglo-Americans, and Transwar Ornithology focuses on the political aspects of highly mobile Japanese explorer-scientists, or cosmopolitan gentlemen of science, circulating between Japanese and British/American spaces in the transwar period from the 1920s to 1950s. Annika A. Culver examines a network of zoologists united by their practice of ornithology and aristocratic status. She goes on to explore issues of masculinity and race related to this amidst the backdrop of imperial Japan's interwar period of peaceful internationalism, the rise of fascism, the Japanese takeover of Manchuria, and war in China and the Pacific. Culver concludes by investigating how these scientists repurposed their aims during Japan's Allied Occupation and the Cold War. Inspired by geographer Doreen Massey, themes covered in the volume include social space and place in these specific locations and how identities transform to garner social capital and scientific credibility in transnational associations and travel for non-white scientists.

Sacred Bird lives a fulfilled and happy life among the Blood Tribe as a mother of three, wife to a loving husband, and caretaker of her Elders. One spring day, as Sacred Bird works to complete her chores with her young daughter’s help, the two are suddenly and heartlessly abducted by men from a different tribe. Thus begins a period of distress for Sacred Bird as she struggles to live among the tribe who stole her and her daughter from their people. Forced to work tirelessly, Sacred Bird is subjected to abuse from the tribe, made worse by her lack of knowledge of their language. Her daughter, Sacred Feather Woman, is thankfully treated better and acts as Sacred Bird’s one tether between her happy old life and frightening new one. Sacred Feather Woman keeps her mother’s spirits up by being her inquisitive and kind self, becoming the only light that shines for Sacred Bird during these dark days. When Sacred Bird realizes a way to escape her captivity, she jumps at planning and preparing for the long trek back home. Mother and daughter begin their journey home to their family, gaining help and companions from a kind couple along the way. As the group works to leave the past behind, the journey home proves to be difficult, haunting, and tragic.