As children, we are captivated by stories of huge fantastical creatures, such as the wooly mammoth and the pterodactyl. The prevailing wisdom is these species are long extinct, but new evidence uncovered by author Gerald McIsaac casts doubt on these widely held assumptions. McIsaac gathered stories from the elders of the First Nation—those who were formerly referred to as Indians, Native Americans, or Aboriginals. First Nation elders provided McIsaac with detailed descriptions of six species long thought to be extinct. These species include the Devil Bird, the Hairy Elephant, the Wilderness Wolf, the Rubber-Faced Bear, the Lake Monster, and Sasquatch. In Bird from Hell, McIsaac separates fact from fiction by comparing eyewitness accounts of these species with scientific opinion concerning their identity. His conclusion is that these huge species are not extinct, but he needs assistance in gathering evidence to substantiate this claim. By following the simple directions provided in Bird from Hell, you can help prove these various species still exist.

Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird, is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. This collection, which focusing on love, childish behaviours, 90's celebrity references and being a woman is sure to confirm all your worst suspicions and prejudices. In a recent comments section on the Guardian, her work was described as "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs," and "This comment was removed by a moderator because it didn't abide by our community standards. Replies may also be deleted. For more detail see our FAQs."

This impressive debut has established Hera Lindsay Bird as a good girl with many beneficial thoughts and feelings. With themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is, juxtaposing many classical and modern breezes. Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert. This is at once an intelligent and compelling fantasy of tenderness, heartbreaking and charged with trees without once sacrificing the forest.

In this collection of essays and short stories, the Native American author explores reservation life through a range of genres and perspectives. In this moving collection, Gordon Lee Johnson (Cupeño/Cahuilla) distinguishes himself not only as a wry commentator on American Indian reservation life but also as a master of fiction writing. In Johnson’s stories, all of which are set on the fictional San Ignacio reservation in Southern California, we meet unforgettable characters like Plato Pena, the Stanford-bound geek who reads Kahlil Gibran during intertribal softball games; hardboiled investigator Roddy Foo; and Etta, whose motto is “early to bed, early to rise, work like hell, and advertise,” as they face down circumstances by turns ordinary and devastating. The nonfiction featured in Bird Songs Don’t Lie is equally revelatory in its exploration of complex connections between past and present. Whether examining his own conflicted feelings toward the missions as a source of both cultural damage and identity or sharing advice for cooking for eight dozen cowboys and -girls, Johnson plumbs the comedy, catastrophe, and beauty of his life on the Pala Reservation to thunderous effect.

The aeroscouts of the 1st Infantry Division had three words emblazoned on their unit patch: Low Level Hell. It was then and continues today as the perfect concise definition of what these intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow, aerial eyes of the division in search of the enemy. Too often for longevity’s sake they found the Viet Cong and the fight was on. These young pilots (19-22 years old) “invented” the book as they went along. Praise for Low Level Hell “An absolutely splendid and engrossing book. The most compelling part is the accounts of his many air-to-ground engagements. There were moments when I literally held my breath.”—Dr. Charles H. Cureton, Chief Historian, U.S. Army Training and Doctrine (TRADOC) Command “Low Level Hell is the best ‘bird’s eye view’ of the helicopter war in Vietnam in print today. No volume better describes the feelings from the cockpit. Mills has captured the realities of a select group of aviators who shot craps with death on every mission.”—R.S. Maxham, Director, U.S. Army Aviation Museum

The wartime exploits of the 501st Parachute Infantry Regiment are told here in the most vivid and appropriate way; by one of the men who experienced their battles firsthand – Captain Laurence Critchell. The author fought with the men of the Screaming Eagles from the tough training at camp Toccoa, Georgia to their hellish night drop on D-Day and all the way to the capture of Hitler’s mountain retreat at Berchtesgaden. During 1944-1945 the author and his comrades soldiers would be involved in some of the heaviest and bloodiest fighting in Europe, during the Operation Market Garden at Njimegen and the Battle of the Bulge at Bastogne. A gripping read of the Second World War as told by a decorated combat veteran. “It is fitting that the story of the 501st Parachute Regiment of the famed 101st Airborne Division should be told by a parachute captain.”—The New York Times “A personalized record, told in terms of the men of all ranks, of how they trained and fought and died... the story has an authentic ring.”—U.S. Quarterly “The greatest airborne operation of this or any other war.” —Lewis H. Brereton, Former Lt. General, First Allied Airborne Army, World War II

There can be no doubt that [Akutagawa] had more individuality than any other writer of his time and has left in Japanese literature a mass of artistic work, often grotesque and curious, that, while it undoubtedly angers the proletarian experimenters who now hold the stage and fight with lusty pens and a highly developed class consciousness against all that he stood for, will continue to live as long as men go on treasuring the fancies their fellows from time to time set down with care on paper.--Glen W. Shaw