The first-ever collection of interviews with the tortured but groundbreaking singer Billie Holiday, part of Melville House’s beloved Last Interview series Legendary singer Billie Holiday comes alive in this first-ever collection of interviews from throughout her career. Included is her last interview, given from her deathbed in a New York City hospital, where police were standing by ready to arrest her for a parole violation should she recover. Also included: The transcript of an interrogation by a US Customs official questioning about whether she'd violated her parole by using drugs on a foreign tour. But the book is more than a look at just the famously tragic side of her life. In other conversations, drawn from music magazines, late-night radio programs, and newspapers across the US and Canada, she discusses her childhood, musicians who influenced her, her friendship -- and falling out -- with the influential sax player Lester Young, why she chose the gardenia as her symbol, why she quit Count Basie's band, her substance abuse problems, writing songs and whether she wrote her own memoir, and more. In frank and open conversations, Billie Holiday proves herself far more articulate, aware, intelligent, and even heroic than the way she's often portrayed. This collection is an essential volume for all who have been moved by her music.

The threads of Billie Holiday's mystique are unraveled in this study of a woman who needed to create art at any cost. Griffin liberates Holiday from stereotypes of black women and pries her away from the male tradition of jazz criticism while presenting Holiday's independent spirit. of photos.

Perfect for fans of The United States vs. Billie Holiday, this is the fiercely honest, no-holds-barred memoir of the legendary jazz, swing, and standards singing sensation—a fiftieth-anniversary edition updated with stunning new photos, a revised discography, and an insightful foreword by music writer David Ritz Taking the reader on a fast-moving journey from Billie Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.

"I'm so many people. They shock me sometimes. I wish I was just me!" --Marilyn Monroe Nearly sixty years after her death, Marilyn Monroe remains an icon whom everyone loves but no one really knows. The conversations gathered here--spanning her emergence on the Hollywood scene to just days before her death at age 36--show Monroe at her sharpest and most insightful on the thorny topics of ambition, fame, femininity, desire, and more. Together with an introduction by Sady Doyle, these pieces reveal yet another Marilyn: not the tragic heroine she's become in the popular imagination, but a righteously and justifiably angry figure breaking free of the limitations the world forced on her.

A provocative collection of interviews with the sublimely talented author of The Journalist and the Murderer The legendary journalist, Janet Malcolm, opened her most famous work The Journalist and the Murderer with the line: “Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.” Ever since its publication in 1980, she only increased her reputation as a devastatingly sharp writer, whose eye for observation is matched only by her formal inventiveness and philosophical interrogations of the relationship between journalist and subject. Predictably, as an interview subject herself, she was an intimidating mark. In this collection, interviewers tangle with their own projections and identifications, while she often, gamely, plays along. Full of insights about her writing process, the craft of journalism, and her own analysis of her most famous works, this collection proves that Janet Malcolm is just as elusive and enlightening in conversation as she was on paper.

From Julia Blackburn, an author whose ability to conjure lives from other times and places is so vivid that one suspects she sees ghosts, here is a portrait of a woman whose voice continues to haunt anyone who hears it. Billie Holiday’s life is inseparable from an account of her troubles, her addictions, her arrests, and the scandals that would repeatedly put her name in the tabloid headlines of the 1940s and 1950s. Those who knew her learned never to be surprised by what she might do. Her moods and faces were so various that she could seem to be a different woman from one moment to the next. Volatile, unpredictable, Billie Holiday remained, even to her friends, an elusive and perplexing figure. In With Billie, we hear the voices of those people–piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who knew what really mattered to her. Reading With Billie, one is convinced that she has only just left the room but will return shortly.

Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life. Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance. Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.