The "King of Kustomizers" brings his legendary creations front and center in this dynamic and colorful coffee table book which highlights his most innovative and original works. Beginning with his fruitful partnership with his brother, Sam, this volume delivers a nostalgic look back at the customizing scene of yesteryear. The Big Book of Barris showcases the very best hot rods, motorcycles, pickup trucks, boats, and more from Barris Kustom Kars, the famous custom shop that influenced so many builders. Take a revealing look back at his leading edge designs!

People are as interesting in painting and customizing now, as they were when this material was first created, in the 1950s. Everyone wants to know how to do a flame job, or how to run a pair of pinstripes straight down the side of their car. In this book George Barris explains how he and brother Sam did their custom painting and early flame jobs in the 1950s. No one can tell this story as well as George Barris, a fine photographer and the man who built many of the cars shown in the book. This particular book, Volume 4, contains more than just the photos and words of George Barris. This volume contains first-person side-bars by legendary painters and builders like Dean Jeffries and Larry Watson, describing how they developed their talents and what it was like to customize cars in those days.

George Barris created some of the best-known, most iconic cars of the 20th century, including the original TV Batmobile, the Munsters Koach, Hirohata Merc, Ala Kart and countless other made-to-order vehicles for movies, TV and for the private use of his celebrity clients. This is the definitive collection of his work, with nearly 500 pages jam-packed with photos, design sketches and more.

In this unauthorised autobiography, Chuck Barris, the wildly flamboyant 1970s TV producer who brought us The Gong Show, bares all. In January 2003 Miramax will release a major film based on this book. The star studded cast includes George Clooney, Julia Roberts, Drew Barrymore and Brad Pitt.

Art Deco Jr. is heir to a vast fortune, scion of one of America's most powerful men -- Art Deco Sr. -- though by the time we meet him in these pages, Art has fallen into a life of depravity: booze, drugs, you name it. The Deco family is almost too embarrassed to acknowledge him as their own. And by the time Art is found shot dead in his elegant Manhattan apartment, there is a long list of friends and family who may have wanted to kill him -- so the police have their work cut out for them. NYPD detectives Eddie Roach and Jackie Hallerhan are up against a wall when private investigator Jimmy Netts is called on the case by Art Deco Sr. His first case, no less! Netts teams with the NYPD (mostly because he's not exactly sure how to go about solving crimes, much less understands the procedure, and doesn't have a detective's license) to find out who killed poor Art Jr. It could be just about anyone. As a storyteller, the infamous Chuck Barris is the blackest comedian there is. As a satirist, his is a wickedly razor-sharp voice. The deadpan dialogue, investigative snafus, crime drama parody, and cast of hilarious characters in Who Killed Art Deco? bring to mind an unholy combination of Agatha Christie and the Pink Panther, with just a dash of Homicide. This is a dark and delightfully funny book from an equally, delightfully, troubled mind.

This surprisingly candid, often funny, and entirely moving memoir is Chuck Barris’s story about life with his only child, Della. Born on Christmas Eve in 1962, Della was a lovable charmer like her father, an adventurous and quick-witted kid. She had a carefree suburban childhood, even while her father was fast becoming an entertainment superstar, inventing, hosting, and producing his legendary game shows. When Barris and his wife eventually divorced, Della was shuttled between parents in New York and California, then moved from boarding school in Switzerland to Beverly Hills High, among other places. Bored, lonely, and often depressed, she discovered drugs and petty crime early in adolescence, and her escapades soon took on a far more alarming and dangerous aspect. She was lost, yearning for attention and guidance, and growing up in Los Angeles amid temptation everywhere. Her father felt helpless: caring for a daughter was more than Barris had bargained for. Ranging from late-night phone calls from the neighbors to emergency room visits, Della’s behavior was out of control. When Della decided at age sixteen to move out on her own, Barris didn’t object. He gave her a trust fund and let her go out into the world alone, a regret that he shares with readers here in heartbreaking and clear-eyed detail as he chronicles Della’s descent into addiction and her eventual death from an overdose at age thirty-six. But Della is not just a grief-stricken story. Filled with loving memories and spontaneous humor, it is a brave and hard-earned reflection on fatherhood and a tribute to innocence lost.