The state of bibliography today (1979) -- Physical bibliography in the twentieth century (1979) -- The evolving role of bibliography (1984) -- Issues in bibliographical studies since 1942 (1992) -- Years on : bibliography then and now (2003) -- Thoughts on the centenary of The Bibliographical Society of America (2004) -- The historiography of American literary publishing (1965) -- The Bibliographical Society's News sheet, 1894-1920 (1967) -- The descriptive bibliography of American authors (1968) -- Copyright records and the bibliographer (1969) -- The periodical literature of English and American bibliography (1968) -- Indianapolis in the world of books (1973) -- Bibliography and science (1974) -- The descriptive bibliography of eighteenth-century books (1975) -- The centennial meeting and convocation of the Grolier Club (1984) -- Exhibitions at the Grolier Club (1984) -- The varieties of scholarly editing (1985) -- The fiftieth anniversary of The Bibliographical Society of the University Of Virginia (1997) -- A history of Studies in bibliography : the first fifty years (1997) -- A brief history of the English short-title catalogue in North America (1998) -- Some thoughts on catalogues (2008) -- The textual criticism of visual and aural works (2008) -- Bibliographical history as a field of study (1988).

Who is the greatest living essayist writing in English? Unquestionably Joseph Epstein. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. How easy it is today to forget the simple delight of reading for no intended purpose. Each of the 39 pieces in this book is a pure pleasure to read.

"Originally published in Great Britain under the title Patrick O'Brian: Critical appreciations and a bibliography"--T.p. verso.

"A collection of essays by editor, biographer, bibliographer, and book historian James L. W. West III, covering editorial theory, archival use, textual emendation, and scholarly annotation. Discusses the treatment of both public documents (novels, stories, nonfiction) and private texts (letters, diaries, journals, working papers)"--Provided by publisher.

"A collection of essays by the noted bibliographer John Bidwell on book production in England and America during the Industrial Revolution. Several of these essays touch on topics outside the pivotal period, but all tend toward the manufacturing sector and deal with the same tools of the trade--paper and type"--

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times