Magnificent novel of Empire and its aftermath First published in 1954 in the wake of the partition of India, John Masters' great novel Bhowani Junction has increased in stature over the years. Standing between E.M. Forster's A Passage to India and the widely acclaimed works of such writers as Paul Scott and Salman Rushdie, Bhowani Junction is both a richly intriguing novel and a superb evocation of the tensions and conflicts at the birth of modern India.

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The standard image of the Raj is of an aloof, pampered and prejudiced British elite lording it over an oppressed and hostile Indian subject population. Like most caricatures, this obscures as much truth as it reveals. The British had not always been so aloof. The earlier, more cosmopolitan period of East India Company rule saw abundant ‘interracial’ sex and occasional marriage, alongside greater cultural openness and exchange. The result was a large and growing ‘mixed-race’ community, known by the early twentieth century as Anglo-Indians. Notwithstanding its faults, Empire could never have been maintained without the active, sometimes enthusiastic, support of many colonial subjects. These included Indian elites, professionals, civil servants, businesspeople and minority groups of all kinds, who flourished under the patronage of the imperial state, and could be used in a ‘divide and rule’ strategy to prolong colonial rule. Independence was profoundly unsettling to those destined to become minorities in the new nation, and the Anglo-Indians were no exception. This refreshing account looks at the dramatic end of British rule in India through Anglo-Indian eyes, a perspective that is neither colonial apologia nor nationalist polemic. Its history resonates strikingly with the complex identity debates of the twenty-first century.

Profiling individual, legendary authors, best-selling author Jerry Hopkins combines his research and his own experiences as a longtime expatriate with an intimate knowledge of Asia and offers us a unique perspective on the impact of Eastern culture in Western literature. From the time of Marco Polo's trek across the Central Asian desert to the empire of the mighty Kahn, no other place on earth, not the languid South Pacific or even deepest, darkest Africa has so challenged and enchanted the Western imagination as have the fabled lands of the East! However soaked in blood its history and no matter how unsettling its social conditions and poverty, Asia has never lost its irresistible attraction or mystic. It has long been an inspiration for Western novelists, so much so that more than 5000 novels have been set in Asia in the English language alone. Storied names like Rudyard Kipling, Joseph Conrad, Pearl S. Buck, George Orwell, Graham Greene, E.M. Forster and many more have used their experiences in Asia as a vibrant backdrop for some of the world's most famous works of literature.

This book looks at the changing image of the Indian Patriot’s war for India’s Independence and its reflection, which were shown during the Cold War period on the screens of commercial British films and TV. By using a variety of primary and secondary sources, as demonstrated by utilizing Gramsci’s theory of Common Sense/Folklore, the author traces the evolution of the Indian Patriot from a ‘villain’ to a ‘saint,’ and the British Colonials from ‘kind’ to ‘mediocre’ and even ‘evil’ personalities.

During the early Hollywood sound era, studio director George Cukor produced nearly fifty films in as many years, famously winning the Best Director Oscar at the 1964 Academy Awards for My Fair Lady. His collaborations with so-called difficult actresses such as Katharine Hepburn, Judy Garland, and Marilyn Monroe unsettled producers even as his ticket sales lined their pockets. Fired from Gone with the Wind for giving Vivien Leigh more screen time than Clark Gable, Cukor quickly earned a double-sided reputation as a "woman's director." While the label celebrated his ability to help actresses deliver their best performances, the epithet also branded the gay director as suitable only for work on female-centered movies such as melodramas and romantic comedies. Desperate for success after a failed drag film nearly ended his career, Cukor swore to work within Hollywood's constraints. Nevertheless, What Price Hollywood? Gender and Sex in the Films of George Cukor finds that Cukor continued to explore gender and sexuality on-screen. Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor's award-winning films—titles including My Fair Lady and The Philadelphia Story—as well as his lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, What Price Hollywood? tells the story of a once-in-a-generation director who produced some of the best films in history.

The various essays in this volume, all written by prominent experts in the field, offer critical discussions of every feature film Cukor directed and include a rich trove of valuable information about their production histories.