Awe inspiring landscapes of the wilderness in the high Arctic.

This book provides new insights into how theatre responded to changing economic practices and structures. It reviews discourses on household management and commerce to create a rich context for the discussion of socio-economic actions and transactions in Macbeth, Othello, and Timon of Athens, as well as in city comedies by Ben Jonson and Thomas Middleton. By approaching discourses on economy and commerce as complementary, the book opens up a diverse field of socio-economic practices, including the gendered division of duties in the household, new modes of valuation, and evolving credit instruments. Theatre provides unique access to this field. In contrast to practical and policy-oriented discourses, it addresses socio-economic change and its vicissitudes in a spirit of experimentation, testing the ethical limits of socio-economic action and accustoming audiences to the demands of a changing socio-economic reality. Theatre thus offers a vital contribution to the prehistory of political economy. On the London stages, self-interest emerges as a key motive of socio-economic action, and theatre playfully explores its ambiguous status as a partly rational and partly excessive force that has a new ordering function but also creates social conflict. At the same time, by staging the contradictory demands of ethics and efficiency in economic decision-making, early modern plays offer access to a changing understanding of prudence that has a Machiavellian touch: by aligning with the pursuit of private interest, prudence sheds some of its ethical content and becomes foremost an instrumental faculty.

Thirteen-year-old Courtney Carter can't shake off the recurring nightmare that haunts her every night. Fuelled by curiosity and a sense of foreboding, she embarks on a quest to uncover the truth behind the enigmatic garden from her dreams. But as she delves deeper into the mystery, Courtney discovers that the reality awaiting her is far more perilous and extraordinary than she ever imagined.

Kathy Ryan’s work as an occult investigator often leads her to the outskirts of society, law, and even reality... Knowing that other dimensions exist is one thing. Venturing into them is quite another. In the course of its experiments, Paragon Corp—a government-sourced theoretical physics research institute—has discovered a supposedly empty alternate world. There is strange, alien flora but seemingly no sentient beings...just a huge, abandoned city that a team of scientists is sent to explore. Then the scientists disappear. Kathy Ryan is hired to make her first foray into an alternate dimension in order to locate the team, bring them back, and close the gate for good. Instead, she discovers that this supposedly dead city may be nothing of the kind. Her rescue mission has become a terrifying race to prevent the potential destruction of the boundary between two worlds—before mayhem reigns over both... Praise for the novels of Mary SanGiovanni “SanGiovanni evokes a Lovecraftian sensibility in this action-filled story. . . . Scary, suspenseful, smart, and gory, the novel is also beautifully set and described.”—Library Journal on Savage Woods “A feast of both visceral and existential horror.” —F. Paul Wilson on Thrall “Filled to the brim with mounting terror.” —Gary A. Braunbeck on The Hollower “A fast-building, high-tension ride.” —James A. Moore on The Hollower