Combines evocative photographs and illustrations in a treasury of stories by 11 international writers that were inspired by artifacts connected to World War I. Illustrated by the Kate Greenaway Medal-winning artist of A Monster Calls.

A daring young woman will risk her life to find her destiny in this atmospheric, beautifully drawn historical debut novel—a tale of love, hope, and danger set during the First World War. Lady Elizabeth Neville-Ashford wants to travel the world, pursue a career, and marry for love. But in 1914, the stifling restrictions of aristocratic British society and her mother’s rigid expectations forbid Lilly from following her heart. When war breaks out, the spirited young woman seizes her chance for independence. Defying her parents, she moves to London and eventually becomes an ambulance driver in the newly formed Women’s Army Auxiliary Corps—an exciting and treacherous job that takes her close to the Western Front. Assigned to a field hospital in France, Lilly is reunited with Robert Fraser, her dear brother Edward’s best friend. The handsome Scottish surgeon has always encouraged Lilly’s dreams. She doesn’t care that Robbie grew up in poverty—she yearns for their friendly affection to become something more. Lily is the most beautiful—and forbidden—woman Robbie has ever known. Fearful for her life, he’s determined to keep her safe, even if it means breaking her heart. In a world divided by class, filled with uncertainty and death, can their hope for love survive. . . or will it become another casualty of this tragic war? The paperback includes a P.S. section with additional insights from the author, background material, suggestions for further reading, and more.

What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.

A chronicle of the American experience during World War I and the unexpected changes that rocked the country in its immediate aftermath—the Red Scare, race riots, women’s suffrage, and Prohibition. The Great War’s bitter outcome left the experience largely overlooked and forgotten in American history. This timely book is a reexamination of America’s first global experience as we commemorate World War I's centennial. The U.S. had steered clear of the European conflagration known as the Great War for more than two years, but President Woodrow Wilson reluctantly led the divided country into the conflict with the goal of making the world “safe for democracy.” The country assumed a global role for the first time and attempted to build the foundations for world peace, only to witness the experience go badly awry and it retreated into isolationism. Though overshadowed by the tens of millions of deaths and catastrophic destruction of World War II, the Great War was the most important war of the twentieth century. It was the first continent-wide conflagration in a century, and it drew much of the world into its fire. By the end of it, four empires and their royal houses had fallen, communism was unleashed, the map of the Middle East was redrawn, and the United States emerged as a global power – only to withdraw from the world’s stage. The Great War is often overlooked, especially compared to World War II, which is considered the “last good war.” The United States was disillusioned with what it achieved in the earlier war and withdrew into itself. Americans have tried to forget about it ever since. The Great War in America presents an opportunity to reexamine the country’s role on the global stage and the tremendous political and social changes that overtook the nation because of the war.

A young aesthete from a privileged Roman family, Alexandro Giuliani, found his charmed existence shattered by the coming of WWI. Highly recommended.

The riveting, untold story of George Creel and the Committee on Public Information -- the first and only propaganda initiative sanctioned by the U.S. government. When the people of the United States were reluctant to enter World War I, maverick journalist George Creel created a committee at President Woodrow Wilson's request to sway the tide of public opinion. The Committee on Public Information monopolized every medium and avenue of communication with the goal of creating a nation of enthusiastic warriors for democracy. Forging a path that would later be studied and retread by such characters as Adolf Hitler, the Committee revolutionized the techniques of governmental persuasion, changing the course of history. Selling the War is the story of George Creel and the epoch-making agency he built and led. It will tell how he came to build the and how he ran it, using the emerging industries of mass advertising and public relations to convince isolationist Americans to go to war. It was a force whose effects were felt throughout the twentieth century and continue to be felt, perhaps even more strongly, today. In this compelling and original account, Alan Axelrod offers a fascinating portrait of America on the cusp of becoming a world power and how its first and most extensive propaganda machine attained unprecedented results.

In recent years, and in light of U.S. attempts to project power in the world, the presidency of Woodrow Wilson has been more commonly invoked than ever before. Yet "Wilsonianism" has often been distorted by a concentration on American involvement in the First World War. In Woodrow Wilson and the Great War: Reconsidering America's Neutrality, 1914-1917, prominent scholar Robert Tucker turns the focus to the years of neutrality. Arguing that our neglect of this prewar period has reduced the complexity of the historical Wilson to a caricature or stereotype, Tucker reveals the importance that the law of neutrality played in Wilson's foreign policy during the fateful years from 1914 to 1917, and in doing so he provides a more complete portrait of our nation's twenty-eighth president. By focusing on the years leading up to America's involvement in the Great War, Tucker reveals that Wilson's internationalism was always highly qualified, dependent from the start upon the advent of an international order that would forever remove the specter of another major war. World War I was the last conflict in which the law of neutrality played an important role in the calculations of belligerents and neutrals, and it is scarcely an exaggeration to say that this law--or rather Woodrow Wilson's version of it--constituted almost the whole of his foreign policy with regard to the war. Wilson's refusal to find any significance, moral or otherwise, in the conflict beyond the law and its violation led him to see the war as meaningless, save for the immense suffering and sense of utter futility it fostered. Treating issues of enduring interest, such as the advisability and effectiveness of U.S. interventions in, or initiation of, conflicts beyond its borders, Woodrow Wilson and the Great War will appeal to anyone interested in the president's power to determine foreign policy, and in constitutional history in general.