From the World Fantasy Award-winning author of The Bards of Bone Plain. The Wayfolk are a dark-haired, wandering people who shun doors and walls. Corleu is Wayfolk, albeit with hair the color of the moon. But when his companions and his own true love become trapped in an unearthly swamp beyond the reach of time, he dares to cross a forbidden and forbidding threshold, to enter a dark house that should not exist, to meet with a tinker who is also a king, and to embark on a quest for the one long-lost treasure that may free his people: the heart of the Cygnet. The Cygnet is a figure of myth and legend, like the Gold King, the Blind Lady, the Dancer, and the Warlock. Once Corleu had thought these beings to live only in the stars and in children's rhymes. Now he knows that they are as real as himself, and that it is the Cygnet that holds the others at bay. To find the heart, he must walk paths he never imagined: apprentice himself to a beautiful sorceress of uncertain motives, brave the Fire Bear in its lair, catch the Blood Fox by its shadow, and elude a valiant woman warrior whose destiny is strangely linked to his own. More, Corleu must also wrestle with his own conscience. For if he fails in his quest, those he loves are lost forever to timeless limbo. But if he claims the heart, then the Cygnet falls and so do all who live...

The pupils of St. Etheldred's - a remote boarding school in the heart of the English countryside - like nothing more than to sneak out at night and play Graveyard Games in the grounds of the derelict church across the road. But for teenage twins Richard and Abigail Arkwright, everything is about to change. When their best friend John is kidnapped by a pale-faced stranger, they are sucked into a world of darkness and danger, and discover the terrifying truth that vampires are real. Caught in a web of conspiracies, the siblings must face renegade Vampire Counts, an aging hunter, and a whole reality created and populated by the bizarre beliefs of the human race. Think you know about vampires? So did they. - Beyond the Veil explores themes of bereavement, growing apart, and the nature of beliefs, against a backdrop of suspense and otherworldly schemes. It is a darkly comic, action-packed adventure containing a wealth of vampire lore that will change the way you think about the undead forever.

"Cameron Landell's successful land development company is in danger if he doesn't recover a bad loan, and that's going to mean selling the land he received as collateral. So he's none too pleased to discover that the animal behavior researcher who manages the property has vastly different notions about what he should do. Just because the lovely blond scientist makes him long for her kisses doesn't mean he's willing to accept her harebrained proposal. Malou Sanders has focused her life on the troop of rare Japanese macaques in her care. The locals may laugh about the "Monkey Ranch," but she's determined to fight Cameron's plans. Surely she can find a way to convice this gorgeous hunk to see reason-- even if his touch sets her on fire."--Page 4 of cover.

Aristotle’s Parva naturalia continues the investigation begun in the De anima. The De anima defines the soul and treats its main powers, nutrition, sense perception, intellection, and locomotion. The Parva naturalia — On sense and sensible objects, On memory and recollection, On sleep, On dreams, On divination in sleep, On motion of animals (De motu animalium ), On length and shortness of life, and On youth and old age and respiration — attends more to bodily involvement with soul. While each work offers fascinating and challenging insights, there has never been as extensive a commentary covering them together. A reason is that the works have often been viewed as incidental and even inconsistent. The De motu animalium has not typically been included, when viewed as an isolated work on animal locomotion. This commentary argues that the treatises, considered together and with the De motu among them, display a tight sequence manifesting an artful, yet easily overlooked, design. We reveal many techniques of Aristotle’s writing that have received little consideration previously. Our commentary contributes to a unified and comprehensive account of Aristotle’s overall project regarding the soul and its connections with the body.

In a highly influential essay, Rose Rosengard Subotnik critiques "structural listening" as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik’s challenge in what is likely to be one of musical scholarship’s intellectual touchstones for many years to come. Original, innovative, and sophisticated, their essays explore not only the implications of the "structural listening" model but also the alternative listening strategies that have developed in specific communities, often in response to twentieth-century Western music.

"True horsemanship training is about people first." --Charles Wilhelm Charles Wilhelm's Ultimate Foundation Training has transformed thousands of horses into more responsive, mannerly companions. In this book, Wilhelm trains you to use his tried and true principles in training your horse. Go inside the horse's mind to see how he thinks and learns, so you can communicate in a language your horse understands. Discover why and how foundation training works. Wilhelm's uniquely successful methods will help you build a relationship that's more rewarding for both you and your horse--one that lasts a lifetime. * Discover why working with your horse should be fun--and why you should stop if it isn't * Learn to identify your horse's emotional level and personality type * Find out the ten secrets your horse wishes he could tell you * Understand why consistency is essential in establishing desired behavior * Communicate with your horse using the right combination of pressure and release, patience, persistence, and conscientious follow-through * Recognize why it's never, ever the horse's fault