A major question facing therapists today is how to treat psychosis effectively while maintaining patients' dignity, self-respect and their psychological and social functioning. This book provides important and engaging accounts of the special personal and interpersonal care offered by the Arbours Crisis Centre and kindred facilities.

Sharpen your mind, reframe your perspectives, and unleash your full human potential.

Spiritual practice is not some kind of striving to produce enlightenment, but an expression of the enlightenment already inherent in all things: Such is the Zen teaching of Dogen Zenji (1200–1253) whose profound writings have been studied and revered for more than seven hundred years, influencing practitioners far beyond his native Japan and the Soto school he is credited with founding. In focusing on Dogen's most practical words of instruction and encouragement for Zen students, this new collection highlights the timelessness of his teaching and shows it to be as applicable to anyone today as it was in the great teacher's own time. Selections include Dogen's famous meditation instructions; his advice on the practice of zazen, or sitting meditation; guidelines for community life; and some of his most inspirational talks. Also included are a bibliography and an extensive glossary.

The effort to go beyond given knowledge in different domains – artistic, scientific, political, metaphysical – is a characteristic driving force in modernism and the avant-gardes. Since the late 19th century, artists and writers have frequently investigated their medium and its limits, pursued political and religious aims, and explored hitherto unknown physical, social and conceptual spaces, often in ways that combine these forms of critical inquiry into one and provoke further theoretical and methodological innovations. The fifth volume of the EAM series casts light on the history and actuality of investigations, quests and explorations in the European avant-garde and modernism from the late 19th century to the present day. The authors seek to answer questions such as: How have modernism and the avant-garde appropriated scientific knowledge, religious dogmas and social conventions, pursuing their investigation beyond the limits of given knowledge and conceptions? How have modernism and avant-garde created new conceptual models or representations where other discourses have allegedly failed? In what ways do practises of investigation, quest or exploration shape artistic work or the formal and thematic structures of artworks?

"Beyond the Anti-group: survival and transformation" builds on the success of Morris Nitsun's influential concept of the Anti-group, taking it into new domains of thought and practice in the current century. The concept focuses on anxiety and hostility within, towards and between groups, as well as the destructive potential of groups. In Beyond the Anti-group". Morris Nitsun continues his inquiry into the clinical implications of the anti-group but also explores the concept beyond the consulting room, in settings as wide-ranging as cultural and environmental stress in the 21st century, the fate of public health services and the themes of contemporary art. Groups are potentially destructive but also have the capacity for survival, creativity and transformation. Focusing on the interplay between the two, Morris Nitsun explores the struggle to overcome group impasse and dysfunction and to emerge stronger. By tracking this process in a range of cultural settings, the author weaves a rich tapestry in which group psychotherapy, organizational process and the arts come together in unexpected and novel ways. The author draws on group analysis and the Foulkesian tradition as his overall discipline but within a critical frame that questions the relevance of the approach in a changing world, highlighting new directions and opportunities. Readers of Beyond the Anti-group: Survival and Transformation will be stimulated by the depth, breadth and creativity of the author’s analysis and by the excursion into new fields of inquiry. The book offers new impetus for psychotherapists, group analysts and group practitioners in general, students of group and organizational processes, and those working on the boundary between psychotherapy and the arts.