Waters explores the process by which the hope of a society was sabotaged and plundered in the name of a mis-defined freedom.

Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily on nineteenth- and twentieth-century poetry, the scope of her investigation is grand: from John Milton's "Lycidas" to very recently written AIDS and breast cancer elegies. Milton epitomized the traditional use of the Orpheus myth as an illustration of the female threat to masculine poetic prowess, focused on the beleaguered Orpheus. Zeiger documents the gradual inclusion of Eurydice, from the elegies of Algernon Charles Swinburne through the work of Thomas Hardy and John Berryman, re-examining the role of Eurydice, and the feminine more generally, in poetic production. Zeiger then considers women poets who challenge the assumptions of elegies written by men, sometimes identifying themselves with Eurydice. Among these poets are H.D., Edna St. Vincent Millay, Anne Sexton, and Elizabeth Bishop. Zeiger concludes with a discussion of elegies for victims of current plagues, explaining how poets mourning those lost to AIDS and breast cancer rewrite elegy in ways less repressive, sacrificial, or punitive than those of the Orphean tradition. Among the poets discussed are Essex Hemphill, Thom Gunn, Mark Doty, Audre Lorde, Adrienne Rich, and Marilyn Hacker.

Using as her starting point the story of Orpheus and Eurydice, Melissa F. Zeiger examines modern transformations of poetic elegy, particularly as they reflect historical changes in the politics of gender and sexuality. Although her focus is primarily on nineteenth- and twentieth-century poetry, the scope of her investigation is grand: from John Milton's "Lycidas" to very recently written AIDS and breast cancer elegies. Milton epitomized the traditional use of the Orpheus myth as an illustration of the female threat to masculine poetic prowess, focused on the beleaguered Orpheus. Zeiger documents the gradual inclusion of Eurydice, from the elegies of Algernon Charles Swinburne through the work of Thomas Hardy and John Berryman, re-examining the role of Eurydice, and the feminine more generally, in poetic production. Zeiger then considers women poets who challenge the assumptions of elegies written by men, sometimes identifying themselves with Eurydice. Among these poets are H.D., Edna St. Vincent Millay, Anne Sexton, and Elizabeth Bishop. Zeiger concludes with a discussion of elegies for victims of current plagues, explaining how poets mourning those lost to AIDS and breast cancer rewrite elegy in ways less repressive, sacrificial, or punitive than those of the Orphean tradition. Among the poets discussed are Essex Hemphill, Thom Gunn, Mark Doty, Audre Lorde, Adrienne Rich, and Marilyn Hacker.

For peoples whose legal agreements, treaties, and other accords and conventions with the United States have been violated, multiculturalism as a pedagogical tool often becomes suspect of reinforcing the continued reification and abstraction of their cultures and nations with little if any real meaning for educational and social transformation. The continued oppression and repression of the exercise of self-determination for African Americans; the persistence of policies aimed at the destruction of indigenous populations and land; the insidious continuation of classical colonialism in the case of Puerto Rico are all vivid reminders to these peoples of the racist, classist, sexist, and homophobic patriarchy that characterizes their status. In order to restore people's rights to fully determine their own histories, Jackson and Solis point out that it is imperative to destroy the material foundations that breed and recycle the ideology, discourse, and cultural practices of domination. It is not enough to celebrate diversity and difference; there must be grand-scale social, political, economic, and educational transformation.

For most of us, mourning is something to be endured. We are often merely passive spectators of our own pain, and we see our grief period as a grim mountain that we must climb over. But Maurice Lamm tells us it can be much more. Bereavement, he says, can often be an enriching experience, even as it is a sorrowful and often tragic one. Our faith in a higher power can move us to not only live through the present but also to stride into the future with renewed energy and a revitalized outlook on life. In this, his sequel to the best-selling The Jewish Way in Death and Mourning (over 350,000 copies sold), Rabbi Lamm helps mourners not just get through their grief, but also grow through it. He gently steers mourners on the path that allows their sorrow to teach them important lessons about life. And he shows consolers how to listen and speak with their hearts so that they can provide real comfort to others. His marvelous insights on the days of shiva, the year of kaddish, and the lovingkindness of others reveal the richness and true purpose of Jewish mourning rituals and customs. They prepare us to receive consolation and ready us for the journey that will take us beyond grief. His "Words for a Loss When at a Loss for Words" is a treasury of readings for finding and giving comfort by transforming the spiritual ideas of an ancient faith into contemporary language. Here there are stories and fables that illuminate our complicated lives, meditations from the depths of human experience, and a gallery of unforgettable images that speak to our souls during times of loss. Rabbi Lamm's words will help all who walk the path of grief to find their way to consolation--and then beyond, to an appreciation of the blessings and opportunities that present themselves to us when we confront loss. And they can even take us further, to discover the celebrated Jewish art--of wringing blessing out of tragedy.

Zen practitioner and non-profit community developer Bernie Glassman offers powerful teaching stories that illustrate ways of making peace one moment at a time. Each chapter focuses on an event or person and demonstrates how a particular peacemaker vow is put into practice. Through these stories and Glassman's personal testimony we come to understand the essence of peacemaking.

NOW A MAJOR MOTION PICTURE A true story of death, grief and the law from the 2019 winner of the Australia Council Award for Lifetime Achievement in Literature. In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests-most of them university students-had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care. It is a masterwork from one of Australia's greatest writers. Winner of the Ned Kelly Award for Best True Crime 2005 Winner of the ABIA Book of the Year 2004 PRAISE FOR JOE CINQUE'S CONSOLATION "Garner's book is a writer's profound response to a tragedy and to questions about human responsibility over time as well as at precise moments" The Age "This is a work of great passion and of countervailing humanity - a book of witness..." Australian Book Review