"Discusses the various types of abuse teenagers face, including both domestic and dating abuse, the impact abuse has on teens, and several ways to help teens who suffer from some form of abuse"--Provided by publisher.

WINNER OF THE HILLMAN PRIZE FOR BOOK JOURNALISM, THE HELEN BERNSTEIN BOOK AWARD, AND THE LUKAS WORK-IN-PROGRESS AWARD * A NEW YORK TIMES TOP 10 BOOKS OF THE YEAR * NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST * LOS ANGELES TIMES BOOK PRIZE FINALIST * ABA SILVER GAVEL AWARD FINALIST * KIRKUS PRIZE FINALIST NAMED ONE OF THE BEST BOOKS OF 2019 BY: Esquire, Amazon, Kirkus, Library Journal, Publishers Weekly, BookPage, BookRiot, Economist, New York Times Staff Critics “A seminal and breathtaking account of why home is the most dangerous place to be a woman . . . A tour de force.” -Eve Ensler "Terrifying, courageous reportage from our internal war zone." -Andrew Solomon "Extraordinary." -New York Times ,“Editors' Choice” “Gut-wrenching, required reading.” -Esquire "Compulsively readable . . . It will save lives." -Washington Post “Essential, devastating reading.” -Cheryl Strayed, New York Times Book Review An award-winning journalist's intimate investigation of the true scope of domestic violence, revealing how the roots of America's most pressing social crises are buried in abuse that happens behind closed doors. We call it domestic violence. We call it private violence. Sometimes we call it intimate terrorism. But whatever we call it, we generally do not believe it has anything at all to do with us, despite the World Health Organization deeming it a “global epidemic.” In America, domestic violence accounts for 15 percent of all violent crime, and yet it remains locked in silence, even as its tendrils reach unseen into so many of our most pressing national issues, from our economy to our education system, from mass shootings to mass incarceration to #MeToo. We still have not taken the true measure of this problem. In No Visible Bruises, journalist Rachel Louise Snyder gives context for what we don't know we're seeing. She frames this urgent and immersive account of the scale of domestic violence in our country around key stories that explode the common myths-that if things were bad enough, victims would just leave; that a violent person cannot become nonviolent; that shelter is an adequate response; and most insidiously that violence inside the home is a private matter, sealed from the public sphere and disconnected from other forms of violence. Through the stories of victims, perpetrators, law enforcement, and reform movements from across the country, Snyder explores the real roots of private violence, its far-reaching consequences for society, and what it will take to truly address it.

Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.

Twelve years ago, our fates were sealed with a kiss. We are all, for better or worse, doomed to love each other until death do us part. My heart belongs to Proserpina and St. Sebastian—even if he no longer wants it. Even if she has left it behind to follow him. Delphine’s fled back home, and Becket’s holy calling is in peril. And now only Rebecca and I remain at Thornchapel to face the unknown. The door is open. The door that shouldn’t exist; the door that people have died to close. I don’t feel like the lord of the manor. I don’t feel like a king or a wild god. I am a friend and a boyfriend and a brother—and a failure at being all of these things. But the door doesn’t care about my guilt. It only cares about the sacrifice I’ll make to close it. As the bruising dark of Samhain approaches, so does the fate of our circle, of Thornchapel and the village and the valley beyond it. And I must don the crown, because one thing is still true, even if I must face it alone. Here at Thornchapel, the kings must go to the door. Here at Thornchapel, all kings must die. Door of Bruises is Book Four of the Thornchapel series. Content warnings can be found at thesierrasimone.com/contentnotes

Always outrageous but equally compelling, Ozzy Knows Best is THE book to have on Ozzy, MTV's The Osbournes, and everything in between. Meet the Osbournes: children Kelly and Jack, mother Sharon, and the father, none other than Godfather of Metal Ozzy Osbourne. Starring in MTV's most popular show ever, the Osbournes have proven that the family of a heavy metal superstar can teach America what parenting is all about with their new twist on family values. So what's made Ozzy into such a great father? Experience. You name it, he's done it. He's bitten the heads off doves and bats, urinated on the Alamo (while wearing a woman's dress!), and been addicted to drink and drugs. With his first band, Black Sabbath, he practically invented heavy metal. As a solo performer, he's sold millions of albums, and helped turn the annual Ozzfest tour into one of the biggest events in music. Learn how Ozzy went from being banned at the Alamo to a guest at the White House, from bats to Beverly Hills. It's all in here, with plenty of trivia-like why oldest daughter, Aimee, didn't want to be a part of series- and all the parenting tips any father needs to be as good a dad as Ozzy.

Mother Of Demons