This book defies easy categorization but will be one of the most original, thoughtful, and genuinely interesting books published next year. Before the author's mother died, she asked her daughter, Drucilla, to write a book 'that would bear witness to the dignity of her death [and one that] her bridge class would be able to understand.' As if that wasn't difficult enough, Drucilla's mother, who had a degenerative disease, decided to end her life by ingesting a lethal cocktail of drugs. Drucilla was in the unenviable position of bearing witness to her mother's act. Unsentimental yet poignant, candid and courageous, this is the book that Drucilla promised her mother she'd write. Unlike her earlier academically-oriented books, Between Women and Generations is an intensely personal narrative which interweaves the personal and political decisions Drucilla's made throughout her life. She uses the personal as a springboard to talk about larger philosophical issues such as how one achieves dignity in life and in death, and the nature of intergenerational relationships between women. Drucilla speaks candidly of her relationship with her mother, about her decision to adopt a non-Western child, and about her commitment to UNITY, a cooperative of house cleaners in Long Island, New York. This book will resonate strongly with Western women.

As her family traveled the Oregon Trail in 1852, Mary Ellen Todd taught herself to crack the ox whip. Though gender roles often blurred on the trail, families quickly tried to re-establish separate roles for men and women once they had staked their claims. For Mary Ellen Todd, who found a “secret joy in having the power to set things moving,” this meant trading in the ox whip for the more feminine butter churn. In Gender and Generation on the Far Western Frontier, Cynthia Culver Prescott expertly explores the shifting gender roles and ideologies that countless Anglo-American settlers struggled with in Oregon’s Willamette Valley between 1845 and 1900. Drawing on traditional social history sources as well as divorce records, married women’s property records, period photographs, and material culture, Prescott reveals that Oregon settlers pursued a moving target of middle-class identity in the second half of the nineteenth century. Prescott traces long-term ideological changes, arguing that favorable farming conditions enabled Oregon families to progress from accepting flexible frontier roles to participating in a national consumer culture in only one generation. As settlers’ children came of age, participation in this new culture of consumption and refined leisure became the marker of the middle class. Middle-class culture shifted from the first generation’s emphasis on genteel behavior to a newer genteel consumption. This absorbing volume reveals the shifting boundaries of traditional women’s spheres, the complicated relationships between fathers and sons, and the second generation’s struggle to balance their parents’ ideology with a changing national sense of class consciousness.

“From the moment I read the words [my great-grandmother] Frances Anne Rollin wrote in Boston on January 1, 1868—“The year renews its birth today with all its hopes and sorrows”—she became my beacon, the foremother who would finally share with me our collective past . . . —From the Preface Originally published to rave reviews, Pride of Family is the dazzling true story of an upper middle-class African American clan—and four generations of extraordinary women. Carole Ione, rebel daughter from a long line of rebel daughters, traces her heritage from her mother, Leighla, a sad and lovely journalist, actress, and composer; to glamorous grandmother Be-Be, the popular restaurateur and former showgirl; to upright great-aunt Sistonie, one of Washington’s first black female physicians; and, finally, to great-grandmother Frances Anne Rollin, the indomitable feminist-abolitionist. It is through her great-grandmother’s brilliant diaries that Ione finds enlightenment—a deep connection to the women she cherishes and the proud, glorious history they share.

Drucilla Cornell interweaves the ethical and the political in this unique and profound narrative, focusing on women and dignity.

Mommieis a remarkable photographic portrait of three generations of women in the family of photographer Arlene Gottfried and an intimate story of the inevitable passage of time and aging. Pictured within, we are introduced to Gottfried's 100 year old immigrant grandmother, fragile mother, and reluctant sister over the breathtaking course of 35 years. An artist turning their eye on their own immediate family is a well explored theme, but Gottfried has achieved the sublime with a multi-decade long commitment to document the intimate lives of her nearest kin. Gottfried succeeds in creating a complete twentieth century portrait of four lives inextricably interwoven through relation, sickness, need, love, and the absence of her father-who passed away while Arlene was still young. Living as many mid-century Jewish New York families did, the Gottfrieds were not wealthy and lacked any trappings of luxury. Close examination of their world on Avenue A in Manhattan's Lower East Side reveals a dimly lit small apartment, cartons of budget saltines and groceries, chipped paint, damaged floor tiles, guarded loose change, and well worn clothes - details natural to the lives of many families of immigrants in New York. Mommieis testament to the passage of time, changes in the generations, losing loved ones and a familial experience at once both similar and unique to all.

Women's bodies and the study of anatomy in Italy between the late thirteenth and the mid-sixteenth centuries.

Resource added for the Human Services 105203 program and Substance Abuse Counselor Education diploma 315501.