The InterWar Years details the path from Versailles in 1919 to the invasion of Poland in 1939. It considers the failings of the Treaty of Versailles, the influence of communism, the rise of fascism, and the role of economics as they led to war. It provides a detailed chronology of the path to war beginning with Hitler's ascension to power in 1933. It concludes with a discussion of why Germans embraced Hitler and why European democracies were unable to stop Hitler. The Best One-Hour History series is for those who want a quick but coherent overview of major historical events. It will also serve those who need a competent high-level introduction before going further. Each volume provides a clear and concise account of the episode under discussion. In about an hour, the reader will obtain a well-grounded understanding of why each subject holds iconic status in Western Civilization.

At the end of 1918 one prescient American historian began to write a history of the Great War. "What will you call it?" he was asked. "The First World War" was his bleak response. In Between the Wars Philip Ziegler examines the major international turning points - cultural and social as well as political and military - that led the world from one war to another. His perspective is panoramic, touching on all parts of the world where history was being made, giving equal weight to Gandhi's March to the Sea and the Japanese invasion of China as to Hitler's rise to power. It is the tragic story of a world determined that the horrors of the First World War would never be repeated yet committed to a path which in hindsight was inevitably destined to end in a second, even more devastating conflict.

First Published in 1992. `Between the wars' was the great age of the cartoon character. The adventures of Mickey Mouse, Popeye, and Donald Duck were followed avidly by millions. Even the political leaders of the grim world of the 1920s and 1930s were known to millions as cartoon characters - gawky, bespectacled Woodrow Wilson, the balloon-like Mussolini, and the moustache men Hitler, Stalin, Neville Chamberlain and Ramsay MacDonald. Comic, mordant, and irreverent, political cartoons reveal more about popular concerns in the world of the slump, of rising nationalism and aggression, than either official documents or the work of most journalists. Published in newspapers or magazines with a wide circulation, they `made sense' to the ordinary reader. More than half a century on, that sense of immediate identification has been lost, and political cartoons of the period now need detailed explanation. Roy Douglas, author of the acclaimed The World War: The Cartoonist's Vision, now applies the same skills to the interwar period. His scope is international, and he has selected his cartoons from many different countries. Douglas covers all the great political and social issues of the period as they revealed themselves through the cartoonist's eyes. His greatest gift is for concise, clear explanation, setting each cartoon into its historical context. Throughout this book it is easy to trace the decay of hope in the 1920s, through the fear of war in the 1930s, to the determination at its end that fascism `must be stopped'. These cartoons, intended for the man and woman `in the street', in Europe, North America, in the Soviet Union and in Asia mirror their changing attitudes and beliefs, as their nations shaped up for war.

Papers from a conference analyze Poland's historiography, the dispute with Germany over Upper Silesia, national identity and ethnic minorities, the 1920 victory over the Red Army at Warsaw, the role of the press, and defense preparations before World WarI

Chicago has historically been a place of great energy and a showcase of modernity. Determined to wash away the recent memories of World War I, Chicagoans in the 1920s and into the 1930s set out to enjoy themselves, creating a Golden Age of popular entertainment envied throughout the world. Chicago Entertainment Between the Wars, 1919-1939 explores in detail the various old and new playing fields of entertainment that blossomed during this time period, such as dance halls, radio studios, rodeos, theaters, public mechanical musical machines, and movie palaces.

Cosmopolitan atmosphere attracted a large artistic and intellectual circle from every corner of France and the Western world. In this book the art life of the era is comprehensively documented and placed in its original context, showing the extent to which the extreme, often baffling, antics of the avant-garde affected quotidian existence. Captured in image and text alike are gatherings of artists and intellectuals in cafes, studios, new boutiques, innovative examples of.