A revealing study of the Variae of Cassiodorus and the insight that the epistolary collection can provide into sixth-century Italy.

In the eighth and ninth centuries, three Byzantine empresses—Irene, Euphrosyne, and Theodora—changed history. Their combined efforts restored the veneration of icons, saving Byzantium from a purely symbolic and decorative art and ensuring its influence for centuries to come. In this exhilarating and highly entertaining account, one of the foremost historians of the medieval period tells the story of how these fascinating women exercised imperial sovereignty with consummate skill and sometimes ruthless tactics. Though they gained access to the all-pervasive authority of the Byzantine ruling dynasty through marriage, all three continued to wear the imperial purple and wield tremendous power as widows. From Constantinople, their own Queen City, the empresses undermined competitors and governed like men. They conducted diplomacy across the known world, negotiating with the likes of Charlemagne, Roman popes, and the great Arab caliph Harun al Rashid. Vehemently rejecting the ban on holy images instituted by their male relatives, Irene and Theodora used craft and power to reverse the official iconoclasm and restore icons to their place of adoration in the Eastern Church. In so doing, they profoundly altered the course of history. The art—and not only the art—of Byzantium, of Islam, and of the West would have been very different without them. As Judith Herrin traces the surviving evidence, she evokes the complex and deeply religious world of Constantinople in the aftermath of Arab conquest. She brings to life its monuments and palaces, its court ceremonies and rituals, the role of eunuchs (the "third sex"), bride shows, and the influence of warring monks and patriarchs. Based on new research and written for a general audience, Women in Purple reshapes our understanding of an empire that lasted a thousand years and splashes fresh light on the relationship of women to power.

A riveting history of the city that led the West out of the ruins of the Roman Empire At the end of the fourth century, as the power of Rome faded and Constantinople became the seat of empire, a new capital city was rising in the West. Here, in Ravenna on the coast of Italy, Arian Goths and Catholic Romans competed to produce an unrivaled concentration of buildings and astonishing mosaics. For three centuries, the city attracted scholars, lawyers, craftsmen, and religious luminaries, becoming a true cultural and political capital. Bringing this extraordinary history marvelously to life, Judith Herrin rewrites the history of East and West in the Mediterranean world before the rise of Islam and shows how, thanks to Byzantine influence, Ravenna played a crucial role in the development of medieval Christendom. Drawing on deep, original research, Herrin tells the personal stories of Ravenna while setting them in a sweeping synthesis of Mediterranean and Christian history. She narrates the lives of the Empress Galla Placidia and the Gothic king Theoderic and describes the achievements of an amazing cosmographer and a doctor who revived Greek medical knowledge in Italy, demolishing the idea that the West just descended into the medieval "Dark Ages." Beautifully illustrated and drawing on the latest archaeological findings, this monumental book provides a bold new interpretation of Ravenna's lasting influence on the culture of Europe and the West.

A comprehensive survey of Ravenna's history and monuments in late antiquity, including discussions of scholarly controversies, archaeological discoveries, and interpretations of art works.

A tale of two cities : Rome and Ravenna under Gothic rule / Peter Heather -- Episcopal commemoration in late fifth-century Ravenna / Deborah M. Deliyannis -- Production, promotion, and reception : the visual culture of Ravenna between late antiquity and the Middle Ages / Maria Cristina Carile -- Ravenna in the sixth century : the archaeology of change / Carola Jäggi -- The circulation of marble in the Adriatic Sea at the time of Justinian / Yari A. Marano -- Social instability and economic decline of the Ostrogothic community in the aftermath of the imperial victory : the papyri evidence / Salvatore Cosentino -- A striking evolution : the mint of Ravenna during the early Middle Ages / Vivien Prigent -- Roman law in Ravenna / Simon Corcoran -- The church of Ravenna, Constantinople, and Rome in the seventh century / Veronica Ortenberg West-Harling -- Nobility, aristocracy, and status in early Medieval Ravenna / Edward M. Schoolman -- Charlemagne and Ravenna / Jinty Nelson -- The early Medieval naming-world of Ravenna, eastern Romagna, and the Pentapolis / Wolfgang Haubricht -- San Severo and religious life in Ravenna during the ninth and tenth centuries / Andrea Augenti and Enrico Cirelli -- Life and learning in earliest eleventh-century Ravenna : the evidence of Peter Damian's letters / Michael Gledhill -- Culture and society in Ottonian Ravenna : imperial renewal or new beginnings? / Tom Brown.

Cassiodorus—famed throughout history as one of the great Christian exegetes of antiquity—spent most of his life as a high-ranking public official under the Ostrogothic King Theoderic and his heirs. He produced the Variae, a unique letter collection that gave witness to the sixth-century Mediterranean, as late antiquity gave way to the early middle ages. The Variae represents thirty years of Cassiodorus’s work in civil, legal, and financial administration, revealing his interactions with emperors and kings, bishops and military commanders, private citizens, and even criminals. Thus, the Variae remains among the most important sources for the history of this pivotal period and is an indispensable resource for understanding political and diplomatic culture, economic and legal structure, intellectual heritage, urban landscapes, religious worldview, and the evolution of social relations at all levels of society during the twilight of the late-Roman state. This is the first full translation of this masterwork into English.

Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.