Recent years have witnessed growing scholarly interest in the history of death. Increasing academic attention toward death as a historical subject in its own right is very much linked to its pre-eminent place in 20th-century history, and Germany, predictably, occupies a special place in these inquiries. This collection of essays explores how German mourning changed over the 20th century in different contexts, with a particular view to how death was linked to larger issues of social order and cultural self-understanding. It contributes to a history of death in 20th-century Germany that does not begin and end with the Third Reich.

"This volume explores the tension between mass death and individual loss by linking long-term patterns of mourning, burial, and grief with the short-term cataclysmic violence unleashed by two world wars. How various "cultures of death" shaped the broader historical relationship between the living and the dead in modern Germany is the main concern of this book. It contributes to a history of death in Germany that does not begin and end with the Third Reich."--BOOK JACKET.

NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation. An estiated 750,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be seven and a half million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief in a benevolent God. Throughout, the voices of soldiers and their families, of statesmen, generals, preachers, poets, surgeons, nurses, northerners and southerners come together to give us a vivid understanding of the Civil War's most fundamental and widely shared reality. With a new introduction by the author, and a new foreword by Mike Mullen, 17th Chairman of the Joint Chiefs of Staff.

Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.

In noting that political violence was the product of choices made by political actors rather than the result of irresistible forces ...Schumann issues a pertinent warning while making a first-rate contribution to the scholarly literature on the Weimar Republic. Central European History A well-documented and skillfully argued book. German Studies Review In his exceptional regional study of the Prussian province of Saxony, Schumann offers a richly detailed analysis of political violence in the Weimar Republic...This is a wordy but methodical and ultimately convincing work of scholarship. Choice Schumann ... calls into question some assumptions, provides interesting nuances, and helps to refine our understanding of the nature of political violence in Weimar Germany. Journal of Modern History ... provides a well-documented, solid narrative and challenging analysis of Weimar's political violence... American Historical Review This] definitive work, rich in source material and analysis, dispels stereotypes of political violence in the Weimar Republic. Historische Zeitschrift The Prussian province of Saxony-where the Communist uprising of March 1921 took place and two Combat Leagues (Wehrverb nde) were founded (the right-wing Stahlhelm and the Social Democratic Reichsbanner) - is widely recognized as a politically important region in this period of German history. Using a case study of this socially diverse province, this book provides a comprehensive analysis of political violence in Weimar Germany with particular emphasis on the political culture from which it emerged. It refutes both the claim that the Bolshevik revolution was the prime cause of violence, and the argument that the First World War's all-encompassing "brutalization" doomed post-1918 German political life from the very beginning. The study thus contributes to a view of the Weimar Republic as a state in severe crisis but with alternatives to the Nazi takeover. Dirk Schumann is Professor of History at Georg-August University, G ttingen. He is the co-editor of Life After Death (2003), Violence and Society after the First World War (first issue of Journal of Modern European History 2003]), Between Mass Death and Individual Loss (2007). Most recently, he has edited Raising Citizens in the "Century of the Child" The United States and German Central Europe in Comparative Perspective (2010).

With the removal of death from the public sphere, mourning has become a private matter. At the same time, particularly in poetry, the trend is reversed. An intensely elegiac quality and a focus on absence, death, and loss can be observed in contemporary Anglophone poetry. This study examines the poetry of Andrew Motion in the context of the contemporary elegy, a genre which is at a crossroads between the anti-consolatory refusal to mourn, the inability to move past grief, and the strong wish for redemption from grief. Motion's poetry, which mainly deals with preemptive attempts to cope with loss, can be seen as a typical example for the contemporary melancholy mood in poetry. (Series: Erlanger Studies of English and American Studies / Erlanger Studien zur Anglistik und Amerikanistik - Vol. 15) [Subject: Poetry, Death Studies, Literary Criticism]

Death in war matters. It matters to the individual, threatened with their own death, or the death of loved ones. It matters to groups and communities who have to find ways to manage death, to support the bereaved and to dispose of bodies amidst the confusion of conflict. It matters to the state, which has to find ways of coping with mass death that convey a sense of gratitude and respect for the sacrifice of both the victims of war, and those that mourn in their wake. This social and cultural history of Britain in the Second World War places death at the heart of our understanding of the British experience of conflict. Drawing on a range of material, Dying for the nation demonstrates just how much death matters in wartime and examines the experience, management and memory of death. The book will appeal to anyone with an interest in the social and cultural history of Britain in the Second World War.