In the late nineteenth century in a number of continental European countries Christian associations of workers arose: Christian trade unions, workers' cooperatives, political leagues, workers' youth movements and cultural associations, sometimes separately for men and women. In some countries they formed a unified Christian labour movement, which sometimes also belonged to a broader Christian subculture or pillar, encompassing all social classes. In traditional labour history Christian workers' organizations were solely represented as dividing the working class and weakening the class struggle. However, from the 1980s onwards a considerable amount of studies have been devoted to Christian workers' organizations that adopted a more nuanced approach. This book takes stock of this new historiography. To broaden the analysis, each contribution compares the development in at least two countries, thus generating new comparative insights. This volume assesses the development of Christian workers' organizations in Europe from a broad historical and comparative perspective. The contributions focus on the collective identity of the Christian workers' organization, their denominational and working-class allegiances and how these are expressed in ideology, organization and practice. Among the themes discussed are relations with churches and Christian Democracy, secularization, the development of the Welfare State, industrial relations and the contribution to working-class culture. This volume is the result of a joint intellectual enterprise of the International Institute of Social History (IISG) in Amsterdam (Netherlands) and a group of scholars linked to the KADOC - Documentation and Research Centre for Religion, Culture and Society of the KU Leuven (Catholic University Leuven-Belgium).

Drawing upon interviews with adults married to a partner of a different class background, The Power of the Past reveals the intimate connections between love and class and how enduring class attributes shape who they love and how their marriage unfolds.

Includes the Committee's Reports no. 1-1058, reprinted in v. 1-37.

As downward mobility continues to be an international issue, Robin Brooks offers a timely intervention between the humanities and social sciences by examining how Black women's cultural production engages debates about the growth in income and wealth gaps in global society during the late twentieth and early twenty-first centuries. Using an interdisciplinary approach, this innovative book employs major contemporary texts by both African American and Caribbean writers—Toni Morrison, Gloria Naylor, Dawn Turner, Olive Senior, Oonya Kempadoo, Merle Hodge, and Diana McCaulay—to demonstrate how neoliberalism, within the broader framework of racial capitalism, reframes structural inequalities as personal failures, thus obscuring how to improve unjust conditions. Through interviews with authors, textual analyses of the fiction, and a diagramming of cross-class relationships, Brooks offers compelling new insight on literary portrayals of class inequalities and division. She expands the scope of how the Black women's literary tradition, since the 1970s, has been conceptualized by repositioning the importance of class and explores why the imagination matters as we think about novel ways to address long-standing and simultaneously evolving issues.