A collection of satirical and darkly humorous stories set in Vancouver which tackle themes of evolution, manhood, international adoption, real estate, the movie industry, science and faith, art, and terrorism.

From an emerging master of short fiction and one of Canada's most distinctive voices, a collection of stories as heartbreaking as those of Lorrie Moore and as hilariously off-kilter as something out of McSweeney's. In Better Living through Plastic Explosives, Zsuzsi Gartner delivers a powerful second dose of the lacerating satire that marked her acclaimed debut, All the Anxious Girls on Earth, but with even greater depth and darker humour. Whether she casts her eye on evolution and modern manhood when an upscale cul-de-sac is thrown into chaos after a redneck moves into the neighbourhood, international adoption, war photography, real estate, the movie industry, motivational speakers, or terrorism, Gartner filets the righteous and the ridiculous with dexterity in equal, glorious measure. These stories ruthlessly expose our most secret desires, and allow us to snort with laughter at the grotesque world we'd live in if we all got what we wanted.

All the Anxious Girls on Earth marks the debut of a startingly original literary voice. Zsuzsi Gartner's exuberant prose gives voice to unforgettable characters who survive by their wits as they cope with indifferent relationships, lackluster jobs, and the myriad curve-balls life throws their way. A woman calls in fake bomb threats from the nineteenth floor of a bank tower as revenge against her ex-lover. The mother of a girl killed by a teenage urban guerilla thrives spectacularly in her industrious grief, transforming herself into a forgiveness guru and talk-show host. Lured into the wilderness by her desire for a man who rebuilds vintage airplanes, a young woman finds she lusts more for biscotti and city sidewalks. A small, heroic child makes a guileless request for pajamas and creates a psychic storm at the center of her anxious, achievement-mad parents' lives. Rendered in a jittery, jazzed-up prose that has been compared to that of Lorrie Moore and Mary Flanagan, these stories brilliantly capture the pathos, beauty, and alienation of contemporary life and signal the arrival of a writer to watch.

"Meet Danny Lim. He spends his days working as a wedding photographer and his nights cruising Stanley Park, far from the family home in East Vancouver that he once fled, and where his parents and sister still live. When he rediscovers a green silk belt he had hidden years earlier, he remembers a fleeting but powerful connection he formed with a burlesque dancer named Miss Val, a.k.a. the Siamese Kitten. On that day in 1958, in an alley behind a nightclub in Chinatown, Miss Val offered eight-year-old Danny an understanding kindness and easy acceptance he had never before experienced. As the memory triggered by Miss Val's belt washes over him, Danny decides he must find her"--Jacket flap.

Blending banalities of everyday human routines and dilemmas with elements of fairy tales, magic, the macabre and the downright inventive, Katherine Fawcett’s fiction is anything but predictable. In this collection, reimagined folktales appear alongside stories entirely new, serving to defamiliarize us from the undeniably odd tales we continue to pass down generation after generation, and lend a vague familiarity to the stories of Fawcett’s invention. One of the three little pigs launches a line of high-end, easy-to-prepare, wolf broth–based meals. The Devil is on a mission to steal a child’s soul, but is distracted when he develops a massive crush on the day-care worker. A man stands in the shower contemplating his future when he discovers tiny mushrooms growing in his body’s various nooks and crannies. Fawcett’s wry humour and prodigious imagination are an addictive mix. The weird becomes normal, and the normal, fascinating. Subverting expectations at every turn, her matter-of-fact style and narrative skill make this collection a must-read for any lover of short fiction.

"Ripley is an unmistakable descendant of Gatsby, that 'penniless young man without a past' who will stop at nothing."—Frank Rich Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).