A pilot on the run. A warrant-taker determined to make a capture. The mating-dance that threatens to destroy them both… Warrant-taker Jazen Lav accepts one last assignment before she retires to follow her dreams. She’s hot on the trail of a runaway cyborg, but the path leads to the crew of the Indefatigable and they’re a tight-lipped bunch. Frustration steers her to an undercover gig as a nurse, which places her in the sights of the flirtatious Indy pilot. Nanu left his home planet at a young age, missing the last crucial elements of his training before he hit adulthood. The inner beast he thought dead leaps to life on meeting Jazen, taking him by surprise and tossing him into confusion. His inner beast insists Jazen is his mate, but she’s trouble for him, trouble for his friends, trouble for his future. Abduction and betrayal—not the best way to start a courtship, and that’s where the turmoil begins since danger stalks into the city with Nanu and Jazen directly in its sights…

A dragon shifter determined to save his people… …must sacrifice his potential mate. The moment the resonance traps Ransom, he’s tossed into a living hell. Everything meaningful to him is in danger unless he follows the orders of a prince lying in stasis. But that’s not the royal’s only demand. Prince Kalim expects Ransom to deliver Scarlett—the woman Ransom’s dragon desires. Captured by a dragon. Scarlett Mitchell can’t believe this twist of fate and, once she learns of the dragon-man’s quest, she struggles with the blast of excitement and yearning that seize her imagination. She’s the queen of lists and measures the pros against the cons in every decision—a lesson taught by experience. Life works better when she reins in her spontaneity. She should turn her back on this dangerous journey, but she can’t. Romantic sparks fly between Ransom and Scarlett as they travel to the final showdown with the prince. Painful secrets from the past poke at weak spots and emotions run high while a volcanic eruption threatens to annihilate everyone and everything in its path. Two star-crossed lovers… Courage, determination, and pure grit are required to save the day before this ill-fated quest turns into another impulse gone wrong, or worse—a death trap. You’ll love this shapeshifter romance because it contains a fiery dragon, a sassy feline shifter, and a villain who wants it all. Failure is not an option.

My life sucks.All the other human breeders have males who are head over heels for them, but do I get that? Nope. Not even close. My alien is the future king of the Dravian race and believe me, he acts like a royal jerk.Yeah, sure, he's hot as hell, but that is not the point.Anyway, I'm still trying to figure out how to get him to do what I want when I stumble onto plans for an assassination. I decide to get involved because if anyone is going to kill the sexy prince it's going to be me. Especially if he calls me his "namori" one more time. Whatever that means.So now I'm trying to keep us alive, but he's making everything difficult with his kisses and his... well let's just say I better keep my mind focused and my legs, er... mouth closed.House of Kaimar Series:Book 1: The Commander's Captive (Lia & Varek)Book 2: The Monarch's Mate (Morgan & Zaden)Book 3: The Bodyguard's Breeder (Eleanor & Kade)Book 4: The Legislator's Lover (Natalie & Kolton)Book 5: The Healer Hellion (Skylar & Braxton) *It's not necessary, but highly recommended that the series be read in order.

"This book disperses the shadows in an obscure but important landscape. Lisa Bitel addresses both the history of women in early Ireland and the history of myth, legend, and superstition which surrounded them. It is a powerful and exact book and an invaluable addition to our expanding sense of Ireland through the eyes of Irish women."--Eavan Boland, author of In a Time of Violence: Poems"It is refreshing to read in a book by a woman on medieval women that not all clerics hated women and that not all men were oversexed villains consciously bent on exploiting women. [Bitel] challenges not only the medieval Irish male construct of female behavior, but she is also courageous enough to question constructs of medieval women invented by modern Irish medieval historians."--Times Higher Education Supplement

The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.

With over 900 biographical entries, more than 600 novels synopsized, and a wealth of background material on the publishers, reviewers and readers of the age the Longman Companion to Victorian Fiction is the fullest account of the period's fiction ever published. Now in a second edition, the book has been revised and a generous selection of images have been chosen to illustrate various aspects of Victorian publishing, writing, and reading life. Organised alphabetically, the information provided will be a boon to students, researchers and all lovers of reading. The entries, though concise, meet the high standards demanded by modern scholarship. The writing - marked by Sutherland's characteristic combination of flair, clarity and erudition - is of such a high standard that the book is a joy to read, as well as a definitive work of reference.

An engaging guide to a rich literary heritage, The Stanford Companion presents a fascinating parade of novels, authors, publishers, editors, reviewers, illustrators, and periodicals that created the culture of Victorian fiction. Its more than 6,000 alphabetical entries provide an incomparable range of useful and little-known source material, its scholarship enlivened by the author's wit and candor.