Best of Adiemus (Flute Or Recorder/Cd)
Title | Best of Adiemus (Flute Or Recorder/Cd) PDF eBook |
Author | Karl Jenkins |
Publisher | |
Pages | |
Release | 2001-06-25 |
Genre | |
ISBN | 9780851623436 |
Recreate the sounds of Adiemus with this new playalong series
Best of Adiemus (Clarinet/Cd)
Title | Best of Adiemus (Clarinet/Cd) PDF eBook |
Author | Karl Jenkins |
Publisher | |
Pages | |
Release | 2001-06-25 |
Genre | |
ISBN | 9780851623443 |
Recreate the sounds of Adiemus with this new playalong series
Best of Adiemus (Violin/Cd)
Title | Best of Adiemus (Violin/Cd) PDF eBook |
Author | Karl Jenkins |
Publisher | |
Pages | |
Release | 2001-06-25 |
Genre | |
ISBN | 9780851623450 |
Recreate the sounds of Adiemus with this new playalong series
The British Catalogue of Music
Title | The British Catalogue of Music PDF eBook |
Author | |
Publisher | |
Pages | 208 |
Release | 2004 |
Genre | Music |
ISBN |
The Recorder Magazine
Title | The Recorder Magazine PDF eBook |
Author | |
Publisher | |
Pages | 388 |
Release | 2001 |
Genre | Recorder (Musical instrument) |
ISBN |
The Best of Sade
Title | The Best of Sade PDF eBook |
Author | Sade |
Publisher | Hal Leonard Publishing Corporation |
Pages | 0 |
Release | 1994 |
Genre | Music |
ISBN | 9780711947436 |
(Piano/Vocal/Guitar Artist Songbook). 16 of her best, including: No Ordinary Love * Smooth Operator * The Sweetest Taboo * and more.
Music after the Fall
Title | Music after the Fall PDF eBook |
Author | Tim Rutherford-Johnson |
Publisher | Univ of California Press |
Pages | 363 |
Release | 2017-02-01 |
Genre | Music |
ISBN | 0520959043 |
"...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.