When movie fans talk about their favorite films, they most often mention one or two particular scenes that they never tire of watching. This witty and engaging volume catalogs more than 500 of the most memorable scenes in movie history. Organized by theme, it recounts the best scenes featuring everything from accountants and adoption to whistling and windows. This diverting work proves to be an indispensable guide for anyone who has ever used a movie reference to illustrate a point or express their feelings.

Scenes from the City: Filmmaking in New York is a celebration of the rise of New York-shot films, particularly after the Mayor's Office of Film, Theatre and Broadcasting was formed in 1966. This revised and expanded edition, edited by James Sanders, includes a new decade of filmmaking in NYC, a section on women filmmakers and rare, behind-the-scenes shots directly from studio archives. It also explores the recent growth of the City's television industry with more episodic series being produced in New York City now than ever before. Today's the City's entertainment industry employs 130,000 New Yorkers and contributes more than $7 billion to the local economy each year.

Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.

The legendary actor and star of the classic "Blade Runner" speaks his mind about acting, movies, Hollywood, and life on the edge. Published to coincide with the 25th anniversary of the release of "Blade Runner."

A unique segment of the movie audience attends for one special scene. It could be a cigar scene (Joseph Cotten asking the young reporter to sneak him a see-gar in Citizen Kane), or a funny walk (Walter Brennan's in To Have and Have Not). For these fans a particular scene that brings them back time and time again.This is a compilation of the best: accountant scenes, ballpoint pen scenes, food mushing scenes, telephone scenes, and more, arranged by category and described lovingly. The work is a delight to read.

The stories in Tom Barbash's wondrous and evocative collection explore the myriad ways we try to connect with one another and with the sometimes cruel world around us. The newly single mother in "The Break" interferes in her son's love life over his Christmas vacation from college. The anxious young man in "Balloon Night" persists in hosting his and his wife's annual watch-the-Macy's-Thanksgiving-Day-Parade-floats-be-inflated party while trying to keep the myth of his marriage equally afloat. "Somebody's Son" tells the story of a young man guiltily conning an elderly couple out of their home in the Adirondacks, and the narrator in "The Women" watches his widowed father become the toast of Manhattan's midlife dating scene, as he struggles to find his own footing in life. The characters in Stay Up with Me find new truths when the old ones have given out or shifted course. In the tradition of classic story writers like John Cheever and Tobias Wolff, Barbash laces his narratives with sharp humor, psychological acuity, and pathos, creating deeply resonant and engaging stories that pierce the heart and linger in the imagination.

The scenes contained in this volume are presented exactly as written by the playwrights, with no internal deletions. The introductions to each follow the headings "Characters," "Scene," and "Time"; the playwrights' stage directions are contained in parent