Bessie Pease Gutmann was a premier illustrator during the first half of the twentieth century. She embodies the feel and subject matter that has come to be associated with women illustrators of that period. This visual masterpiece contains more full-color photography of Gutmann's work than all other previous Gutmann publications, and is accompanied by the most complete pricing to her work ever offered. Some of the works shown are so rare that this book provides their only publication outside of hard-to-find antique art print catalogs. The magnificent imagery of this book will make it a wonderful addition to anyone's art library.

A collection of 24 paintings by Bessie Pease Gutmann, whose angelic pictures of infants have charmed millions of people for more than 50 years. 24 full-color illustrations.

The beloved paintings of early twentieth-century artist Bessie Pease capture the tenderness and radiance of little girls. Nostalgic images seemingly warmed by the sun accompany quotes and tributes to the sweetest creation known to the world. A fitting gift for Mother's Day, baby showers, and every celebration decorated in pink.

Paintings of children accompany traditional songs, including "Hush Little Baby," "Hey Diddle Diddle," and "The Alphabet Song."

"Few books of the past 200 years have captured the imagination of illustrators like Carroll's tale of Wonderland. This original compilation features the interpretations of dozens of artists, including Arthur Rackham, Charles Robinson, and original illustrator John Tenniel. Editor Jeff Menges discusses the artists and their work, and noted collector Mark Burstein shares a bibliophile's perspective"--

A collection of poems evoking the world and feelings of childhood.

Copyright is meant to do something-several things-to accomplish socially desirable ends. One of those ends is to create a space for a free exchange of ideas that allows us to build upon a universe of expression that came before. How can I tell if something is in the public domain? This is the central question addressed daily by the Copyright Review Management System (CRMS) project. It is a special question and one essential to the social bargain that society has struck with authors and rights holders. It is also a deceptively simple question. There should be a straightforward answer, especially for books. It should be easy to know when something is-or is not-subject to copyright. And yet, in an age of absolute fluidity of media and medium, even plain old books can be highly complex embodiments of copyright. We need to make it easier to ascertain whether a work is in the public domain. If the rights of copyright holders are to be respected and valued as part of the social bargain, the public domain as a matter of copyright law should be ascertainable and enjoyed. Given this complexity, consider the determination of the copyright status of a given creative work as a design problem. How do we move the copyright status of works in the collections of our libraries, museums, and archives from confusion and uncertainty to clarity and opportunity? Working over a span of nearly eight years, the University of Michigan Library received three grants from the Institute of Museum and Library Services (IMLS) to generously fund CRMS, a cooperative effort by partner research libraries to identify books in the public domain in HathiTrust. The Toolkit is a resource that aims to allow others to understand and replicate the work done by CRMS.