Berta se porta muy bien. Nunca se enfada, nunca llora ni tiene rabietas. Si se pone nerviosa abre la caja del enfado y grita dentro. Lo mismo si está triste. Un día en que va al colegio vestida de rojo, un niño le dice que parece un Monstruo Glu Glu. ¿Qué es un monstruo Glu Glu?, se pregunta ella. Ese día, quizás Berta pierda el control... Porque, ¿será bueno guardar las emociones en cajas? Una necesaria reflexión sobre la literatura de las emociones.

A deeply affecting–and infuriating–portrait of the life and death of a courageous indigenous leader The first time Honduran indigenous leader Berta Cáceres met the journalist Nina Lakhani, Cáceres said, ‘The army has an assassination list with my name at the top. I want to live, but in this country there is total impunity. When they want to kill me, they will do it.’ In 2015, Cáceres won the Goldman Prize, the world’s most prestigious environmental award, for leading a campaign to stop construction of an internationally funded hydroelectric dam on a river sacred to her Lenca people. Less than a year later she was dead. Lakhani tracked Cáceres remarkable career, in which the defender doggedly pursued her work in the face of years of threats and while friends and colleagues in Honduras were exiled and killed defending basic rights. Lakhani herself endured intimidation and harassment as she investigated the murder. She was the only foreign journalist to attend the 2018 trial of Cáceres’s killers, where state security officials, employees of the dam company and hired hitmen were found guilty of murder. Many questions about who ordered and paid for the killing remain unanswered. Drawing on more than a hundred interviews, confidential legal filings, and corporate documents unearthed after years of reporting in Honduras, Lakhani paints an intimate portrait of an extraordinary woman in a state beholden to corporate powers, organised crime, and the United States.

WINNER OF SPAIN'S NATIONAL CRITICS AWARD • From the award-winning, internationally bestselling author of The Infatuations comes a gripping novel of intrigue and missed chances—at once a spy story and a profound examination of a marriage founded on concealment. • "A masterly premise ... worthy of a Hitchcock adaptation." —The New York Times Book Review When Berta Isla was a schoolgirl, she decided she would marry Tomás Nevinson—the dashing half-Spanish, half-English boy in her class with an extraordinary gift for languages. But when Tomás returns to Madrid from his studies at Oxford, he is a changed man. Unbeknownst to her, he has been approached by an agent from the British intelligence services, and he has unwittingly set in motion events that will derail forever the life they had planned. With peerless insight into the most shadowed corners of the human soul, Marías plunges the reader into the growing chasm between Berta and Tomás and the decisions that irreversibly change the course of the couple's fate. Berta Isla is a novel of love and truth, fear and secrecy, buried identities, and the destinies we bring upon ourselves.

Berta the dachshund is easy to love. And she gives a lot of love to the many baby and young animals that arrive at the Millers' farm. When Berta decides she wants to be a mother, and "adopts" Patrick the lamb, she teaches him the finer points of being a dachshund. Illustrations.

Rosie Caballero hates her nagging boss, her "ditch-me" dating history, her second-hand wardrobe and third-rate job--nothing is easy. She can't even afford to pay for her dog Tootie's food. And then, Rosie wins the largest lottery jackpot ever: 600 million. Rosie can hardly believe her new life: she spends thousands on diamonds, makeup, clothes, and promises. Rosie parties like a celebrity—and even meets the hottest actor on the planet, Brad Merritt, who sweeps her off her feet and seems too good to be true. But he's not the only one in her dizzying world—former boyfriends, larcenous advisors, paparazzi all swarm around her, vying for her attention (and money). In between shopping sprees and photo shoots, Rosie has to find out who she trusts—and what money can (and just can't) buy.

Voluntariness is a necessary condition of valid consent. But determining whether a person consented voluntarily can be difficult, especially when people are subjected to coercion or manipulation, placed in a situation with no acceptable alternative other than to consent to something, or find themselves in an abusive relationship. This book presents a novel view on the voluntariness of consent, especially medical consent, which the author calls Interpersonal Consenter-Consentee Justification (ICCJ). According to this view, consent is voluntary if and only if the process by which it has been obtained aligns with specific principles of interpersonal justification. ICCJ is distinctive because it explains voluntary consent neither as a ‘psychological’ concept indicative of the inner states of a person’s mind (e.g. willingness or reluctance) nor as a ‘circumstantial’ concept indicative of a person’s set of options. Rather, ICCJ explains the voluntariness of consent as an ‘interpersonal’ concept focusing on the interaction between the person giving consent and the person receiving it and requiring the absence of illegitimate control by the consent-receiver. In so doing, ICCJ further develops the notion of interpersonal justification, known from contractualist theories in moral philosophy, and introduces it to the debate on consent. The author employs a top-down approach, defending ICCJ’s key characteristics on the basis of general theoretical arguments, as well as a bottom-up approach, supporting ICCJ in its application to clinical challenges such as nudging and manipulation, living organ donation, and clinical trials. Voluntary Consent will appeal to researchers and advanced students in normative ethics, bioethics, philosophy of law, behavioural psychology, and medicine.