There is no agreement over how to name the 'pagan' cults of late antiquity. Clearly they were more diverse than this Christian label suggests, but also exhibited tendencies towards monotheism and internal changes which makes it difficult to describe them as 'traditional cults'. This volume, which includes two extensive bibliographic essays, considers the decline of urban temples alongside the varying evolution of other focii of cult practice and identity. The papers reveal great regional diversity in the development of late antique paganism, and suggest that the time has come to abandon a single compelling narrative of 'the end of the temples' based on legal sources and literary accounts. Although temple destructions are attested, in some regions the end of paganism was both gradual and untraumatic, with more co-existence with Christianity than one might have expected. Contributors are Javier Arce, Béatrice Caseau, Georgios Deligiannakis, Koen Demarsin, Jitse H.F. Dijkstra, Demetrios Eliopoulos, James Gerrard, Penelope J. Goodman, David Gwynn, Luke Lavan, Michael Mulryan, Helen G. Saradi, Eberhard W. Sauer, Gareth Sears, Peter Talloen, Peter Van Nuffelen and Lies Vercauteren.

"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.

Drawing upon the perspective of social identity theory, The Development of the Social Self is concerned with the acquisition and development of children's social identities. In contrast to previous work on self-development, which has focused primarily on the development of the personal self, this volume makes a case for the importance of the study of the social self - that is, the self as defined through group memberships, such as gender, ethnicity, and nationality. A broad range of identity-related issues are addressed, such as ingroup identification, conceptions of social identities, prejudice, and the central role of social context. Based on contributions from leading researchers in Europe, Australia and the US, the book summarises the major research programmes conducted to date. Furthermore, the closing chapters provide commentary on this research, as well as mapping out key directions for future research. With a unique focus encompassing both social and developmental psychology, The Development of the Social Self will appeal to a broad spectrum of students and researchers in both disciplines, as well as those working in related areas such as sociology and child development.

Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)

New approaches to the study of the family in antiquity.