The attractions Roopa experienced and the fantasies she entertained as a teen shaped a male imagery that ensconced her subconscious. Insensibly, confident carriage came to be associated with the image of maleness in her mind-set. Her acute consciousness of masculinity only increased her vulnerability to it, making her womanliness crave for the maleness for its gratification. However, as her father was constrained to help her in becoming a doctor, she opts to marry, hoping that Sathyam might serve her cause though the persona she envisioned as masculine, she found lacking in him. But as he fails to go with her idea, she becomes apathetic towards him, and insensibly sinks into her friend Sandhya’s embrace, for lesbian solace. Soon, in a dramatic sequence of events, Tara, a suave call girl, tries to rope Roopa into her calling; Roopa herself loses her heart to Sandhya's beau Raja Rao, and Prasad, her husband’s friend falls for her. And as Prasad begins to induce Sathyam to be seduced by whores to worm his way into her affections, Roopa finds herself in a dilemma. However, as fate puts Raja Rao into Roopa’s arms in such a way as to lend novelty to fiction, this ‘novel’ nuances man-woman chemistry on one hand, and portrays woman-woman empathy on the other. Who said the novel is dead; 'Benign Flame' raises the bar as vouched by - The plot is quite effective and it’s a refreshing surprise to discover that the story will not trace a fall into disaster for Roopa, given that many writers might have habitually followed that course with a wife who strays into extramarital affairs - Spencer Critchley, Literary Critic, U.S.A. The author has convinced the readers that love is something far beyond the marriage tie and the fulfillment of love can be attained without marriage bondage. The author has achieved a minor revolution without any paraphernalia of revolution in the fourth part of the novel – The Quest, India. The author makes free use of – not interior monologue as such, but – interior dialogue of the character with the self, almost resembling the dramatic monologue of Browning. Roopa, Sandhya, Raja Rao and Prasad to a considerable extent and Tara and Sathyam to a limited degree indulge in rationalization, trying to analyse their drive sand impulses – The Journal of Indian Writing in English. Overall, Benign Flame is a unique attempt at exploring adult relationships and sexuality in the contemporary middle-class. All the characters come alive with their cravings and failings, their love and their lust. Benign Flame blurs the lines and emphasizes that life is not all black and white - it encompasses the full spectrum of living - Indian Book Chronicle.

While Mahabharata's Bhagvad-Gita is taken as a philosophical guide, Ramayana's Sundara Kãnda is sought for spiritual solace; many believe that reading it or hearing it recited would remove all hurdles and usher in good tidings! Miracles apart, it's in the nature of this great epic to inculcate fortitude and generate hope in man for it’s a depiction of how Hanuman goes about his errand against all odds. Besides, it portrays how Seetha, on the verge of self-immolation, overcomes despair to see life in a new light? With rhythm of its verse and the flow of the narrative this sloka to sloka transcreation of the canto beautiful of Valmiki's adi kavya - the foremost poetical composition in the world, Hanuman's Odyssey that paves the way for Rama to rescue his kidnapped wife is bound to charm the readers and listeners alike. Interestingly, as the following verse illustrates, it was the forerunner of the magic realism of our times – “Gripped she then him by shadow / Cast which Hanuman coast to coast, Recalled he in dismay then / What Sugreev said at outset / That one fiend had aptitude / To grip its prey by mere shadow.” On a personal note, my paternal grandfather, Bulusu Thimmaiah-garu, like many in his time, was a life-long practitioner of Sundara Kãnda parayana (the epic’s daily recital in part or full), whose spirituality could have providentially guided me in this, rather an effortless, trans-creative endeavour.

It's perilous penning this blurb. It's fine when man is modest about his work. It even affords him the aura of an invisible crown! But what about his work? Were it an art or craft, it is there for all to see. What of a literary work of an unheralded author? Well, lauding the same might raise one's eyebrows. Failing to praise wouldn't make a 'jewel-less crown' either! Why not see, if this is the great Indian novel. This is the story of the rise and fall of an ambitious man, the decline, and the decay of his conniving wife, the trials, and tribulations of their wayward son as well as the grit and gall of a spirited woman, who enters into his life. This depiction of their life and times not only pictures the facets of ambition and achievement, intrigue and betrayal, compulsion and compromise, sleaze and scandal, trial and sentence, but also portrays the possibilities of repentance and resolution, love and empathy coupled with compassion and contribution, leading to the spirituality of materialism, and that makes it the saga of our times. The story of a lifetime, truly.

Lured by the pitch - All marriages are made in heaven but some are delayed on earth: We endeavor to hasten them all - Priya goes to Renuka Marriage Bureau. Scanning the prospects, when she spotted Venu, whom she slighted long ago, she rushes to him to bring about a dramatic encounter. What brought about Priya’s change of heart to seek her former suitor and how Venu responds to his old flame’s fresh overtures lend suspense to their romance in this eclectic novella.

In a stream of consciousness mode ‘Glaring Shadow’ is the self-account of the life and times of a man, who liquidates his immense wealth only to consign it to the flames. The agony and ecstasy of his life as he makes it big in our materialistic world and the way he loses his soul in the bargain, only to regain it when tragedy strikes him makes one ponder over the meaning of success in life. This philosophical ‘novel of a memoir’ is a compelling read that is conducive to contemplate about the nature and scope of human relationships.

If passing through youth was like crossing the mirage of life for Chandra and Nithya, it proved to be chasing the mirage of love for Sathya and Prema though for plain Vasavi, Chandra's pitiable sibling, it was the end of the road. As life brings Chandra, who suffers from an inferiority complex for his perceived ugliness, and Nithya, who was bogged down being jilted by Vasu, together, they script their fate of fulfillment. And as poetic justice would have it, Sathya, who caused Prema's heart burn, himself was led down the garden path by Kala, doing a Sathya on Sathya. Just not that, life has in store just deserts for Vasu owing to Nithya's retribution as he tries to stalk her. Besides, after many a fictional twist and turn, the way the story ends, challenges the perception that fact is stranger than fiction.