Beneventanum Troporum Corpus II, Part 1a
Title | Beneventanum Troporum Corpus II, Part 1a PDF eBook |
Author | John Boe |
Publisher | A-R Editions, Inc. |
Pages | 136 |
Release | 1989-03-01 |
Genre | Music |
ISBN | 089579344X |
Beneventanum Troporum Corpus II, Part 1b
Title | Beneventanum Troporum Corpus II, Part 1b PDF eBook |
Author | John Boe |
Publisher | A-R Editions, Inc. |
Pages | 232 |
Release | 1989-06-01 |
Genre | Music |
ISBN | 0895793458 |
Beneventanum Troporum Corpus I, Part 1
Title | Beneventanum Troporum Corpus I, Part 1 PDF eBook |
Author | Alejandro Planchart |
Publisher | A-R Editions, Inc. |
Pages | 152 |
Release | 1994-05-01 |
Genre | Music |
ISBN | 0895793431 |
Beneventanum Troporum Corpus II, Part 2a
Title | Beneventanum Troporum Corpus II, Part 2a PDF eBook |
Author | John Boe |
Publisher | A-R Editions, Inc. |
Pages | 80 |
Release | 1990-02-01 |
Genre | Music |
ISBN | 0895793695 |
Beneventanum Troporum Corpus II, Part 2b
Title | Beneventanum Troporum Corpus II, Part 2b PDF eBook |
Author | John Boe |
Publisher | A-R Editions, Inc. |
Pages | 226 |
Release | 1990-08-01 |
Genre | Music |
ISBN | 0895793709 |
The Critical Editing of Music
Title | The Critical Editing of Music PDF eBook |
Author | James Grier |
Publisher | Cambridge University Press |
Pages | 288 |
Release | 1996-08-15 |
Genre | Music |
ISBN | 9780521558631 |
The book follows the activities inherent in music editing, including the tasks of the editor, the nature of musical sources, and transcription. Grier also discusses the difficult decisions faced by the editor such as sources not associated with the composer and necessary editorial judgement.
Chant and its Origins
Title | Chant and its Origins PDF eBook |
Author | ThomasForrest Kelly |
Publisher | Routledge |
Pages | 543 |
Release | 2017-07-05 |
Genre | History |
ISBN | 1351572385 |
The Latin liturgical music of the medieval church is the earliest body of Western music to survive in a more or less complete form. It is a body of thousands of individual pieces, of striking beauty and aesthetic appeal, which has the special quality of embodying, of giving voice to, the words of the liturgy itself. Plainchant is the music that underpins essentially all other music of the middle ages (and far beyond), and is the music that is most abundantly preserved. It is a subject that has engaged a great deal of research and debate in the last fifty years and the nature of the complex issues that have recently arisen in research on chant are explored here in an overview of current issues and problems.