"This is a story of maiden and warrior, of magic and demons, of dragon and gods, but above all else, this is a love story." Publisher's website:

This book fills a gap in Civil War literature on the strategies employed by the Union and Confederacy in the East, offering a more integrated interpretation of military operations that shows how politics, public perception, geography, and logistics shaped the course of military operations in the East. For all the literature about Civil War military operations and leadership, precious little has been written about strategy, particularly in what has become known as the eastern theater. Yet it is in this theater where the interaction of geography and logistics, politics and public opinion, battlefront and home front, and the conduct of military operations and civil-military relations can be highlighted in sharp relief. With opposing capitals barely 100 miles apart and with the Chesapeake Bay/tidewater area offering Union generals the same sorts of opportunities sought by Confederate leaders in the Shenandoah Valley, geography shaped military operations in fundamental ways: the very rivers that obstructed Union overland advances offered them the chance to outflank Confederate-prepared positions. If the proximity of the enemy capital proved too tempting to pass up, generals on each side were aware that a major mishap could lead to an enemy parade down the streets of their own capital city. Presidents, politicians, and the press peeked over the shoulders of military commanders, some of who were not reluctant to engage in their own intrigues as they promoted their own fortunes. The Civil War in the East does not rest upon new primary sources or an extensive rummaging through the mountains of material already available. Rather, it takes a fresh look at military operations and the assumptions that shaped them, and offers a more integrated interpretation of military operations that shows how politics, public perception, geography, and logistics shaped the course of military operations in the East. The eastern theater was indeed a theater of decision (and indecision), precisely because people believed that it was important. The presence of the capitals raised the stakes of victory and defeat; at a time when people viewed war in terms of decisive battles, the anticipation of victory followed by disappointment and persistent strategic stalemate characterized the course of events in the East.

One hundred and fifty years after the Battle of Gettysburg, the words of the soldiers and onlookers present for those three fateful days still reverberate with the power of their courage and sacrifice. The Illustrated Gettysburg Reader: An Eyewitness History of the Civil War's Greatest Battle gathers letters, journals, articles and speeches from the people who lived through those legendary three days. Tied together with narrative by historian Rod Gragg and illustrated with a wealth of photographs and images, The Illustrated Gettysburg Reader will transport you to the battlefield, immersing you in the emotional intensity of the struggle of brother against brother for the future of the United States of America. "Here they are penetrating the heart of a hostile country leaving their homes beyond broad rivers and the largest of the enemies armies while in front of them is gathering all of resistance that can be obtained by a power fruitful of every element of military power." —Confederate soldier T.G. Pollock on the 30th of June, 1863, the day before the Battle of Gettysburg

Custer’s Last Stand remains one of the most iconic events in American history and culture. Had Custer prevailed at the Little Bighhorn, the victory would have been noteworthy at the moment, worthy of a few newspaper headlines. In defeat, however tactically inconsequential in the larger conflict, Custer became legend. In Inventing Custer: The Making of an American Legend, Edward Caudill and Paul Ashdown bridge the gap between the Custer who lived and the one we’ve immortalized and mythologized into legend. While too many books about Custer treat the Civil War period only as a prelude to the Little Bighorn, Caudill and Ashdown present him as a product of the Civil War, Reconstruction Era, and the Plains Indian Wars. They explain how Custer became mythic, shaped by the press and changing sentiments toward American Indians, and show the many ways the myth has evolved and will continue to evolve as the United States continues to change.