"The first critical study of Kathak dance within the discourses of the modern and the global, tracing the arc of two centuries of Kathak: the colonial nautch dance, classical Kathak under nationalism and postcolonialism and 'innovation' and 'new directions' under transnationalism and globalization. It blends various approaches from anthropology, ethnomusicology, and performance, media and gender studies to map the journey of Kathak from baijis and tawaifs to the global stage. The book uses dance as a lens to explore the interaction between the actors and forces of cultural change from power and patronage to television and film."--BOOK JACKET.

"The first critical study of Kathak dance within the discourses of the modern and the global, tracing the arc of two centuries of Kathak: the colonial nautch dance, classical Kathak under nationalism and postcolonialism and 'innovation' and 'new directions' under transnationalism and globalization. It blends various approaches from anthropology, ethnomusicology, and performance, media and gender studies to map the journey of Kathak from baijis and tawaifs to the global stage. The book uses dance as a lens to explore the interaction between the actors and forces of cultural change from power and patronage to television and film."--BOOK JACKET.

From New York Times bestselling author, feminist pioneer, and cultural icon bell hooks, a timelessly necessary treatise on how patriarchy and toxic masculinity hurts us all, with a new introduction by poet Ross Gay. Feminist writing did not tell us about the deep inner misery of men. Everyone needs to love and be loved—including men. But to know love, men must be able to look at the ways in which patriarchal culture keeps them from understanding themselves. In The Will to Change, bell hooks provides a compassionate guide for men of all ages and identities to understand how to be in touch with their feelings, and how to express versus repress the emotions that are a fundamental part of who we are. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. The Will to Change “creates space for men to acknowledge their traumas and heal—not only for their sake, but for the sake of everyone in their lives” (BuzzFeed).

In Bells, Gongs, and Wooden Fish, Venerable Master Hsing Yun grants voices to the objects of daily monastic life to tell their stories in this collection of first-person narratives. From monastic shoes to robes and alms bowls, these everyday objects tell the story of their lives and the life of Buddhism from their own perspective. Originally published in 1953, the collected sketches are both lyrical and satiric. The collection of inanimate speakers describe and criticize the state of Chinese Buddhism in the early twentieth century in which educating the laity is an afterthought and the day-to-day activities of monastics are dominated by funerary rites. Bells, Gongs, and Wooden Fish showcases the beginnings of Master Hsing Yun's work as a Buddhist reformer, and describes a path to revolutionize, modernize, and humanize Buddhism that resonates to this day.

The aim of the Watching series is to draw attention to some of the very interesting items around us, things that perhaps we don't notice as much as we might. The first was Bridge Watching, and when this was put ''on the Net'' it produced, to the surprise of the author, such a pleasant flood of e-mail that another was written, called Water Watching. This, too, was kindly received. So it was tempting to continue with the theme. Many people know very little about bells, and some, sadly, know nothing at all. This is a pity for, large or little, they can be engaging objects. You might think that ''Bell Hearing'' might be a better title; but looking at bells has its own attraction, too. In England, church bells are well known, because of the sounds they make, though many people have not seen the bells themselves. Doorbells, too, are familiar items in many houses, but are rarely regarded with any particular interest. Some of these are not what is popularly imagined as bell-shaped, and are more properly chimes. Then there are bicycle bells, cowbells, and many other kinds, too, all well worth a thought. Things that are free are doubly attractive. It costs nothing to enjoy the pleasures of getting to know these interesting objects. Learning a little about the fascinating qualities of bells in general can be an enjoyable occupation, and can start a lively curiosity about them. The more you know about them, the more interesting they become.