Who was Belle Starr? What was she that so many myths surround her? Born in Carthage, Missouri, in 1848, the daughter of a well-to-do hotel owner, she died forty-one years later, gunned down near her cabin in the Cherokee Nation in Oklahoma. After her death she was called “a bandit queen,” “a female Jesse James,” “the Petticoat Terror of the Plains.” Fantastic legends proliferated about her. In this book Glenn Shirley sifts through those myths and unearths the facts. In a highly readable and informative style Shirley presents a complex and intriguing portrait. Belle Starr loved horses, music, the outdoors-and outlaws. Familiar with some of the worst bad men of her day, she was, however, convicted of no crime worse than horse thievery. Shirley also describes the historical context in which Belles Starr lived. After knowing the violence of the Civil War as a child in the Ozarks, She moves to Dallas in the 1860s and married a former Confederate guerilla who specialized in armed robbery. After he was killed, she found a home among renegade Cherokees in the Indian Territory, on her second husband’s allotment. She traveled as far west as Los Angeles to escape the law and as far north as Detroit to go to jail. She married three times and had two children, whom she idolized and tormented. Ironically she was shot when she had decided to go straight, probably murdered by a neighbor who feared that she would turn him in to the police. This book will find a wide readership among western-history and outlaw buffs, folklorists, sociologists, and regional historians. Shirley’s summary of the literature about Belle Starr is as interesting as the true story of Belle herself, who has become the West’s best-known woman outlaw.

Legendary comrade and consort to train robbers, bootleggers, stagecoach robbers, bushwhackers, bank robbers, horse thieves, cattle thieves, and outlaws of all stripes, Belle Star (1848?89) was born in Missouri and emigrated with her family to Texas in 1863. Myth made her a dancehall entertainer, faro dealer, expert horsewoman, crack shot, and adopted member of the Cherokee Nation. Was her first love Cole Younger, a cousin and associate of Jesse James, and did she bear his child in 1869? And when she settled at Younger?s Bend on the Canadian River in Indian Territory, did she really establish a haven for desperadoes, mastermind a string of criminal enterprises, and entertain a series of lovers, all of whom met with violent ends? Did the dime novelists invent her flamboyant dress, musical abilities, literary tastes, colorful language, and determined refusal to occupy ?a woman?s place?? Or was she an original free spirit whose force of personality and violation of all normal standards of conduct made her the perfect antiheroine of the Western frontier? Burton Rascoe?s classic biography separates the facts from the folklore and traces the sources and afterlives of the fictional accounts published after her mysterious and unsolved murder. Glenda Riley?s introduction adds new evidence to help get behind the layers of oral history, hyperbole, and outright lies.

Jesse and the Bandit Queen is an intriguing, many sided saga about the stormy relationship between Jesse James and Belle Starr. Interwoven into the play are tales of their outlaw contemporaries and of the people close to Jesse and Belle friends, foes, family and lovers. The two actors switch in and out of various roles to present a sweeping spectrum of the American West legend, myth and reality.

Originally published: La Jolla, CA: WildStorm, 2003.

A classic in contemporary Oklahoma literature, Roxanne Dunbar-Ortiz’s Red Dirt unearths the joys and ordeals of growing up poor during the 1940s and 1950s. In this exquisite rendering of her childhood in rural Oklahoma, from the Dust Bowl days to the end of the Eisenhower era, the author bears witness to a family and community that still cling to the dream of America as a republic of landowners.

An easy-to-use guide to American regional folklore with advice on conducting research, regional essays, and a selective annotated bibliography. American Regional Folklore begins with a chapter on library research, including how to locate a library suitable for folklore research, how to understand a library's resources, and how to construct a research strategy. Mood also gives excellent advice on researching beyond the library: locating and using community resources like historical societies, museums, fairs and festivals, storytelling groups, local colleges, newspapers and magazines, and individuals with knowledge of the field. The rest of the book is divided into eight sections, each one highlighting a separate region (the Northeast, the South and Southern Highlands, the Midwest, the Southwest, the West, the Northwest, Alaska, and Hawaii). Each regional section contains a useful overview essay, written by an expert on the folklore of that particular region, followed by a selective, annotated bibliography of books and a directory of related resources.