'This book is about my making sense here, of my becoming and being Pākehā. Every Pākehā becomes a Pākehā in their own way, finding her or his own meaning for that Māori word. This is the story of what it means to me. I have written this book for Pākehā – and other New Zealanders – curious about their sense of identity and about the ambivalences we Pākehā often experience in our relationships with Māori.' A timely and perceptive memoir from award-winning author and academic Alison Jones. As questions of identity come to the fore once more in New Zealand, this frank and humane account of a life spent traversing Pākehā and Māori worlds offers important insights into our shared life on these islands.

First published in 1985, Michael King's Being Pakeha became a gentle Kiwi classic, a strong reply both to Maori who were asserting their own identity and also to Pakeha who mumbled that they didn t have a strong culture and identity of their own. Being Pakeha Now is an updated edition that reflects on these issues and how they have changed and evolved over the last fifteen years. The theme of Being Pakeha is that white New Zealanders do indeed belong to a strong culture, which is called 'Pakeha' and which is different, strong and definable and worth celebrating. In this revised edition King rewrites the Introduction and updates many of the chapters. In addition, he offers two new chapters, one on his experiences with Moriori and the Chathams and the other on his involvement in the NZ literary community.

Aotearoa New Zealand, “a tiny Pacific country,” is of great interest to those engaged in postcolonial and literary studies throughout the world. In all former colonies, myths of national identity are vested with various interests. Shifts in collective Pakeha (or New Zealand-European) identity have been marked by the phenomenal popularity of three novels, each at a time of massive social change. Late-colonialism, anti-imperialism, and the collapse of the idea of a singular ‘nation’ can be traced through the reception of John Mulgan’s Man Alone (1939), Keri Hulme’s the bone people (1983), and Alan Duff’s Once Were Warriors (1990). Yet close analysis of these three novels also reveals marginalization and silencing in claims to singular Pakeha identity and a linear development of settler acculturation. Such a dynamic resonates with that of other ‘settler’ cultures – the similarities and differences telling in comparison. Specifically, Reading Pakeha? Fiction and Identity in Aotearoa New Zealand explores how concepts of race and ethnicity intersect with those of gender, sex, and sexuality. This book also asks whether ‘Pakeha’ is still a meaningful term.

The Pakeha author grew up in the 1940s and 50s. As an author and film-maker he became involved in the Maori renaissance of the 1970s and eighties.

Traversing far flung Jewish communities in South Africa, Australia, Texas, Brazil, China, New Zealand, Quebec, and elsewhere, this wide-ranging collection explores the notion of "frontier" in the Jewish experience as a historical/geographical reality and a conceptual framework. As a compelling alternative to viewing the periphery only as a locus of dispossession and exile from the "homeland, " this work imagines a new Jewish history written as the history of the Jews at the frontier. In this new history, governed by the dynamics of change, confrontation, and accommodation, marginalized experiences are brought to the center and all participants are given voice. By articulating the tension between the center/periphery model and the frontier model, Jewries at the Frontier shows how the productive confrontation between and among cultures and peoples generates a new, multivocal account of Jewish history.

In a radically changed Aotearoa New Zealand, Van's life in the swamp is hazardous. Sheltered by Rau and Matewai, he mines plastic and trades to survive. When a young visitor summons him to the fenced settlement on the hill, he is offered a new and frightening responsibility—a perilous inland journey that leads to a tense confrontation and the prospect of a rebuilt world.

This book describes one of the most extraordinary and fascinating stories in NZ history. In the early part of the last century several thousand runaway seamen and escaped convicts settled in Maori communities. Jacky Mamon, John Rutherford, Charlotte Badger and many others - this is their largely untold story. They were regarded as unsavoury renegades by the European settlers, but amongst Maori they were usually welcomed. Many Pakeha Maori took wives and were treated as Maori, others were treated as slaves. Some received the moko, the facial or body tattoo. Others became virtual white chiefs and fought in battle with their adopted tribe. A few even fought against European soldiers, advising their fellow fighters about European infantry and artillery tactics. In this, the first-ever book devoted solely to the Pakeha Maori, Trevor Bentley describes in fascinating detail how the strangers entered Maori communities, adapted to tribal life and played a significant role in the merging of the two cultures.