Without a recognized reservation or homeland, what keeps an Indian tribe together? How can members of the tribe understand their heritage and pass it on to younger generations? For Christine Dupres, a member of the Cowlitz tribe of southwestern Washington State, these questions were personal as well as academic. In Being Cowlitz: How One Tribe Renewed and Sustained Its Identity, what began as the author’s search for her own history opened a window into the practices and narratives that sustained her tribe’s identity even as its people were scattered over several states. Dupres argues that the best way to understand a tribe is through its stories. From myths and spiritual traditions defining the people’s relationship to the land to the more recent history of cultural survival and engagement with the U.S. government, Dupres shows how stories are central to the ongoing process of forming a Cowlitz identity. Through interviews and profiles of political leaders, Dupres reveals the narrative and rhetorical strategies that protect and preserve the memory and culture of the tribe. In the process, she creates a blueprint for cultural preservation that current and future Cowlitz tribal leaders--as well as other indigenous activists--can use to keep tribal memories alive.

Cowlitz are a Coast Salish group of southwestern Washington who are defined by where they are from, their line of descent, and their level of prestige vis-á-vis other groups along the coast and in the interior. In this book, Darleen Fitzpatrick probes the interconnection between culture and the boundaries that surround it, suggesting that Coast Salish ideology, which centers upon a class/prestige system and a code of ethics, links social structure with culture. These features initiate Cowlitz ethnic boundaries and the development of related cultural signs, which both transmit and communicate Cowlitz collective ethnic identity, as well as salience of ethnicity. Dr. Fitzpatrick provides a modest semiotic analysis of culture that distinguishes the cultural signs Cowlitz expresses, some of which are not attached to the ideology, to help readers understand their meaning.

In My Body Is a Book of Rules, Elissa Washuta corrals the synaptic gymnastics of her teeming bipolar brain, interweaving pop culture with neurobiology and memories of sexual trauma to tell the story of her fight to calm her aching mind and slip beyond the tormenting cycles of memory.

Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.