Beijing Comrades is the story of a torrid love affair set against the socio-political unrest of late-eighties China. Due to its depiction of gay sexuality and its critique of the totalitarian government, it was originally published anonymously on an underground gay website within mainland China. This riveting and heart-breaking novel, circulated throughout China in 1998, quickly developed a cult following and remains a central work of queer literature from the People's Republic. This is the first English-language translation.

Hoping to make amends, Wong returns to Beijing to find the classmate she betrayed during the Cultural Revolution. As she traces her way from one former comrade to the next, Wong unearths not only the fate of the woman she is searching for but a web of fates that mirrors the dramatic journey of contemporary China.

These 21 dynamic articles by Chinese women scholars explore the limitations on women's lives in premodern China, detail their involvement in the great political movements of the 20th century and examine how new laws have improved women's status, yet have left them open to exploitation as China enters the global economy. With statistics and reports otherwise unavailable, they give a refreshing outlook on China's women that is breathtaking both for the problems it confronts and for the spirit of struggle it embodies.

The withdrawal of the United States from Afghanistan has left a lasting impact on both Afghanistan's future and on Asian geopolitics. It has also brought China into focus. This book traces the emergence of China as a key player in Afghanistan and the evolution of China's Afghan policy especially with respect to its relations with the Taliban. Beijing's dominant role in Afghanistan's future is a potentially game-changing development in Asian geopolitics, even if questions remain about the former's appetite to step in to fill the void and the limits of its ambitions. In The Comrades and the Mullahs, Ananth Krishnan and Stanly Johny examine what Beijing's interests are and the drivers of its foreign policy, and, more specifically, how its new Silk Road project-the Belt and Road Initiative-is shaping China-Afghan relations. They look at how Afghanistan has emerged as a key point on the corridor heading west from Xinjiang, and discuss the Xinjiang factor, drawing on their travels to China's western frontiers, as well as the internal dynamics that are pushing Beijing's westward march. Another factor is the East Turkestan Islamic Movement and the terror groups that are leading to an increasingly securitized approach to China's western regions and beyond, including possible Chinese plans to deploy special forces along the China-Afghan border areas in the Wakhan corridor and Badakhshan region. China's Afghan engagement has also deepened its 'all-weather' alliance with Pakistan-with Beijing increasingly leaning on Islamabad, particularly in its outreach to the Taliban and other elements in Afghanistan that have long been supported by the Pakistani state-and is a perennial source of tension between Islamabad and Kabul. The authors show how this increasing closeness is alarming for India, and might have far-reaching consequences, especially in Kashmir.

In 1987 Michael Harrold went to North Korea to work as English language adviser on translations of the speeches of the late President Kim Il Sung (the Great Leader) and his son and heir Kim Jong Il (then Dear Leader and now head of state). For seven years he lived in Pyongyang enjoying privileged access to the ruling classes and enjoying the confidence of the country’s young elite. In this fascinating insight into the culture of North Korea he describes the hospitality of his hosts, how they were shaken by the Velvet Revolution of 1989 and many of the fascinating characters he met from South Korean and American GI defectors to his Korean minder and socialite friends. After seven years and having been caught passing South Korean music tapes to friends and going out without his minder to places forbidden to foreigners, he was asked to leave the country.

"This is a fascinating book. It will educate you. Schwartzel has done some extraordinary reporting." — The New York Times Book Review “In this highly entertaining but deeply disturbing book, Erich Schwartzel demonstrates the extent of our cultural thrall to China. His depiction of the craven characters, American and Chinese, who have enabled this situation represents a significant feat of investigative journalism. His narrative is about not merely the movie business, but the new world order.” —Andrew Solomon, author of Far from the Tree and The Noonday Demon An eye-opening and deeply reported narrative that details the surprising role of the movie business in the high-stakes contest between the U.S. and China From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.

This very timely, well-written and insightful exploration of gay identity & queer activism in the PRC today is more than a study of `queer China' through the lens of male homosexuality; it also examines identity, power and governmentality in contemporary China, as shaped by China's historical conditions and contemporary situations.