First-person narratives of 27 former SC slaves edited from WPA slave narratives.

CHASING FREEDOM, REMEMBERING THE SIXTIES, by Marquis Whos Who in the World writer Paul Heidelberg, is a novel about life, art and music in San Francisco during The Roaring Sixties. The novel revolves around life at the San Francisco Art Institute, which the author attended for four years before earning a degree in painting and creative writing (Jerry Garcia of the Grateful Dead studied at the art institute, and Janis Joplin worked in the school cafeteria before attaining rock star status). The book, set in The Sixties, which the author considers to have been from about 1965-75, has a painter as female protagonist and a painter and poet as male protagonist. It includes poetry readings at the Coffee Gallery on Grant Avenue, where Janis Joplin had her first paying job as a singer, and incorporates poetry into prose. The book includes the authors Theory Of Relativity Of Ping-Pong Balls of people constantly meeting and parting he had formulated while living in Europe. Other characters who figure into the books progress and conclusion include a sculptor who graduated from art institute in the late 1960s who has an upbeat personality and often ends a sentence with laughter: ha, ha, ha, ha, ha. CHASING FREEDOM, REMEMBERING THE SIXTIES includes scenes from wild art exhibition openings, to free performances by such musicians as blues great Charlie Musselwhite (in a San Francisco bar) and Dr. John, who led a New Orleans-style musical parade up Columbus Avenue in North Beach. The book includes scenes in Morocco in 1971, and Essouira Peter, a Yale University graduate who had tuned in, turned on and dropped out, to Barbayanni in 1960s Greece. Barbayanni, Uncle John, lived in the village of Mallia, Crete and wore the black baggy pants, high black goatskin boots and other accoutrements of a proud Cretan the clothing that had been worn by the grandfather of the writer Nikos Kazantzakis. The great Cretan writer is also an important figure in the book. Another key figure is the Spanish poet Federico Garcia Lorca. As author Heidelberg writes in the beginning pages of CHASING FREEDOM, REMEMBERING THE SIXTIES, the book is not merely a remembrance of The Sixties, but it is also a remembrance of all times when artists and others have been Chasing Freedom, as Federico Garcia Lorca did in the 1920s and 1930s. The novel concludes at a great rock concert in San Francisco. (The price of the book includes a suitable-for-framing Fine Art Print, the cover illustration, created by using modern computer software to alter a photographic transparency taken at the San Francisco Art Institute during The Sixties.)

In Ghana today, many people who suffer from a variety of human ills wander from one pastor to another in search of a spiritual cure. Because of the way cultural beliefs about the spiritual world have interwoven with their Christian faith, many Ghanaian Christians live in bondage to their fears of evil spiritual powers, seeing Jesus as a superior power to use against these malevolent spiritual forces. In For Freedom or Bondage? Esther Acolatse argues that Christian pastoral practices in many African churches include too much influence from African traditional religions. She examines Ghana Independent Charismatic churches as a case study, offering theological and psychological analysis of current pastoral care practices through the lenses of Barth and Jung. Facilitating a three-strand conversation between African traditional religion, Barthian theology, and Jungian analytical psychology, Acolatse interrogates problematic cultural narratives and offers a more nuanced approach to pastoral care.

Comfort, O comfort my people. . . In the wilderness prepare the way of the Lord.' The second part of the book of Isaiah rings with proclamations and prophecies that find their fulfilment in the Gospels and are still being fulfilled by followers of Jesus today. In Freedom is Coming Nick Baines invites you to think about what it meant for people in Isaiah's day to be living in exile, and how the prophet encouraged them to keep their faith alive despite the apparent hopelessness of their situation. At the same time, this book helps you to see the connections between Isaiah's time and ours, and how his vision of God's truth and justice spreading throughout the world can comfort, challenge and inspire God's people now, just as it did back then. Read this book and find out how you too can become a 'light to the nations' as, once again, we approach the celebration of Christ's birth and the new world that God has promised to bring into being.

This book will hopefully bring the justice that should have been done in the first place. It has been a long ride of being hungry and lonely for the author. I really hope justice will come, and he will finally be happy and be with his kids again. It's been so long I wonder, do his kids even know him anymore? I know it's been a long battle for him. But we all know God got him.

“A vast choral pageant that recounts the momentous work of the civil rights struggle.”—The New York Times Book Review A monumental volume drawing upon nearly one thousand interviews with civil rights activists, politicians, reporters, Justice Department officials, and others, weaving a fascinating narrative of the civil rights movement told by the people who lived it Join brave and terrified youngsters walking through a jeering mob and up the steps of Central High School in Little Rock. Listen to the vivid voices of the ordinary people who manned the barricades, the laborers, the students, the housewives without whom there would have been no civil rights movements at all. In this remarkable oral history, Henry Hampton, creator and executive producer of the acclaimed PBS series Eyes on the Prize, and Steve Fayer, series writer, bring to life the country’s great struggle for civil rights as no conventional narrative can. You will hear the voices of those who defied the blackjacks, who went to jail, who witnessed and policed the movement; of those who stood for and against it—voices from the heart of America.