The real key to this distinctive book lies in its subtitle. The book's core is an astonishingly detailed medical history of Mozart, spanning his entire life, compiled with great ingenuity and skill from varied and sometimes surprising sources. Davies, a British physician specializing in internal medicine, has already established his credentials with a series of substantial journal articles concerning Mozart's final illness and death. Here he expands and consolidates his research, offering a presumably definitive account of the intricate cluster of ailments and disabilities, some stretching back over many years, that eventually contributed to Mozart's early death. After reading Davies, one wonders not at Mozart's early end but, rather, how he survived for so long. . . . Davies advances unexpected medical causes for some Mozartean peculiarities of behavior, and surely these ideas will provoke much interest among Mozart scholars. For college or university libraries that already have the `basic' Mozart items, here is a unique and most rewarding addition. Choice There have been many studies of Mozart, but few offer as rich an understanding of the composer's character as this book. Mozart in Person appraises the physical, mental, and spiritual aspects of Mozart's health and its effect on his creativity. As Erna Schwerin says in the introduction, Mozart emerges as a human being, realistically perceived with twentieth-century sensibility, yet retrospectively in the light of eighteenth-century mores. This is the first volume to describe all of Mozart's known illnesses and to present a detailed discussion of the controversial cause of his premature death, with a convincing refutation of the alleged poisoning theories. Davies defines Mozart's enigmatic, complex personality, and presents fascinating insights into Mozart's relationships with his pastimes and stresses. The health of Mozart's family, especially the personality, illnesses, and death of his father are discussed. The author explores many of the myths surrounding this great and often misunderstood composer and clarifies our understanding of Mozart's flaws and shortcomings through authentic documentation, thereby eliminating some of the distortions created in recent popular plays and films. There is a detailed review of Mozartian economics, including the composer's debts, extravagance, and gambling proclivities. Yet another highlight of the book is an up-to-date account of exciting recent research on Mozart's skull and the bronze death mask. The first book in English devoted entirely to Mozart's physical and mental health, Mozart in Person contains a comprehensive bibliography of books and articles from musical and medical literatures. The state of medical knowledge in eighteenth-century Europe and glossary of medical terms are presented. Although suitable for nonspecialist research, this volume will also have wide academic appeal in the study of medicine, psychology, and music, and will be a welcome addition to all general libraries.

Written for the general reader, this book reveals how Beethoven's great works reflect both his artistic individuality and the deepest philosophical and political currents of his age.

“An ideal ‘first book’ on Beethoven” from one of the world’s most eminent classical music aficionados (Booklist). Beethoven scholar and classical radio host John Suchet has had a lifelong, ardent interest in the man and his music. Here, in his first full-length biography, Suchet illuminates the composer’s difficult childhood, his struggle to maintain friendships and romances, his ungovernable temper, his obsessive efforts to control his nephew’s life, and the excruciating decline of his hearing. This absorbing narrative provides a comprehensive account of a momentous life, as it takes the reader on a journey from the composer’s birth in Bonn to his death in Vienna. Chronicling the landmark events in Beethoven’s career—from his competitive encounters with Mozart to the circumstances surrounding the creation of the well-known “Für Elise” and Moonlight Sonata—this book enhances understanding of the composer’s character, inspiring a deeper appreciation for his work. Beethoven scholarship is constantly evolving, and Suchet draws on the latest research, using rare source material (some of which has never before been published in English) to paint a complete and vivid portrait of the legendary prodigy. “A gripping and thought-provoking read.” —Howard Shelley, pianist and conductor “By exercising a genuine authority in identifying how Beethoven, the man, manifests himself in our appreciation of the music, Suchet brings an incisive freshness to an extraordinary life.” —Jonathan Freeman-Attwood, Principal of the Royal Academy of Music

Bonded Leather binding

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Sourcebooks MediaFusion and Naxos proudly present this fascinating biography, complete with two CDs of his greatest works plus an exclusive website with extended compositions. Jeremy Siepmann draws an accessible portrait of the turbulent, troubled but determined figure of Beethoven, regarded by many as the greatest composer who ever lived. And with the words comes the music: Two CDs of carefully chosen pieces covering all the different genres in which Beethoven made his mark. Readers also gain access to an exclusive website that offers the musical works in full, the music of Beethoven's contemporaries, new essays and more. This revolutionary biography utilizes traditional and new media to provide a uniquely rounded portrait of the composer himself. Naxos is the world's leading classical music label and provider of classical music over the Internet at www.naxos.com.

How hard is it to move 5 legless pianos 39 times? Beethoven owned five legless pianos and composed great works on the floor. His first apartment was in the center of Vienna's theater district... but he forgot to pay rent, so he had to move. (And it's very hard to move a piano. Even harder to move five). Beethoven's next apartment was in a dangerous part of town... so he moved, and the pianos followed on a series of pulleys. Then came an apartment with a view of the Danube (but he made too much noise and the neighbors complained), followed by an attic apartment (where he made even MORE of a rukus), and so Beethoven moved again and again. Each time, pianos were bought, left behind, transported on pulleys, slides, and by movers, all so that gifted Beethoven could compose great works of music for the world.