This provocative biography tells the story of how an ambitious young Londoner became England’s greatest novelist. Focused on the 1830s, it portrays a restless, uncertain Dickens who could not decide on a career path. Through twists and turns, the author traces a double transformation: in reinventing himself Dickens reinvented the form of the novel.

Becoming Dickens tells the story of how an ambitious young Londoner became England’s greatest novelist. In following the twists and turns of Charles Dickens’s early career, Robert Douglas-Fairhurst examines a remarkable double transformation: in reinventing himself Dickens reinvented the form of the novel. It was a high-stakes gamble, and Dickens never forgot how differently things could have turned out. Like the hero of Dombey and Son, he remained haunted by “what might have been, and what was not.” In his own lifetime, Dickens was without rivals. He styled himself simply “The Inimitable.” But he was not always confident about his standing in the world. From his traumatized childhood to the suicide of his first collaborator and the sudden death of the woman who had a good claim to being the love of his life, Dickens faced powerful obstacles. Before settling on the profession of novelist, he tried his hand at the law and journalism, considered a career in acting, and even contemplated emigrating to the West Indies. Yet with The Pickwick Papers, Oliver Twist, and a groundbreaking series of plays, sketches, and articles, he succeeded in turning every potential breakdown into a breakthrough. Douglas-Fairhurst’s provocative new biography, focused on the 1830s, portrays a restless and uncertain Dickens who could not decide on the career path he should take and would never feel secure in his considerable achievements.

THE ACCLAIMED DEFINITIVE BIOGRAPHY OF ONE OF THE GREATEST BRITISH WRITERS OF ALL TIME Charles Dickens was a phenomenon: a journalist, a father of ten, a supporter of liberal social causes, but most of all, a great novelist. From unpromising beginnings sent to work a black factory age twelve, he rose to such social and literary heights that when he died, the world mourned. Yet the brilliance concealed a divided character: a republican, he disliked America; sentimental about the family, he took up with a young actress; usually generous, he cut off his impecunious children. From the award-winning author Claire Tomalin, Charles Dickens: A Life paints an unforgettable portrait of Dickens, capturing brilliantly the complex character of this great genius. If you loved Great Expectations, Oliver Twist and A Christmas Carol, this book is invaluable reading. 'By far the most humane and imaginatively sympathetic account yet for the general reader' Amanda Craig, New Statesman

The award-winning author of modern classics such as Schindler’s List and Napoleon’s Last Island is at his triumphant best with this “engrossing and transporting” (Financial Times) novel about the adventures of Charles Dickens’s son in the Australian Outback during the 1860s. Edward Dickens, the tenth child of England’s most famous author Charles Dickens, has consistently let his parents down. Unable to apply himself at school and adrift in life, the teenaged boy is sent to Australia in the hopes that he can make something of himself—or at least fail out of the public eye. He soon finds himself in the remote Outback, surrounded by Aboriginals, colonials, ex-convicts, ex-soldiers, and very few women. Determined to prove to his parents and more importantly, himself, that he can succeed in this vast and unfamiliar wilderness, Edward works hard at his new life amidst various livestock, bushrangers, shifty stock agents, and frontier battles. By reimagining the tale of a fascinating yet little-known figure in history, this “roguishly tender coming-of-age story” (Booklist) offers penetrating insights into Colonialism and the fate of Australia’s indigenous people, and a wonderfully intimate portrait of Charles Dickens, as seen through the eyes of his son.

You might have read him in class, but the Victorians read Charles Dickens like we watch Melrose Place, and The Friendly Dickens will show you why. It is the ultimate pop reference to the Dickensian world of shrouded sex and ostentatious death, a book that will have you running in delight to dust off your Dickens.Norrie Epstein--whose The Friendly Shakespeare was called by The New York Times "spirited, informative and provocative"--opens up Dickens's life and times in all its squalor and glory, including his rise to greatness and occasional lapses from grace. She considers his works, major and minor, in decided lively fashion, not just reading, but reading between the lines:* Was Oliver Twist's Fagin a pederast?* What made A Christmas Carol's Tiny Tim so darn tiny?* How many of Dickens's child characters met an untimely end? (Hint: plenty.)Full of humor, skepticism, and expert opinions, with eye- catching illustrations, plenty of quotes, and sidebars on nearly every page, you will quickly become a Dickens authority--even if you've never read a word.

2021 National Jewish Book Award Winner - Children's Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children's Books of 2021, Tablet Magazine A Junior Library Guild Selection March 2022 The Best Children's Books of the Year 2022, Bank Street College 2022 First Place—Children's Book Nonfiction, Press Women of Texas 2022 First Place—Children's Book Nonfiction, National Federation of Press Women Eliza Davis believed in speaking up for what was right. Even if it meant telling Charles Dickens he was wrong. In Eliza Davis's day, Charles Dickens was the most celebrated living writer in England. But some of his books reflected a prejudice that was all too common at the time: prejudice against Jewish people. Eliza was Jewish, and her heart hurt to see a Jewish character in Oliver Twist portrayed as ugly and selfish. She wanted to speak out about how unfair that was, even if it meant speaking out against the great man himself. So she wrote a letter to Charles Dickens. What happened next is history.